Cover

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

U.S. Soldiers assigned to 14th Brigade Engineer Battalion, 2-2 Stryker Brigade Combat Team, 7th Infantry Division enter a cave to conduct Chemical, Biological, Radiological, and Nuclear (CBRN) operations during Rotation 25-11 at the National Training Center, Fort Irwin, Calif., Sep. 16, 2025. Rotations at the National Training Center ensure Army Brigade Combat Teams remain versatile, responsive, and consistently available for current and future contingencies. (U.S. Army photo by Cpl. Jeffrey Garland, Operations Group, National Training Center)

PRIME DIRECTIVES:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Members of the Moroccan Groupement des Forces Spéciale clear tunnels used by opposition forces during a Joint Combined Exchange Training (JCET) at Tifnit Training Base, Morocco, May 13, 2026. JCETs bolster regional security and improve threat response by building shared readiness and fostering collaborative relationships. (U.S. Air Force photo by Staff Sgt. Enrique Barcelo)

PRIME DIRECTIVES:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Combined Air Operations Center (CAOC) at Al Udeid Air Base, Qatar, provides command and control of air power throughout Iraq, Syria, Afghanistan, and 17 other nations. The CAOC is comprised of a joint and coalition team that executes day-to-day combined air and space operations and provides rapid reaction, positive control, coordination, and de-confliction of weapon systems. (U.S. Air Force photo by Tech. Sgt. Joshua Strang)

PRIME DIRECTIVES:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Donny Hathaway had already been expounding on the splendors and indignities of American life by the time he got to the Troubadour in West Hollywood in the last week of August 1971.

A classically trained pianist with a declamatory voice shaped by his years in the church, Hathaway closed Side 1 of his 1970 debut with an original called “Tryin’ Times” — “Maybe folks wouldn’t have to suffer,” he sang, “if there was more love for your brother” — and finished the LP with a stately rendition of Nina Simone’s “To Be Young, Gifted and Black.” Months after the album was released, he dropped a joy bomb of a holiday single, “This Christmas,” that unapologetically made space for a Black experience in the yuletide-industrial complex.

Donny Hathaway performs at Mister Kelly’s in Chicago in 1971.

(Val Mazzenga / Chicago Tribune / Tribune News Service via Getty Images)

Yet Hathaway captured something indelibly American during his week of shows at the Troubadour, which were recorded (along with a later gig at New York’s Bitter End) for the singer’s classic “Live” album that came out in February 1972. On an LP full of spine-tingling performances, the undeniable high point is Hathaway’s take on Carole King’s “You’ve Got a Friend” — a clear-eyed if optimistic portrait of resilience and cultural exchange.

King — who’d made her name in the 1960s as half of a prolific Brill Building songwriting duo with her husband, Gerry Goffin — wrote “You’ve Got a Friend” after leaving Goffin and moving to Los Angeles with her two young daughters. Here she remade herself as a low-key singer-songwriter dispensing wise yet unflashy tunes about love, home and family — part of a gentle resetting of pop’s mood after the turmoil of the previous decade.

Cut like the rest of the album at A&M Studios on La Brea Avenue, “You’ve Got a Friend” helped drive King’s 1971 “Tapestry” LP to sales of more than 10 million copies and to a boatload of trophies (including album, record and song of the year) at the Grammy Awards; the singer’s pal James Taylor, whom she’d performed with for the first time in late 1970 at the Troubadour, topped Billboard’s Hot 100 with his own cover of “Friend” featuring background vocals by Joni Mitchell.

On the advice of Atlantic Records’ Jerry Wexler, Hathaway also recorded “Friend” as a studio duet with Roberta Flack, a fellow Howard University alum; their take sat in the Top 20 of Billboard’s R&B chart as Hathaway began his run at the Troubadour — popular enough that the audience on “Live” erupts at the sound of Hathaway’s opening organ lick.

Carole King at A&M Studios in Los Angeles in 1970.

(Jim McCrary / Redferns via Getty Images)

Indeed, the crowd is really the thing in this live version of “You’ve Got a Friend.” Hathaway and his band — including guitarist Phil Upchurch, bassist Willie Weeks and 16-year-old Fred White (soon to be of Earth, Wind & Fire) on drums — are cooking, to be clear; the groove is funky and viscous, and Hathaway’s vocal is gorgeous, not least in his nimble ad-libs.

But it’s his interplay with the few hundred folks in the room that elevates the recording to a deeply moving piece of art.

For King (and Taylor), the song’s promise of unflagging support is an intimate one-to-one matter; their renditions use homey acoustic arrangements to create a picture of two people exchanging confidences. In Hathaway’s hands, “Friend” is about community: Before he even asks them to, the audience takes over for him on lead vocals in the song’s chorus, a congregation in all but name.

Given the proximity to the civil rights movement, it’s impossible to hear Hathaway’s “You’ve Got a Friend” as disconnected from the struggles of Black people. At the Troubadour (as in his and Flack’s duet), he nixes the song’s second verse to arrive more quickly at the bridge, in which he describes a cold world filled with those who’d “hurt you and try to desert you” — even “take your soul if you let them.”

As Emily J. Lordi notes in her 2016 book about “Donny Hathaway Live,” the crowd lays back during the bridge before rejoining Hathaway for the song’s second chorus; the decision, somehow spontaneous and collective at once, is an expert bit of record-making on the part of an audience that, according to legend, hadn’t been told the concert was being taped.

“From this perspective,” Lordi writes of Hathaway’s fans — some number of whom had surely availed themselves of the Troubadour’s bar, as she points out — “they are not stealing the show so much as they are holding him up, ensuring he won’t sing the duet alone.” Together, performer and audience are turning back (not that they necessarily had a choice) to the ugly truths that singer-songwriter music sometimes sought to move past.

In this way, Hathaway’s “Friend” becomes a reinvention of a reinvention — an act of moral imagination about as American as it gets.

This wasn’t the only instance of a Black soul singer interpreting a tune King had written as a single mom newly arrived in L.A.: In May 1972, the Isley Brothers released a sultry cover of “It’s Too Late”; a month after that, Aretha Franklin’s live “Amazing Grace” album mashed up “You’ve Got a Friend” with “Precious Lord, Take My Hand,” completing the gospel-ification that Hathaway had begun in a bastion of white rock culture temporarily remade as an African American church.

Yet in Hathaway’s “Friend” you can hear the whole story American music tells about identity and belonging (and about commercial ambition).

“This might be a record here,” Hathaway tells the crowd near the end of the song, and so it was — a document of adaptation, a testament to borrowing, a bulwark against pretty fictions.

Jakob Davies, 25, suffered severe injuries after falling from a three-storey balcony during a stag do in Albufeira, Portugal, as his family launches a fundraiser to help him

The devastated family of a Brit who plunged from a three-storey balcony during a stag do in Portugal fear his travel insurance may not cover his mounting medical bills because he had been drinking.

Jakob Davies, 25, remains in hospital in Faro after suffering catastrophic injuries in a fall at a hotel in Albufeira earlier this month. His loved ones say they are still waiting to hear whether his insurer will pay out after tests showed alcohol in his system.

The factory worker, who is from Scarborough, North Yorkshire, had travelled to the Portuguese party hotspot with around 30 work colleagues for a stag weekend on June 4.

His mum, Claire Gerrard, fears the family could be left facing huge costs after doctors warned Jakob he may never walk again without urgent surgery.

The 51-year-old woman said: “He’s totally on his own. I need to know what’s going to happen to him. He was told if you don’t have this operation immediately then you won’t walk again.

“He does have travel insurance but because of the alcohol that he’s drunk it’s not looking like they will pay. We’ve contacted the insurance company and they wanted all the reports so I sent the reports.

“The doctor gave Jakob his alcohol levels with his bloods done and it did show alcohol in his system, which unfortunately they will not pay out.

“25 [years old] on a stag party he’s not going to have none is he? They’ve not said no yet, we’re still waiting on information. I think it should be made more clear to people, especially to youngsters. You’re going on holiday to a stag party and you can’t drink, they don’t listen, they just go and have a drink.”

Jakob had chosen to stay behind at the accommodation on June 5 to play football while the rest of the stag group headed out.

But when his friends returned later that day, they were alarmed to see fire engines, police cars and ambulances rushing towards their hotel.

Claire expained: “I think there were about 30 of them and it was somebody from work’s stag party. It’s all really, really vague, Jakob has no recollection of it whatsoever.

“He had been playing football with some other guys, his party were leaving and Jakob had said ‘I’m going to continue to play football’.

“I don’t even think he remembers playing football but that’s what he was doing. When the party was returning back to the hotel there were fire engines flying past and then the police came past and then the ambulances came past and had turned into their hotel so they thought ‘oh gosh something is going on’.

“When they got there Jacob was unconscious on the floor with severe head injuries and broken bones, it looked pretty horrific initially. When they got him in the ambulance, he had regained consciousness and he was speaking but he wasn’t aware of what had happened.”

Believed to have fallen from a three-storey balcony, Jakob was initially taken to a local hospital before being transferred to a larger hospital in Faro.

Doctors later discovered he had suffered a serious head injury, broken feet and ankles, as well as fractures to both his L1 and L4 vertebrae.

Recalling the moment she learned about the horror fall, the worried mum said: “I got a phone call at around 11am on Saturday morning [June 6] to say Jakob’s fallen from a three-storey balcony. My initial feelings from then on were absolute dread.”

As Jakob continues his recovery overseas, family and friends have launched a GoFundMe appeal to help cover medical expenses and the cost of bringing him back to the UK.

Travel insurance experts warn that some policies contain exclusions relating to alcohol or drug use, although terms and conditions vary between providers. Holidaymakers are urged to check the small print of their policies before travelling, particularly if they are planning to drink while abroad.

To donate to the GoFundMe, click this link.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

An officer walks past a Royal Air Force Harrier GR7 ground attack jet, from the 2nd/4th Wing RAF Cottesmore, parked inside a hardened shelter at a base in an undisclosed location in the Gulf 04 March 2003 AFP PHOTO/POOL/Chris Helgren (Photo by CHRIS HELGREN / REUTERS POOL / AFP) (Photo by CHRIS HELGREN/REUTERS POOL/AFP via Getty Images)

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Kara Zor-El (Milly Alcock) can swill an entire sorority’s supply of booze. As a Kryptonian, her hangovers are instantly cured by a yellow sun. And so director Craig Gillespie’s “Supergirl” follows a trail of empty beer bottles to find Superman’s lonely younger cousin marking her birthday on a solo interstellar bender, pounding shots alongside her dog, Krypto.

Unlike sweet-natured Kal-El (David Corenswet), a.k.a. Clark Kent, who escaped Krypton as a baby, this traumatized 20-something bore witness to their home planet’s long and painful extinction. Playing grief like the sandblasted absence of emotion, Alcock’s Supergirl isn’t in the mood for Metropolis do-gooding. She prefers slumming it at extraterrestrial honky-tonks with suitors who look like armadillo-plated slugs. She’s most visibly depressed when she tries to convince herself she’s having fun.

Who doesn’t want to go on a “Star Wars” cantina crawl? The opening stretch of “Supergirl” is great — Alcock even passes out on a toilet with aplomb. Briefly we hope that Gillespie and screenwriter Ana Nogueira are shaking up the superhero format like a bottle of gas-station champagne. I’d love to see Alcock’s heroine in a grotty, silly “Animal House”-style comedy, out-drinking a galaxy of alien squids. But the limits of Hollywood’s imagination squeeze Supergirl to stop partying and start doing some regular old rescuing. Sigh. Someone’s gotta save franchise movies from themselves.

As usual, there’s a tyke in trouble: 13-year-old Ruthye (Eve Ridley), a fellow orphan with a ramrod disposition and a tidy brunet braid that gives away that her character is modeled on Hailee Steinfeld’s vengeful teenager in “True Grit.” Ruthye wants to hunt and kill the creep who murdered her family. Unlike Supergirl, the child thinks it’s healthier to exorcise — not imbibe — one’s heartache. The duo visit an Epstein-island-like planet of kidnapped breeding women where, in one of the script’s subtler sick horrors, the locals imply that pubescent Ruthye is more valuable than aged 23-year-old Supergirl. (Although some of the caged extras appear to be as ancient as 30.) It’s yet another swiped idea, this one from “Mad Max: Fury Road,” for a minor story beat that’s unnecessary. Still, Alcock reacts with exactly the right note of disdain: “Cool,” she croaks. ‘Nuff said.

They’ve come to this cesspool to find the villainous Krem, an unrecognizably vile Matthias Schoenaerts with a mug that’s been pierced all over like he face-planted into a pile of thumbtacks. His biker-scumbag-times-infinity prosthetic design is fantastic, but what makes it genius is that the makeup team allowed a couple of metal studs to fall off Krem’s forehead before his first close-up. You know, for that lived-in barbarian sex trafficker look.

As Ruthye, Ridley’s crisp British elocution is the cleanest thing in the movie, which is shot by Rob Hardy in shades of mustard smog and latrine brown. Neither Supergirl as a babysitter nor Gillespie as a storyteller let the kid carry her share of the action, but I suspect Ridley has the talent for it. She seizes her small opportunities to impress in the film’s second half. Spitting on a baddie, her righteous loogie stings like a moral disinfectant.

Meanwhile, Jason Momoa swaggers into the fray from the cover of an ’80s hard-rock album with Kiss’ makeup, Manowar’s muscles and Meatloaf’s motorcycle. His character, a blue-skinned bounty hunter, only tangentially slots into the plot. Really, Momoa’s massive presence is here to prove that James Gunn was serious when he announced he was hard-resetting DC Comics’ film canon up to 2023’s “Aquaman and the Lost Kingdom.” Momoa as Aquaman is dead. Long live Momoa as Whoever This Guy Is.

Gillespie likes to champion difficult women, from Tonya Harding in “I, Tonya” to the Dalmatian-skinning Disney villain of “Cruella.” Yet as his budgets have mounted, so has the pressure to make his problematic ladies popular with a mass audience. “Supergirl” feels anxious to entertain. The jokes all have the same sense of snarky humor, no matter what species is cracking them. One scene even has a comic slow clap that, in my theater, didn’t get a reaction. The camera and cutting pace refuse to relax. Major set-piece action shots are impossible to follow. You can’t squint past the distracting lens flares.

Alcock’s wildling Supergirl is the one reason to see the film. As in her too-brief role on the “Game of Thrones” prequel “House of the Dragon” and her rollicking cameo at the end of 2025’s “Superman,” the Australian actor is a striking combination of grounded conviction and otherworldly essence, the ideal one-two for a character who plays anti-gravity fetch with her dog. Floating weightless in the stars, her hair unbrushed and bathrobe-like jacket shrugged on, she makes the impossible look casual. (Supergirl’s iconic red-and-blue minidress is so not her style.)

Alas, Krypto the pup is sidelined early on with a whimper, both from him and us. Maybe he’ll get more screen time when the digital animators figure out how to make him look more realistic. (Between the mutt’s anime eyes and that gawky-phony deer in “Disclosure Day,” are CGI creatures getting worse?)

Grief tethers Supergirl to Ruthye, even though they disagree on how to handle it, and it also seems to repel her from Corenswet’s dopey, innocent Clark Kent. There’s rich irony in the personality contrast between the cousins. Her Kryptonian parents raised her to help humanity; his parents intended their son to rule it. But due to twists of fate, she’s the miserable, maladjusted one. The movie has no time to mine the psychology underneath their clash, let alone summon a sniffle for the other pitiful characters who die during this escapade. Perhaps it’s holding that tension back for a sequel, but I’d rather invest in the characters now.

A flashback to Supergirl’s first touchdown on Earth has the awkwardness of a study-abroad student realizing she doesn’t like her host country at all. Despite our planet seeming to have enforced its monoculture on outer space — an extraterrestrial dive bar band even does “The Girl From Ipanema” — Supergirl appreciates little of it besides some product-placement dog treats and, in a forced touch, the pop music on her headphones as well as crammed into the soundtrack next to Claudia Sarne’s gravelly score. I’ll accept this degenerate Supergirl sporting a retro Blondie shirt, but not her willingly choosing to listen to mopey contemporary Earth jams like Rilo Kiley and a twee cover of Jimmy Eat World over, say, Kryptonian death metal.

Still, the production design has imaginatively askew takes on the mundane: gridded jail cells, plodding space buses, clumsy oxygen suits that shimmy on with a satisfying squeak. When Supergirl makes a pit stop at a celestial convenience store, she samples a snack that I’m forced to call poop-corn. If “Supergirl” sells enough of it, hopefully Alcock can rampage again in a more confident sequel that truly cuts loose.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

A scalar model for an atomic bomb proof hospital. Details show Geiger counters, decontamination chambers, oxygen wards, boiler room, power plant and huge hospital city below ground. The underground part would be insulated against radioactivity and poison gas by protective belts of earth, steel, and concrete. The underground hospital would accommodate 700 patients and a full hospital staff, in addition to an undetermined number of civilians. The three level subterranean hospital would be stocked with food, water and other supplies which would enable continuance of life for an almost indefinite period. (Bettmann/Getty Images)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Spanish painter Nieves González arrives in Los Angeles for her first U.S. solo exhibition having already experienced a taste of fame.

The 29-year-old caught the attention of the art and fashion worlds last year after being discovered on Instagram and commissioned to paint the cover of Lily Allen’s album “West End Girl.” Depicting the singer as a Baroque aristocrat clad in contemporary designer fashion, the portrait helped propel González onto an international stage.

Collectors have taken notice. The 13 paintings in “A Friendship Story,” opening Saturday at Richard Heller Gallery in Santa Monica, have already sold out, according to the gallery, with prices ranging from $4,000 to $20,000.

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Elle magazine dubbed González “Fashion’s Favorite New Artist,” while exhibitions in Rome, Paris, Belfast and Bilbao, Spain, expanded her reputation across Europe.

González developed her classic yet defiantly modern approach while studying at the University of Seville, where Spanish masters such as Diego Velázquez and Francisco de Zurbarán painted in the naturalist Baroque tradition. Drawing liberally from fashion, art history and everyday life, she often dresses the subjects of her portraits in puffer jackets — garments she wears herself during the cold winters of Granada, Spain, where she lives. The material, she said, recalls the sculptural rendering of fabric in paintings by Zurbarán and Velázquez: the folds, the volumes, the high shine.

Nieves González often dresses her subjects in puffer jackets.

(Genaro Molina / Los Angeles Times)

“It works beautifully from a visual standpoint,” she said, speaking Spanish during an interview at Santa Monica’s Bergamot Station a few days before the exhibition opened. Wearing blue jeans and a pink button-down blouse, she echoed the pastel blues and pinks that appear throughout many of the works surrounding her.

“Fashion inspires me,” she said. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same,” she said. “The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

This fall, González’s painting “La Sfida” (2025) will appear in the Städel Museum’s exhibition “Mary Magdalene. Sin. Pray. Love” in Frankfurt, Germany, alongside works by Lady Gaga, Marlene Dumas and Auguste Rodin. The painting depicts Mary Magdalene with long, flowing hair, draped in a regal red garment and clutching a skull — a contemporary interpretation of one of Christianity’s most enduring figures.

“Nieves González is the youngest of these artists and, at the same time, probably the one who most closely follows in the tradition of the Old Masters,” curators Bastian Eclercy and Stefan Roller wrote in an email.

The Santa Monica exhibition marks an evolution from the paintings that established González’s reputation. Earlier works often centered on solitary women posed with the self-possession of royal portraits or religious icons. “A Friendship Story” focuses on relationships between pairs of women, exploring friendship, intimacy, support and shared experience.

For González, friendship is one of the most profound aspects of women’s lives and a subject she felt deserved greater attention in painting.

Victoria Rios, a curator who works with González, said the artist’s paintings “rewrite the narratives of the past, rewrite the history of martyrdom and place women at the center.”

“Nothing in her painting is arbitrary,” Rios said in an email. “Every formal decision is also an ethical one.”

“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” Nieves González said. “It seemed like a way to elevate the concept of friendship.”

(Genaro Molina / Los Angeles Times)

González frequently turns art historical conventions on their head. In “Salir a robar caballos: Go out to steal horses,” she replaces the archetypal portrait of a gallant man on horseback with two young women dressed in puffer and vinyl jackets, posed like contemporary Amazons atop rearing horses.

“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” González said. “It seemed like a way to elevate the concept of friendship. It also has an element of play, adventure and fun, since having fun is part of the bond too.”

The artist also sees her work through a feminist lens.

“We live in a patriarchal society, and so, unfortunately, I belong to the oppressed segment of that society, and my work relates to that,” she said. “It stems from a struggle, an understanding and a process of redefining concepts that we have historically established as normal, natural and habitual.”

“I am interested in portraying us as brave and powerful, sometimes even with an air of haughtiness,” she said.

Another painting, “Something’s crossed over me and I can’t go back” (2026), captures González’s fusion of historical and contemporary references. Two women dressed in green and pink fur cradle each other’s heads, reimagining medieval depictions of cephalophores — Christian martyrs who carry their severed heads while continuing to preach or pray.

The title comes from a pivotal line in the 1991 film “Thelma & Louise,” marking the turning point for Geena Davis’ character Thelma, fully committing to her ultimately fatal adventure with Susan Sarandon’s Louise.

Nieves González, “Holding You,” 2026 (oil on canvas).

(Genaro Molina / Los Angeles Times)

González builds each painting from what she calls a “Frankenstein” — a digital composite assembled from archival photographs, found images and reference material. The painting process then takes over. A mid-project visit to the Prado Museum in Madrid, for instance, might send her back to the digital sketch to pull in a compositional element from Velázquez before returning to the canvas. “The final result often ends up being completely different from what I initially envisioned,” she said.

Heller began representing González, whom he calls an “original voice,” last year after being introduced to her work by another painter.

Staging her first U.S. solo exhibition in Los Angeles rather than New York reflects what he sees as a more relaxed environment for an emerging artist, without the glare and expectations of the New York art world.

“L.A. feels a little less constrained,” Heller said. “It feels a little more free.”

González’s portrait of Allen is currently on view at London’s National Portrait Gallery, hanging in the same room as a self-portrait by David Hockney. She said while it “has been very significant in terms of media exposure,” exhibitions and professional opportunities were already in motion before the album cover brought wider attention.

“I’ve always said that what I want to do in life is make a living from painting,” she said.

Mission accomplished.

We’ll never know, of course, but it wouldn’t surprise me if Yoshinobu Yamamoto was relieved to lose the no-hitter in the ninth inning so that Mookie Betts wouldn’t have to bear the stigma of spoiling a perfect game. Yamamoto is a 100% class act.

Jay James
Pico Rivera

There’s only one MLB club that could possibly overcome all the Dodgers injuries in the first half of the season.

That team is in fact the Dodgers.

Fred Wallin
Westlake Village

I thought Bill Shaikin’s column on the Dodgers ruining baseball was good and provocative. For me, I do not believe the Dodgers are ruining baseball, but sports are much more fun and compelling to watch when they are competitive and each game means more.

It is easier to sustain competitiveness when one team or a few teams do not have a huge financial edge over other teams. I think the NFL, NBA, and NHL have been better at dealing with this issue than baseball.

Bill Francis
Pasadena

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

FEB 22 1981; Federal Emergency Management Agency (Underground Bunker At Den Fed CTR); (Photo By Dave Buresh/The Denver Post via Getty Images)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Crocombe’s selection may raise eyebrows, given other recent picks such as Essex’s Sam Cook or Durham’s Matthew Potts have been overlooked, but it should not be a big surprise.

When England named their Test squad at the start of the summer, Key mentioned the tall, strong quick saying he had “really kicked on” this season.

Crocombe, a product of Sussex’s academy, was first picked by England Lions in 2024 before struggles with injury.

It was when he began this County Championship season with his first five-wicket haul, taking nine in the match against Leicestershire, that he began to seriously catch the eye.

Another right-arm quick, Crocombe bowls at a lively pace.

Overall, his statistics this season are solid – a Championship average of 28.61 while sitting joint 11th in the wicket-takers’ list – and he has the skills England value.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

First Lt. Pamela Blanco-Coca, 319th Missile Squadron missile combat crew commander, and her deputy commander, 2nd Lt. John Anderson, simulate key turns of the Minuteman III Weapon System Feb. 9, 2016, in the E-01 Launch Control Center in the F.E. Warren Air Force Base, Wyo., Missile Complex. A properly conducted key turn sends a “launch vote” to any of a number of Minuteman III ICBMs in a missileer’s flight area, and two launch votes from two separate LCCs will enable a real-world launch when directed by the U.S. president. (U.S. Air Force photo by Senior Airman Jason Wiese) 

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

U.S. Air Force Maj. Gen. Tom Wilcox II, center, Air Force Installation and Mission Support Center commander, talks with Airmen at the 423rd Security Forces Squadron bunker shoot house training location at Royal Air Force Molesworth, England, Sept. 29, 2021. The AFIMSC leadership visited the 501st Combat Support Wing and its mission partners at the U.S. European Command Joint Intelligence Operations Center Europe Analytic Center at RAF Molesworth, England. The AFIMSC provides base communications, civil engineering, security forces and logistics support that assist the 501st CSW in fulfilling its mission. (U.S. Air Force photos by Senior Airman Jennifer Zima)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

ONE of Britain’s biggest holiday park operators is offering to cover the cost of customers’ fuel to get to their sites as prices continue to skyrocket.

With oil prices hitting their highest since 2022 due to ongoing tensions in the Middle East, petrol, diesel, and plane fuel costs are being passed on to consumers. 

As a result, Hoseasons is offering to pay back the money spent travelling to their sites via its newly launched ‘Fuel Cover’ scheme this summer.

It follows research which found 15.4 million Brits (28 per cent) have changed holiday plans this year due to rising costs. 

Nearly six in 10 of the 2,000 adults polled said the hidden costs of going away, including travel, fuel and expenses while there, are putting them off booking a trip this summer.

Simon Altham, chief operating officer for the brand, which commissioned the poll, said: “UK breaks remain a hugely popular option for families looking for flexibility, value and quality time together, giving people the chance to properly switch off and reconnect closer to home.

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“We know rising travel costs are becoming a bigger consideration for many holidaymakers this summer.

“Fuel, in particular, can quickly add to the overall cost of a trip, especially for families travelling during peak holiday periods.

“That’s why we wanted to help ease some of that pressure and support people continuing to take the UK breaks they were already planning this summer.”

The study also found, 7.6 million (27 per cent) of those planning a UK break admitted they would travel shorter distances for a UK getaway this year. 

Those travelling by car expect to spend an average of £68 on fuel for their next UK holiday journey.

Rising costs are also influencing where people travel, with 28 per cent now more likely to choose a UK break over going abroad.

Among those still looking to get away, 26 per cent have set a lower overall budget for their trip, while 23 per cent are looking for self-catering accommodation. 

A similar proportion (23 per cent) said they’re actively seeking cashback or money-saving deals before booking. 

Despite the financial pressures, the research carried out through OnePoll found 56 per cent of those planning to holiday this year are still likely to book a getaway this summer. 

And 61 per cent believe holiday companies need to do more to encourage people to book trips in the current climate. 

Hoseasons customers can claim back up to £75 in fuel costs through its new Fuel Cover initiative per booking between 20 May and 30 August for travel before 30 September. Bookings must be made by phone and quoting the code “FUEL75”.

Simon Altham from Hoseasons added: “Travel costs are one of the biggest considerations for holidaymakers at the moment.

“Fuel, in particular, can quickly become one of the biggest extra costs for families travelling during peak holiday periods.

“That’s why we’ve designed the offer to ease some of the pressure and help families make the most of their summer breaks.”

Ukraine has provided imagery of its first homegrown glide bomb, which it says is now ready for combat. Developments by both sides in the Ukraine conflict underscore the fact that standoff munitions of all kinds are in particularly high demand, to counter the increasing density and lethality of enemy air defenses.

According to the Ukrainian Minister of Defense, Mykhailo Fedorov, the development of the weapon — the name of which hasn’t been revealed — took 17 months. A product of Brave1, the defense tech arm of the Ukrainian government, the weapon is said to carry a 250-kilogram (551-pound) warhead, to which is attached a wing kit and some kind of guidance system, the nature of which has not been disclosed.

In a statement today, Brave1 said the glide bomb “has completed all required trials,” and has now been declared ready for combat. The weapon is said to be able to hit targets “dozens of kilometers behind enemy lines.”

With the Ukrainian Ministry of Defense having placed a first order, pilots are now said to be training with the weapon, meaning that combat deployment is “imminent.”

Ukrainian authorities claim that the weapon was designed from scratch and was “not copied from Western or Soviet systems.”

An accompanying video shows the release of the weapon from a Ukrainian Air Force Su-24 Fencer swing-wing attack jet. The bomb is then seen with its range-extending wings deployed; interestingly, these are seen extended immediately after release. Otherwise, the weapon also features notably large cruciform tailfins. The apparent lugs seen under the body of the munitions suggest that, like Russian glide bombs, the weapon ‘topples over’ to assume the correct profile before the wings deploy.

We have reached out to Brave1 for more details on the glide bomb.

It is also worth noting that a previous video, from August 2024, showed another type of air-launched munition, apparently also homegrown, being released from a Ukrainian Su-24, as you can read about here.

Again, we have reached out to Brave1 to better understand if there is any relationship between these weapons. However, the development of the new weapon officially began in December of 2024, several months after the mystery munition appeared.

As for the Ukrainian Air Force, the new glide bomb should provide an important addition to Western-supplied weapons in this class.

Ukraine already employs the Joint Direct Attack Munition-Extended Range (JDAM-ER) and AASM-250 Hammer bomb supplied by the United States and France, respectively. The Ukrainian Air Force also makes extensive use of the U.S.-supplied Small Diameter Bomb (SDB), which also has pop-out wings.

At the same time, the new weapon helps Ukraine match similar weapons that are proliferating in the Russian inventory. The Russian Aerospace Forces have, for several years now, been making extensive use of increasingly larger dumb bombs fitted with add-on precision guidance kits. Russia has also been working to refine its glide bombs, making them more effective than the original, fairly crude designs.

Based on Ukraine’s experience with its expanding roster of longer-range kamikaze drones and glide bombs currently in service with both sites, a satellite navigation-assisted inertial guidance system would be used to direct the glide bomb to a specific set of coordinates. Additional seekers are possible, but not probable at this time.

It is not clear if the new Ukrainian weapon has any kind of powerplant. Ukraine has already been employing multiple types of jet-powered kamikaze drones. More importantly, Ukraine’s French-supplied Hammer precision-guided bombs also feature a rocket booster. This feature is of unique utility for Ukraine, which often slings its glide bombs via pop-up launch profiles from low level executed by its fighter and attack aircraft. This is due to the extremely heavy air defenses near the front lines. Even without a motor, however, the weapon provides an important capability and one that is increasingly important as stocks of Western-supplied munitions are eroded or their supply is otherwise interrupted.

A video compilation provides a look at the French-made Hammer munition being used by Ukrainian Su-25 attack jets, including low-level toss bombing:

ЖАБА. ЗСУ Су-25 . З Новим роком , друзі !

We will likely have to wait to see the weapon in action before establishing whether it can be launched from platforms other than the Su-24, although this would seem almost guaranteed.

While Ukraine’s Su-24s are the country’s launch platforms for stealthy Storm Shadow and SCALP-EG air-launched cruise missiles provided by the United Kingdom and France, its MiG-29 Fulcrums and Su-27 Flankers have been the primary carriers for other Western-supplied air-launched precision air-to-ground munitions like the JDAM-ER, SDB, and Hammer bombs, as well as AGM-88 High-speed Anti-Radiation Missiles (HARM). The size of the weapon would allow it to be carried by any of these platforms, as well as Su-25 Frogfoot attack jets, which also deliver Hammers.

Whatever the launch platforms and the new weapon’s exact capabilities, its biggest advantage is that it offers a domestic source of air-launched precision-guided munitions with some kind of standoff range. The longer-range Storm Shadows and SCALP-EGs were provided only in relatively limited quantities to Ukraine. They can only be launched by the Su-24 and are reserved for more strategic targets.

Meanwhile, the JDAM-ER has never been in widespread use with the U.S. military or other foreign armed forces, so the quantities available are questionable.

To help meet the shortfall, the U.S. Air Force launched a project to develop a new, relatively low-cost precision-guided air-launched standoff munition focused primarily on meeting Ukrainian demands for weapons of this kind. In August of last year, it was reported that Washington had approved the transfer of thousands of these Extended Range Attack Munitions (ERAM) to Ukraine. As well as the Rusty Dagger from Zone 5 Technologies, CoAspire developed the Rapidly Adaptable Affordable Cruise Missile (RAACM) under the ERAM program. 

However, evidence of these weapons being employed by Ukraine has yet to emerge.

There is also the fact that a domestically developed standoff weapon can be used without restriction against any kind of target. Previously, longer-ranged Western-supplied weapons have come with restrictions on their employment. As a result, Ukrainian officials have repeatedly and publicly called for more flexibility in striking targets inside Russia proper. This became especially critical during the Ukrainian incursion into the latter country’s Kursk region.

The apparent rapid pace of development of Ukraine’s first homegrown glide bomb suggests that this is an urgent requirement and one that may well have been driven by problems in the availability of equivalent Western munitions. With that in mind, combined with claims that the weapon is now ready for combat, we may not have to wait too long for evidence of it being used in action.

Contact the author: thomas@thewarzone.com

The first picture of the U.S. military’s new AIM-260 Joint Advanced Tactical Missile (JATM) has emerged. Flight testing of the JATM is known to have started years ago, but it has never been seen publicly before now. The missile is expected to augment and ultimately replace the venerable AIM-120 Advanced Medium-Range Air-to-Air Missile (AMRAAM) in U.S. service.

Photographer Jonathan Tweedy took pictures of several U.S. Navy test jets departing Eglin Air Force Base in Florida on May 13. This included an F/A-18F Super Hornet from Air Test and Evaluation Squadron 31 (VX-31) carrying the AIM-260 on the fuselage station outboard of its right engine intake. The jet also has a modified FPU-13/A drop tank with an infrared search and track (ISRT) sensor on its centerline station, as well as flight data pods on its wingtips. The Aviationist was the first to publish Tweedy’s pictures of the VX-31 jet with the JATM.

Eglin is routinely used as a staging point for U.S. military aerial weapons testing, as well as other aviation research and development and test and evaluation work. The base is situated right next to extensive over-water ranges over the Gulf of Mexico, off the coast of the Florida panhandle.

When it comes to the AIM-260, Tweedy’s picture confirms the design is very minimalist, at least externally, with only four fins at the tail. Unlike the AIM-120, it has no mid-body control surfaces, or even strakes running along the sides. The JATM’s overall configuration reflects optimization for maximum speed and range.

The JATM in this case looks to have a live high-explosive warhead, as indicated by a yellow band at the front end of the body. There are also two black bands toward the rear, which could point to the location of the missile’s rocket motor.

The nose cone has a distinct light gray color compared to the rest of the predominantly white body. There are square markings at various points at the rear of the body, which are often seen on aerial munitions and aircraft during testing to help with visual tracking, as well.

Overall, the AIM-260 seen in Tweedy’s pictures looks entirely in line with what had previously been depicted in official renderings of the JATM, both in terms of its design and markings.

The Navy is developing the AIM-260 in cooperation with the Air Force. In the past, officials have explicitly cited the growing reach of Chinese air-to-air missiles, and the PL-15 in particular, as key drivers behind the JATM program. China continues to develop and field more capable air-to-air missiles, as you can learn more about this past TWZ feature. A boost in maximum range is therefore known to be a central requirement for the AIM-260, which is reportedly designed to hit targets out to at least 120 miles, if not further.

Another known requirement for the AIM-260 is to have a form factor that is roughly the same as the AIM-120, making it easier to integrate on existing aircraft. Details about the JATM otherwise remain limited. As TWZ has previously written:

“An advanced rocket motor with highly loaded propellant has long been seen as a likely route to give the AIM-260A significantly greater range, as well as speed, over the AIM-120 without making the new missile larger. A core known requirement for the JATM is that it has to have the same general form factor as the AMRAAM, in large part to ensure that it can fit inside the internal bays on stealth fighters like the F-22 and the F-35 Joint Strike Fighter. In addition to crewed aircraft, AIM-260As are expected to arm future stealthy drones like the ones under development under the Air Force’s Collaborative Combat Aircraft (CCA) program.”

…

“The AIM-260A’s rocket motor is also likely to be a dual-pulse design that retains energy across the flight envelope to further extend range and help dramatically with endgame maneuverability. Thrust vectoring capability would also be a requisite to give the missile sufficient agility in the absence of additional control surfaces.”

…

“An active electronically scanned array radar (AESA) seeker is likely. Multi-mode seeker capability, potentially with imaging infrared and passive radiofrequency (RF) guidance capabilities, could be extremely valuable in the face of an ever-expanding countermeasure ecosystem, although we have no idea if this is a feature now or not. It’s also possible it could be introduced in later variants. Advanced networking capabilities would be a key feature, allowing the missile to get additional targeting information from an array of third party sources. This is especially imported for engaging targets beyond the reach of the launch platform’s own sensors and it can allow the aircraft firing the missile, especially a stealthy one, to avoid having to switch on its radar and increase its vulnerability to detection as a result. Multiple networked JATMs might even be able to prosecute engagements cooperatively.”

Overall, the JATM program, which traces back to at least 2019, remains largely classified. As noted, flight testing of AIM-260 has been underway for some time and has already included multiple live-fire shots. There has also been movement in recent years to get the missile into production and fielded operationally.

Navy Super Hornets, along with U.S. Air Force F-22 Raptors, are expected to be the first types to fly operationally armed with AIM-260s. The missiles will surely be integrated onto a host of other aircraft, including the Air Force’s future F-47 and whatever design the Navy might choose to become its sixth-generation F/A-XX fighter.

What the projected timeline might be for the AIM-260 entering operational service now is unclear. When the program first emerged publicly in 2019, the goal was for the missiles to be fielded in 2022. There were reports late last year that JATM had suffered a new three-month delay due to funding issues, based on a fact sheet distributed by some members of the U.S. House Committee on Armed Services. However, the committee subsequently said that the information was incorrect.

As an aside, the Navy announced back in 2024 that it had begun limited fielding of another, different very-long-range air-to-air missile, the AIM-174B, which is derived from the surface-launched Standard Missile-6. The AIM-260 is expected to be complementary to the AIM-174B, as you can read more about here and check out our video below.

How The Navy’s New Very Long-Range AIM-174 Will Pierce China’s Anti-Access Bubble

The first public sighting of an AIM-260 this week certainly points to new progress toward finally fielding this new air-to-air missile.

Special thanks again to Jonathan Tweedy for sharing the pictures of the AIM-260 on the VX-31 Super Hornet with us.

Contact the author: joe@twz.com

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Sleeping accommodation in the Clapham deep shelter, London. Four thousand beds at three shillings a night, deep beneath London, are being offered to Festival of Britain visitors. The beds, together with dining accommodation, are in Clapham’s deep shelter, now taken over by the London County Council. The deep shelter is a mile long, runs 45 feet beneath the underground railway. (Photo by PA Images via Getty Images)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s caption reads:

Soldiers with Bravo Company, Task Force Guardian, 41st Infantry Brigade Combat Team, secure a bunker in an enemy fortified entrenchment during the initial phase of combat operations as part of an exercise during the Joint ReadinessTraining Center (JRTC) rotation 24-09 at Fort Johnson, La., July 18, 2024. Task Force Guardian is comprised of personnel from 2nd Battalion, 162nd Infantry; 1st Battalion, 186th Infantry; and the 141st Brigade Support Battalion. The JRTC goal is to create realistic environments that help prepare units for complex operations. (Oregon Army National Guard photo by 1st Sgt. Zachary Holden, 115th Mobile Public Affairs Detachment)

Prime Directives:

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

BRITISH Airways passengers face higher fares after its parent company warned rising oil prices will add about £1.72billion to its fuel bill this year.

International Airlines Group (IAG), which also owns Iberia and Aer Lingus, said it expects to pass on part of the extra cost through ticket prices, with business class and other premium long-haul passengers among those most likely to be affected.

Chief executive Luis Gallego said airlines need to increase fares to help offset fuel costs, which make up about a quarter of their spending.

The rise follows disruption linked to the Middle East conflict and the closure of the Strait of Hormuz, which normally carries about a fifth of the world’s oil and gas shipments.

IAG warned the crisis could deepen if the strait remains blocked, with global jet fuel supplies potentially restricted.

However, the group said it does not expect any disruption to summer fuel supplies.

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Mr Gallego said there is less jet fuel coming from the Middle East, but there are “other places with record supply” such as the US.

He said IAG has been “planning for situations like this for many years”, and has invested in its own jet fuel supply at its “main hubs”.

The company recorded a pre-tax profit of £365million during the three months to the end of March.

That was a 76.6% increase from £207million a year earlier.

The group now expects its annual fuel bill to reach £7.78billion.

Mr Gallego attributed the firm’s “strong first quarter” to “continued strong demand for our networks and airline brands”.

He added: “IAG is uniquely positioned to navigate the current headwinds created by the Middle East conflict thanks to our leading positions across diverse markets, strong brands, structurally high margins and strong balance sheet, as well as a strong track record of execution.”

IAG said about 3% of its capacity was “exposed to the Gulf region” at the start of the war on February 28, mostly with British Airways flights.

A large part of this has been redeployed, including boosting capacity at destinations where there are now fewer flights by Middle East carriers such as Bangkok, Singapore and the Maldives.

British Airways has also announced additional flights this summer on routes with higher demand for direct flights, such as India and Nairobi.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

TIRANA, ALBANIA – SEPTEMBER 16: View inside the Bunk’Art Museum, a vast underground bunker built for the former Albanian dictator and high-ranking dignitaries, featuring five floors, 106 rooms, and a cinema hall for government meetings, covering an impressive area of 2,685 m2, seen on September 16, 2024, in Tirana, Albania. (Photo by Artur Widak/NurPhoto via Getty Images)

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.