Cover

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

Col. William C. Hannan, Jr., U.S. Army Corps of Engineers Transatlantic Division commander, examines innovative design feature updates on the U.S. Army Central’s Bunker Retrofit project, designed to increase protection for service members throughout the U.S. Central Command’s area of operations, prior to the U.S. Army Engineer Research and Development Center’s Phase II Live-fire Experiment at Fort Polk, La., Mar. 10.

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Mirror writer Julia Banim visited Robin Hood’s Bay, an atmospheric gem on the Yorkshire Coast, and soon learned that the true beauty of this picturesque seaside village is best seen by starlight

Once upon a time, we Brits could look out of our window at night and see cluster upon cluster of sparkling stars. And in some parts of the country, you still can.

I’m lucky enough to spend a twinkling evening at Robin Hood’s Bay, one of the most striking villages of the Yorkshire Coast, with enough atmosphere to rival its more imposing literary sister, Whitby. I arrive on a bright day in early spring, the first daffodils nodding gently by the winding coastal path that leads down to the sea. I feel suddenly swept into a gothic romance novel, which feels very suitable, given this is the year of Wuthering Heights. And while Brontë fever may have drawn coachloads of would-be star-crossed lovers to Howarth, might I suggest this equally evocative Yorkshire beauty spot.

The sunlit waves crash beneath spectacular cliffs, and the sea stretches out endlessly before me. Time seems to stand still here, and it’s easy to imagine pirates of the old ballads making land here, treasure clinking in their chests. But today, all is peace as I make my way through the steep, cobbled streets, where smugglers of stories once made use of secretive, subterranean passages, and ghostly figures supposedly roam.

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My nostrils fill with scents of delicious food, with each street boasting pubs and eateries that appear untouched since the days of clandestine chats over ale and candlelight. But it’s not quite time for sustenance yet, and a night of stargazing awaits. Little do I know then that Robin Hood’s Bay is a gem that glows even brighter in the dark.

I’m staying at the superb Hotel Victoria, which boasts extraordinary views over the cliffs, noted through North Yorkshire and beyond. Beloved by passing sea captains since the Victorian age, the 30-bedroom Hotel Victoria is newly refurbished, but maintains much of its historic character. The rooms in the ‘Captain’s Quarters’ are comfortable and beautifully decorated, and as I enjoy a relaxing soak in the clawfoot tub, I feel very much like an elegant 19th-century lady.

Of course, the rooms are also well appointed for a aspiring-elegant 21st century lady like myself, and I’m positively thrilled to see a Dyson hairdryer on the dressing table, as well as a little bottle of Yorkshire gin. Absolute bliss. Wrapping up warm, I head to meet Mark Dawson, chairman of the Whitby and District Astronomical Society, in the tasteful hotel bar, and his passion for all things stargazing is instantly infectious. He has a deep knowledge of the yearly patterns of the stars, best seen here in the month of August, describing them touchingly as “old friends returning”.

Mark told the Mirror: “We forget that though, literally, people’s lives were ruled by what they saw in the night sky, by where objects rose, when they rose, when they set. You only have to look at Stone Henge, these ancient monuments that were sky clocks, all related to the sky. So their lives were ruled by events that went on in the sky. In Egypt, when they had what we call the helical rise of the Siririus, which is the brightest star in the night sky, that was the first rising before the sun in the dawn sky.

“They knew then that the Nile was shortly going to flood. So their lives would be ruled by when they first saw Sirius in the morning. And we forget that now, in all the modern day, and all that detritus, we’ve lost our connection with the night sky. I think it’s only people who are in really dark areas, rural locations, that maybe still have that. Which is a shame”.

With so many of us experiencing sleep issues, investing in all sorts of modern appliances to get some rest, could it be that our body clocks are rebelling against adjusting to a world where the skies are shut out? And could embracing the dark skies and their cycles, as our ancestors did since time immemorial, be the answer? As someone who struggles to drift off, I’m willing to try.

Mark first became fascinated by all things space as a youngster, watching the moon landings, and there is perhaps no better area in England for a budding stargazer to hone their interest. In December 2020, the North York Moors National Park was designated as an International Dark Sky Reserve, making it one of just 25 locations worldwide recognised for outstanding night-sky quality. In the darkest areas, some 2,000 stars can be seen at any one time – a notion that feels positively alien to a city dweller such as myself.

There have been some steps taken to reduce light pollution in Britain in recent years, with significant improvements to street lighting, including the removal of the old sodium lights with their “terrible” orange glow. But still, those travelling over to the North York Moors from the neighbouring metropolises of Sheffield and Leeds are regularly left speechless during stargazing expeditions. Mark said, “People are quite literally stunned. Over the years, they can’t believe what they’re seeing. And we tend to forget that when you’re sort of living on the doorstep, because it’s fairly easy for us just to drive ten minutes and be able to appreciate that.”

We leave the plush surroundings of Hotel Victoria behind and head out into the darkness for a mini ‘stargazing safari’. It’s a clear night, and Mark feels hopeful we’ll enjoy some splendid views. Sadly, this is an occurrence that has become less frequent in recent times, yet another depressing blow of climate change. In winters gone by, the chance of a clear sky was around 30 per cent, but for the last few years it’s sat around the 12 per cent mark. Mark told me, “I hope it’s not a trend. It’s probably to do with global warming. It seems that because the sea temperature is warmer, which it is, it tends to generate more moisture, which then means more cloud.”

Already, as I look up from the hotel steps, I can see a good quantity of glitter in the blackness, but I am nowhere near prepared for the phenomenal sight that’s about to greet me. We walk a short way off the road, away from the streetlights and into the true darkness. Remembering my glasses in my pocket, which I so often neglect out of vanity, I pop these on and audibly gasp. Side note, please always wear your glasses when out seeking the awe-inspiring.

Without exaggeration, the sky is quite literally filled with stars, many of which give off a sparkle I didn’t think possible. An upturned jewellery box spilled into endless folds of velvet. While still very much firmly on the ground, it almost feels as though we’ve somehow lifted some way up into the spangled heavens, as if I could reach out a finger and nudge a perfectly set constellation out of place. Breathtaking doesn’t quite cover it. It was one of those moments where you’re very much glad to be alive.

Mark points out various constellations using his long torch in an accessible way, and there is not a twinkle in the sky that he doesn’t know intimately. A whole history is written here, from the older stars blazing towards death, to the younger stars with their youthful blue hue, and I never even realised. I never really saw myself as a scientifically inclined person, but here I don’t feel out of my depth. Perhaps it takes such sights to bring the universe and all its enormity home.

I talk Mark’s ear off with questions, and he very politely obliges, but soon it’s time for me to let him carry on with his evening and for me to return to the warmth of Hotel Victoria. It’s only when I step into the foyer that I remember how hungry I am. Luckily, a slap-up dinner awaits, with a hearty steak and chips, followed by an absolutely enormous Eton Mess dessert, soon hushing my stomach grumbles.

The staff couldn’t have been more attentive and friendly, making sure I had a suitably big wine ready to take out with me on the veranda for the final part of my day. And I would wholeheartedly recommend this part. Blanket around my shoulders and torch in hand – both provided by the hotel – I sit, sip and look out at the sky and sea, both so dark, beautiful and mysterious.

It’s undoubtedly a romantic spot, but also equally perfect for being alone with your thoughts and a good audiobook, like this writer. I’m not alone for long, though, with a rather grumpy-looking cat plonking itself on my lap and loafing contentedly. Whether this is part and parcel of the overall experience, I can’t really say, but I certainly enjoy his company, as cross as he looks with mine.

I sleep like a baby, and not just because of the pleasant wine or deep, comfy bed. I think over Mark’s words, how we humans were supposed to live by the stars, to abide by a shared celestial clock. The following morning, after a breakfast of fresh kippers, I head back to my city home, knowing that taking time to see the stars, and see them how they should be seen, is something I want to factor into mt own personal calendar for the rest of my life.

Do you have a story to share? Email me at julia.banim@reachplc.com

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Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

A field medical laboratory belonging to the 512th Field Hospital sits inside an old Soviet-era bunker as part of Exercise Dynamic Employment of Forces to Europe for NATO Deterrence and Enhanced Readiness (DEFENDER) 2025, Vepriai Rocket Base, Lithuania, May 12, 2025. During Swift Response, the initial phase of DEFENDER 25, the Defense Health Agency’s Force Health Protection team is providing essential support and expertise to U.S. Army medical providers assigned to the 512th Field Hospital, 519th Hospital Center, 30th Medical Brigade, and 68th Theater Medical Command. As part of DHA’s Operational Medical Systems Program Management Office, FHP works with combatant commands and regulatory experts across the globe to rapidly provide a treatment, diagnostic, or preventive medical countermeasure against high-consequence threats to the Warfighter when a Food and Drug Administration-approved product is not available. (Defense Health Agency Photo by T. T. Parish/Released)

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Like millions of pop-culture-obsessed Americans, Howard Stern is bingeing FX’s “Love Story” and soaking up the nostalgia of ’90s-era New York, but unlike most of America, the radio host was buddies with the series’ real-life stars, and even graced the cover of JFK Jr.’s George magazine.

“I had done the cover for George magazine,” Stern said on his eponymous SiriusXM radio show Monday. “So I knew John Kennedy Jr., and he actually showed up to the shoot. It’s one of the worst covers I ever did. And I’ve done a lot of bad ones.”

John F. Kennedy Jr. launched George magazine alongside his partner, Michael J. Berman, in September 1995. With the tagline “Not Just Politics as Usual,” the magazine married pop culture and politics in an unprecedented way and aimed to flip the script on mainstream political discourse. The covers were legendary in their own right and featured supermodels, rock stars, Oscar winners and action film stars dressed up as the nation’s first president.

And, of course, radio jokester and provocateur Stern.

“They convinced me to be chopping down a cherry tree with a chainsaw, dressed up in colonial garb, dressed up, like, I guess I was supposed to be George Washington, but George Washington didn’t wear the s— I was wearing,” he continued.

“It was 100 years ago, and I remember I wasn’t doing a lot of magazine covers by choice,” Stern said.

When John Kennedy Jr., whom Stern described as “literally American royalty and the nicest guy in the world,” asked him to pose for the cover of the April/May 1996 issue, themed “The Virtue Issue,” Stern told his agent, “Of course I’ll do it.”

“I went down there, and they were like, ‘It’s George magazine. We have a theme cover. You can’t be in your regular clothes. We want you to be, like, George Washington,” he continued. “They must have caught me on the right day, because I was incredibly amenable. Normally, I would have gone, ‘I’m not wearing this s—.’”

Stern said he got the full supermodel treatment. “You know what John and the photographer did, that thing that they do to supermodels, ‘Gorgeous! You look great! Oh, man, this is the greatest cover. This is our best cover!’ They’re yelling while the guy’s clicking away, and I’m posing like I’m Cindy Crawford, like I’m one of the Hadid sisters,” he continues. “I’m standing there thinking I look handsome with my chainsaw and Louis the 14th [outfit.]”

After Stern went on dragging everything from the “pilgrim shoes” to the “poofy shirt” he wore for the shoot, he revealed that he actually knew Carolyn Bessette Kennedy as well, although he was a bit cagey about how exactly he knew her.

“She was very lovely,” he said. “She was a really nice woman. I don’t want to go into how I knew her, but I knew her.”

When Stern’s co-host, Robin Quivers, pushed him on why he couldn’t divulge how he knew the former Calvin Klein publicist, he said, “I just know enough to keep my mouth shut about that. Some stuff you do have to keep private. But anyway, I knew her. “

According to Disney, “Love Story: John F. Kennedy Jr. & Carolyn Bessette” is FX’s most-watched limited series ever on Hulu and Disney+, with reports that the first five episodes have been streamed more than 25 million hours since the Ryan Murphy series premiered in February.

The show, starring newcomer Paul Anthony Kelly as Kennedy and Sarah Pidgeon as Bessette, will air its finale Thursday.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

U.S. Air Force Lt Col. John Bergmans, 315th Training Squadron commander, enters the Lawn Atlas Missile Base’s missile silo while exploring the narratives of actual personnel deployed to the site during the Cuban Missile Crisis in Lawn, Texas, Dec. 3, 2020. Bergmans attended the Staff Ride to LAMB in support of the 17th Training Wing Heritage Campaign Plan that was founded on Air Force heritage and the Airmen Warrior Ethos among attending personnel.. (U.S. Air Force photo by Senior Airman Abbey Rieves) 

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

There are few greater muses than one’s own childhood. In recent months, this idea has taken visual form across fashion runways, with brands from Chanel to Acne Studios showcasing childlike sketches, often referred to as ‘naive design’. The aesthetic favors deliberate roughness and mistakes over a sterile, polished sheen.

Book covers are the latest medium to embrace the trend. Scribbles, doodles, crayon marks and stickers — evoking Lisa Frank and anime cartoons — have begun appearing on prominent Gen Z contemporary fiction covers. The more childish and unrefined, the better.

The covers, which often accompany literary fiction written by women, signal a particular emotional register of naive, sticky chaos that youth promises. The visual language recalls a simpler time — a reclamation of an innocence lost. For millennials and Gen Z readers who worship collectibles like Labubus, friendship bracelets and butterfly hair clips, it’s natural that art direction would follow suit — sometimes with an ironic twist. Often, the design’s playfulness obscures the protagonist’s malaise.

The book cover trend, imbued with nostalgia for childhood, promises fiction that grapples with the pangs of adulthood in an age of precarity. In her Substack, cultural critic and novelist Natasha Stagg commented on the trend, noting, “Reverse-image searching these images turn up books on early childhood education, dealing with anxiety or migraines, or teaching a kid to color outside the lines as an artistic parent.” The book trend cover suggests collective angst about adulthood, highlighted by a cultural fixation on “girlhood” that sparked a spate of online think pieces in recent years.

It’s fitting, then, that the aesthetic has been adopted by Gen Z fiction writers like Honor Levy, whose paperback edition of “My First Book” includes girlish heart stickers on a hot pink background. The Y2K aesthetic elicits a young girl’s diary. Meanwhile, the 2025 novel “Unfit” by Ariana Harwicz, about a mother losing her children in a custody battle, uses erratic crayon scribbles on its cover. In the fall, McSweeney’s Quarterly Concern was contained in a binder with a Lisa Frank-style aquatic wonderland on the cover. This month, Cazzie David released a book of essays about early adulthood titled “Delusions: Of Grandeur, of Romance, of Process” with a cover resembling a child’s birthday cake.

(New Directions Publishing, Penguin Books)

Writer and culture critic Drew Zeiba noted the trend in his June 2025 Substack post. “I wonder if it represents a fed-up-ness with prior or concurrent trends in book design,” writes Zeiba over email. “A move away from the layered, the blobby, the clean — to something with more illusion of or allusion to an id.”

“Not for nothing, I assume adult coloring books sell better than literary fiction,” says Zeiba. “I’m struck by that in a way the crayon or marker drawing is provisional — there’s no final form to it.”

This January, novelist and Forever Magazine co-founder Madeline Cash released her highly anticipated debut novel, “Lost Lambs.” The story follows a family unraveling amid open marriages, conspiracy and emotional turmoil. Designed by Na Song, the cover features drooping blue crayon text and a small illustration of a girl.

The cover was heavily influenced by Henry Darger’s Vivian Girls. “I was attached to this Henry Darger painting when I was writing the book. I felt like that was a really accurate visual representation of little girls running away from utter chaos,” says Cash.

“The childish scribbling handwriting is also a red herring for some of the more serious and sinister themes in the book, “ says Cash.

(St. Martin’s Publishing Group, Farrar, Straus & Giroux)

“Having read Cash’s, I’m struck by the fact that the children in the book — and children are central to the book — are really insightful and transformative, and ‘lost lambs’ actually refers in the text to a specific group of adults,” adds Zeiba.

A similar artistic logic underpins Sophie Kemp’s breakout 2025 novel, “Paradise Logic,” which gained attention for its unsettling cover. The book cover is an existing painting by Brooklyn-based artist Naruki Kukita, selected by veteran art director Martha Kennedy with Kemp’s input. Kennedy had come across “Virtual Temptation in Eden” in a weekly art newsletter called “It’s Nice That.” The image invokes a children’s coloring book with darker undertones, blending various cartoon and drawing styles to depict Adam and Eve in paradise. A cartoon snake lurks behind them.

The design mirrors the memorable prose. “This novel showcased one of the most original voices I’ve ever read. I would describe it as a psychosexual fever dream,” says Kennedy. “I recall the editor calling it ‘the first true Gen Z novel.’”

Kemp recalls sending a lengthy email about the book cover inspiration. “I want something super maximalist. I want it to be a preexisting image. And I wanted to do something that is shocking or crazy,” says Kemp. Kennedy presented Kukita’s painting, and it was love at first sight for Kemp.

(New Directions Publishing, Simon & Schuster)

“Kukita’s combination of finely crafted painterly portraiture and flat graphic anime (often in very intense sexual combination) seemed like a perfect match for the tone of this novel,” says Martha Kennedy, who served as the art director at Simon & Schuster.

Then, enter Comic Sans typeface — a perfect dash of irony. “Let’s use a typeface that feels kind of wrong,” Kemp recalls prescribing. “I used Comic Sans for the first time in my 35-year career for the rest of the type. I felt that was some sort of weird pinnacle in itself,” Kennedy explains over email.

Kemp sees a thematic alignment between her and Cash’s book designs. “Mine and Madeline’s books are about naive female characters,” Kemp says. “It makes a lot of sense with the protagonist of my novel, who’s an extremely naive young woman, for the book cover to match that tone that I created.”

While working in marketing, Cash recalls another book cover trend she calls “book blob.” The blob was earth-toned and splashed bestselling covers for years. “With any kind of viral aesthetic: one of those books did well, so they engineered every cover to emulate that, because people were drawn to them,” says Cash. “It looks like all the content was the same and ubiquitous. It is a disservice to a lot of those books.”

“I really wanted it to stand out,” says Cash about her own cover.

Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

CHEYENNE MOUNTAIN AIR FORCE STATION, Colo.—Runners participating in the North American Aerospace Defense Command 5k Tunnel Run exit the Cheyenne Mountain Complex through the north portal at Cheyenne Mountain Air Force Station, Colorado, May 10, 2018. The run was open to all local military personnel, friends and family and was held to celebrate the 60th Anniversary of NORAD and the U.S. Canadian binational NORAD agreement.. (U.S. Air Force photo by Senior Airman Dennis Hoffman)

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

First Lt. Pamela Blanco-Coca, 319th Missile Squadron missile combat crew commander, and 2nd Lt. John Anderson, 319th MS deputy missile combat crew commander, conduct pre-operational checks at a launch control center in the F.E. Warren Air Force Base, Wyo., missile complex Feb. 9, 2016. The missileers worked heavily in conjunction with missile maintainers to conduct a test of Minuteman III weapon system components in a test known as the Simulated Electronic Launch-Minuteman. (U.S. Air Force photo by Senior Airman Jason Wiese) 

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.