comebacks

When Lauren Hersh, the national director of the anti-sex trafficking activist group World Without Exploitation, heard Wednesday that Sean “Diddy” Combs was convicted only on the two least serious charges against him, she felt grief for his former partner Casandra Ventura and his other accusers.

“I think this is a travesty,” Hersh said. “It shows there is culturally a deep misunderstanding of what sex trafficking is and the complexity of coercion. So often in these cases, there’s an intertwining of horrific violence and affection.”

Hersh, the former chief of the sex trafficking unit at the Kings County district attorney’s office in Brooklyn, said that Combs’ verdict — guilty on two charges of transportation to engage in prostitution but acquitted on one for racketeering and two for sex trafficking — is a mixed message about Combs’ conduct. But it will likely be felt as a step backward for the movement to hold powerful men to account for alleged sex crimes.

In a cultural moment when other music stars like Marilyn Manson and Chris Brown have mounted successful comebacks after high-profile abuse investigations and lawsuits, Hersh worries the Diddy verdict may deter prosecutors from pursuing similar cases against powerful men and chill the MeToo movement’s ability to seek justice for abuse victims.

“It’s a huge setback, especially in this moment when the powerful have continuously operated with impunity,” Hersh said. “It sends a signal to victims that despite the MeToo movement, we’re still not there in believing victims and understanding the context of exploitation. But I’m hoping it’s a teachable moment to connect the dots with what trafficking is and understanding the complexity of coercion.”

The charges against Combs were not a referendum on whether he had abused Ventura or the myriad other women and men involved in his “freak-off” parties, where group sex and drug use intertwined into an allegedly decadent and violent culture around Combs.

Combs’ defense team freely admitted that his relationship with Ventura was violent, as seen in an infamous 2016 videotape of Combs beating Ventura in an elevator lobby at the InterContinental hotel in Los Angeles. Marc Agnifilo, one of Combs’ lawyers, said in closing arguments that Combs has a drug problem but described his relationship with Ventura as a “modern love story” in which the hip-hop mogul “owns the domestic violence” that plagued it.

“The defendant embraced the fact that he was a habitual drug user who regularly engaged in domestic abuse,” federal prosecutors wrote in a hearing about Combs’ possible bail terms.

The jury decided that Combs’ conduct, however reprehensible, did not amount beyond a reasonable doubt to a criminal racketeering organization or sex trafficking. Yet the case’s impact on movements within music and other industries to hold abusers to account is uncertain.

Many civil suits against the music mogul are still moving through court and could affect his depleted finances. Combs’ reputation has been thoroughly tainted by the lurid details of the trial and strong condemnations from his many accusers.

Still, for victim advocates, the verdict was a bitter disappointment.

Reactions within the music world were swift and despairing. “This makes me physically ill,” said Aubrey O’Day of Danity Kane, the band Diddy assembled on his popular reality TV show “Making the Band,” on social media. “Cassie probably feels so horrible. Ugh, I’m gonna vomit.”

“Cassie, I believe you. I love you. Your strength is a beacon for every survivor,” wrote singer Kesha, who in 2014 sued producer Dr. Luke, accusing him of assault. Kesha has frequently altered the lyrics of her hit single “TikTok” in performances to lambast Combs.

Even longtime Diddy antagonist 50 Cent seemed to acknowledge his partial victory. “Diddy beat the feds that boy a bad man,” 50 Cent wrote on Instagram, before referencing a famous mobster notorious for evading convictions. “Beat the RICO he the gay John Gotti.”

Mitchell Epner, a former assistant U.S. attorney in New Jersey who prosecuted numerous sex trafficking and involuntary servitude cases, said that despite some recent high-profile sex trafficking cases that ended in convictions, Combs’ charges were never going to be easy to prove.

“In recent years, we’ve seen prosecutions of Ghislaine Maxwell in the Jeffrey Epstein case, Keith Raniere of NXIVM and R. Kelly, where they are trafficking in order to feed the traffickers’ sexual desire,” Epner said. “But this indictment was all about Sean Combs sharing women with people he was paying. He wasn’t receiving money, he wanted to be a voyeur. That technically fits the definition of sex trafficking, but it wasn’t the primary evil Congress was thinking about.”

The hurdles for accusers to come forward with claims against powerful men, and for juries to discern between transgressive sexual relationships and criminally liable abuse beyond a reasonable doubt, make such cases difficult to prosecute.

In the absence of convictions, some recently accused artists have already mounted successful comebacks.

Shock-rocker Marilyn Manson had been under investigation by the Los Angeles County Sheriff’s Department since 2021, when several women accused him of rape and abuse including “Westworld” actor Evan Rachel Wood and “Game of Thrones” actor Esmé Bianco.

Dist. Atty. Nathan Hochman said in January that the statute of limitations had run out on Manson’s domestic violence allegations, and that prosecutors doubted they could prove rape charges.

“While we are unable to bring charges in this matter,” Hochman said in a statement then, “we recognize that the strong advocacy of the women involved has helped bring greater awareness to the challenges faced by survivors of domestic abuse and sexual assault.”

Bianco told The Times that, “Within our toxic culture of victim blaming, a lack of understanding of coercive control, the complex nature of sexual assault within intimate partnerships, and statutes of limitations that do not support the realities of healing, prosecutions face an oftentimes insurmountable hurdle. Once again, our justice system has failed survivors.”

Manson has denied all claims against him. He has since released a new album and mounted successful tours.

Meanwhile, R&B singer Chris Brown was recently the subject of “Chris Brown: A History of Violence,” a 2024 documentary that shed new light on a 2022 lawsuit where a woman accused Brown of raping her on a yacht owned by Combs in 2020.

That lawsuit — one of many civil and criminal claims made against Brown over the years, beginning with the infamous 2009 incident in which he assaulted his then-girlfriend Rihanna — was dismissed. In 2020, Brown settled another sexual assault lawsuit regarding an alleged 2017 incident at the singer’s home. Brown currently faces criminal charges around a 2023 incident where he allegedly assaulted a music producer with a tequila bottle in a London nightclub.

Brown denied the claims in the documentary, and his attorneys called the film “defamatory.” He sued Warner Bros. Entertainment for $500 million. He is currently on a stadium tour that will stop at SoFi Stadium in Inglewood in September.

Combs, meanwhile, may still face a range of criminal and civil consequences. He could be sentenced from anywhere up to the maximum of 10 years apiece on each prostitution charge, or to a far lesser sentence. Some experts said it’s possible he may be sentenced to time served and walk away a free man soon.

Though it’s too soon to know what kind of future awaits Combs should he return to public life, it’s hard to imagine a return to the heights of influence that defined his ‘90s tenure at Bad Boy Entertainment, or his affable multimedia-mogul personality in the 2000s. A fate similar to the former hip-hop mogul Russell Simmons seems most likely — reputationally tarnished and culturally irrelevant.

Still, his supporters thronged outside the New York courtroom waving bottles of baby oil — an infamous detail of the trial — in a pseudo-ironic celebration of his acquittal on the most serious charges.

If Combs wants to ever return to music, he’ll have at least one ally in Ye, the embattled Nazi-supporting rapper who showed up in court to bolster Combs. Ye featured the incarcerated mogul on his song “Lonely Roads Still Go to Sunshine,” and released clothing featuring the logo of Combs’ old fashion label Sean John.

President Trump, another convicted felon and alleged sexual assailant who quickly returned to the heights of power, has said he is open to pardoning Combs. “It’s not a popularity contest,” he has said, regarding a Combs pardon. ”I would certainly look at the facts if I think somebody was mistreated.”

The 40-year-old actor is returning to the ITV soap as Jason Grimshaw after nine years away, while Carole Anne Ford has also made her Doctor Who after 32 years – but they are not the only stars who reprised their roles after a long time away

Ryan Thomas will be back on our screens in Corrie tonight as he returns to play Jason Grimshaw for the first time in nine years tonight. But that’s nothing compared to the time some other stars have spent away from iconic roles – before getting back into character once more.

On Saturday, Carole Ann Ford returned to Doctor Who 32 years after she was last seen on screen as the Time Lord’s granddaughter, Susan Foreman.

Ryan, 40, said he thought he’d never return to the soap but that “it felt right” for co-star and close friend Sue Cleaver’s emotional exit. Sue will bow out as Jason’s mother Eileen Grimshaw after more than 20 years in the role in upcoming episodes.

Meanwhile Carole, AKA Susan Foreman, was the Doctor’s very first companion, boarding the TARDIS alongside Hartnell’s First Doctor, before departing the show in 1964. She claims was “fan power” that brought her back, saying: “I think fans have been saying, ‘Where is she? What’s happening other than her? Are we going to see her again?’

On how the Doctor Who set compares to the rather more quaint version back in the 1960s, she adds, “This is like a universe of its own. It’s stunning. I feel very honoured to be here.”

But they’re not the only stars of TV and films who reprised their roles after a very long time away. Here are some of the others…

David Tennant (The Doctor in Doctor Who) – 13 YEARS

Tennant’s run as the 10th Doctor from 2005 to 2010 is the stuff of sci-fi legend. With his skinny suits, wild hair, and “Allons-y!” catchphrase, he quickly became a fan favourite – so much so, that his departure in a tear-streaked Christmas special left the nation heartbroken.

Fast forward to 2023, and Tennant – by then a huge star of stage and screen – stunned audiences by returning – not just for a cameo, but as the 14th Doctor, alongside Catherine Tate. It was a fan-pleasing twist for the 60th anniversary, mixing nostalgia with fresh Time Lord chaos.

READ MORE: Coronation Street fans will see ‘different’ Jason Grimshaw with shock romance teased

Tony Adams (Adam Chance in Crossroads) – 21 YEARS

Tony Adams was a fan favourite in Crossroads as smooth-talking businessman Adam Chance, first appearing in the original run of the motel-set soap back in 1978. Known for his charm, affairs, and ever-changing fortunes, he stayed with the series until its 1981 cancellation, leaving behind a legacy of big collars and bigger drama.

In a move that delighted loyal viewers, Adams returned to Crossroads in 2002 when ITV revived the show after more than two decades off air. Picking up where he left off, Adam Chance was once again stirring the pot in King’s Oak, but was later killed off in a fire. Tony, now aged 84, went on to star in the West End stage version of Chitty Chatty Bang Bang as Grandpa Potts.

Paul Bradley (Nigel Bates in EastEnders) – 26 YEARS

Back in the ‘90s, Paul Bradley’s Nigel Bates was the lovable oddball of Albert Square—soft-spoken, cardigan-clad, and endlessly unlucky in love. A single dad with a heart of gold, Nigel brought warmth and awkward charm to even the grittiest EastEnders storylines. When he left Walford in 1998 to start a new life with girlfriend Julie, fans were sad but glad to see the gentle soul get a happy ending.

Paul went on to firmly establish another much-loved character, playing heart surgeon Elliot Hope in Holly City from 2005 to 2015. Then, in 2024, and after 26 years away, Nigel made an emotional return for Dot Cotton’s funeral, thrilling fans with his brief return.

David Hasselhoff (Michael Knight in Knight Rider) – 22 YEARS

In the 1980s, David Hasselhoff was the epitome of cool as Michael Knight – the leather-jacketed crime fighter with a talking car. Knight Rider became a cult classic and turned The Hoff into a global icon.

After the series ended in 1986, his career soared: he patrolled the beaches as Mitch Buchanan in Baywatch, starred in films like Dodgeball and The SpongeBob SquarePants Movie, and even became a chart-topping pop star in Germany.

Hasselhoff returned to the driver’s seat in 1991 for Knight Rider 2000, a futuristic TV movie sequel. Then, in 2008, he delighted fans once more with a cameo in NBC’s short-lived Knight Rider reboot, which pulled in over 10 million viewers. He also lent his voice to KITT again for a video game.

David Jason (Granville in Open All Hours) – 29 YEARS

David Jason was the shy, long-suffering shop assistant Granville in Open All Hours, working under the tight-fisted Arkwright, played by Ronnie Barker. The show became a British sitcom classic during its original run from 1973 to 1985, with Jason’s quiet charm and comic timing helping it win generations of fans.

Nearly 30 years later, Jason returned to the corner shop in Still Open All Hours, this time as the owner – older, grumpier, and very much following in his uncle’s penny-pinching footsteps. The reboot aired in 2014 and ran for six series.

Sir Patrick Stewart (Jean-Luc Picard in Star Trek) – 26 YEARS

Sir Patrick played Jean-Luc Picard, the commanding officer of the Federation starship USS Enterprise, in 178 episodes of the sci-fi television series between 1987 and 1994, and in four feature films. He went on to star in countless movies, TV dramas and stage shows, including Professor Charles Xavier in the X-Men franchise.

But in 2020 the veteran actor boldly went back to where he had been before, reprising the role of Picard in Star Trek: Picard. Delighting fans with the news, he said: “When we wrapped that final movie in the spring of 2002, I truly felt my time with Star Trek had run its natural course.

“It is an unexpected but delightful surprise to find myself excited and invigorated to be returning to Jean-Luc Picard and to explore new dimensions with him.”

Bonnie Langford (Mel Bush in Doctor Who) – 36 YEARS

Bonnie Langford first joined Doctor Who in 1986 as Mel Bush, the bright and bubbly companion to the 6th and 7th Doctors. Known for her upbeat energy and iconic scream, she left the TARDIS in 1987, going on to forge a hugely successful stage and TV career, including a memorable stint in EastEnders and acclaimed turns in the West End.

Three decades later, Bonnie surprised fans by stepping back into Mel’s shoes for The Power of the Doctor in 2022, later explaining she was sent a script “out of the blue” by Russell T Davies with an offer to return. And this year she made a second comeback, and is currently playing Mel again alongside Ncuti Gatwa’s 15th Doctor in the new series.

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