beloved series

‘Gilmore Girls’ at 25: L.A. fans get a taste of Stars Hollow

Lauren Perlmutter is a “Gilmore Girls” superfan. She’s watched the show on a loop for the past 10 years. It’s mostly been in chronological order, and sometimes just in the background while she’s working on something else but craving the show’s comforting familiarity.

“It’s like my bowl of chicken noodle soup,” she said.

Perlmutter, 23, like many fans of the beloved series, was born after it first debuted Oct. 5, 2000 on the WB. Her mom, Joelle, had caught “Gilmore Girls” every now and then when it was airing, and she introduced it to her daughter years later, watching it more intently with her new viewing partner.

The series, which starred Lauren Graham as Lorelai Gilmore, a young single mom, and Alexis Bledel as her teen daughter Rory, is beloved for its witty writing and the small-town charm of its fictional setting, Stars Hollow, Conn.

A photo of two women in a gazebo with fall decor strung up on the structure.

Fans walk through a recreated gazebo like the one in the fictional town of Stars Hollow. “Gilmore Girls” is set in Connecticut, but much of the filming took place on a backlot at Warner Bros. Studios in Burbank.

(Etienne Laurent/For The Times)

Like the Gilmores, the Perlmutters established a Friday night tradition, except instead of a tense (mandatory) dinner with three generations, the pair would churn through episodes of the show and enjoy spending quality time together.

Lauren said she saw herself in the bookish Rory.

“I was so academically oriented. I strived really hard, and I was valedictorian at UCLA, and [my mom] was there in the audience and we made the same faces they did during Rory’s graduation, and I had a speech very similar to Rory’s,” she said. “Being able to have this background story of two women being raised, and then translated over into my life with my mom was just so special.”

Although their busy schedules make it hard to maintain their tradition weekly — Lauren is in graduate school at Pepperdine training to be a therapist (although she once considered pursuing journalism like Rory) — the Perlmutters still get an occasional Friday night viewing party in.

In celebration of the show’s 25th anniversary, Warner Bros. Television Group hosted an immersive pop-up event at the Grove that promised to give fans “a weekend in Stars Hollow” with set recreations and fall decor abound. The Perlmutters were first in line on Saturday morning, even with their drive from the San Fernando Valley.

Despite a prominently displayed “no cell phones” sign like the one from Luke’s Diner, fans couldn’t help but take selfies and videos of the set recreations. The Stars Hollow gazebo, the famous town sign, a replica of Lorelai’s beloved Jeep Wrangler and a display of 1,000 daisies from a romantic proposal scene in the first season were popular photo spots, and visitors cycled through Luke’s to grab coffee and donuts. And plenty of themed merchandise — ranging from the typical stickers, hats and mugs to ultra-specific items like bath salts with branding from Lorelai’s inn — was available for purchase.

While the fanbase is largely made up of women, some men enjoy the show as well. As one husband and father who attended the event with his more enthusiastic wife and daughters put it, “every man had a crush on Lorelai.”

A photo of a group posing for a photo near a display of dozens of yellow daisies.

Several hundreds of fans cycled through the Grove to celebrate the show’s anniversary.

(Etienne Laurent/For The Times)

“Gilmore Girls” also starred Melissa McCarthy as Sookie St. James, Lorelai’s longtime friend and chef at the inn she runs; Scott Patterson as the curmudgeonly but lovable eponymous diner owner Luke Danes; Kelly Bishop and Edward Herrmann as Emily and Richard Gilmore, Lorelai’s (very traditional) parents; and Keiko Agena as Lane Kim, Rory’s rock music-loving best friend. It was created by Amy Sherman-Palladino, who went on to make the hit series “The Marvelous Mrs. Maisel,” and several other major projects.

During its original run from 2000 to 2007, the series was popular among viewers but not so much among critics. The show was nominated for only a single Emmy in its seven year run — one for makeup, which it won.

Serri Ferrante and Winona Parks, longtime friends who both work in television, said they suspect the lack of critical acclaim the series got could be attributed to the small size of the WB network, where it aired, and the likelihood that its budget for awards campaigns was small.

“I always voted for it,” Ferrante said, “but it was like a throwaway vote.”

Still, as the scores of young fans at Saturday’s celebration at the Grove prove, “Gilmore Girls” found a bountiful second life through streaming services.

Brittania Chacon, a 22-year-old from Mid-City, said she discovered the series when it kept popping up on her TikTok feed a year ago. It was autumn, which she says is the perfect time to watch — and many fans agree. (The show gets a seasonal boost in streaming ratings every year, according to Nielsen.)

The young crop of fans makes Ferrante “feel old,” she said, “but then it makes me feel connected to another generation.”

While most fans said they return to the show repeatedly either because of its relatable plotlines, sharp writing or the friendly comfort of their favorite characters, for some, it also acts as a primer for difficult conversations between mothers and daughters.

“It helped me talk to her about things that are not easy to talk about — dating, relationships, growing up,” Susie Park of Glendale said. Her 13-year-old daughter Ella, who started and finished the show over the course of the summer, confidently established herself as a member of “Team Jess,” referencing fans’ different camps of support for Rory’s boyfriends throughout the show.

“I think it’s amazing that it’s intergenerational and that I can actually show my daughter and that it resonates with her. She’s at an age where she’s supposed to be taking sex education classes and it wasn’t very helpful, but this was a lot more helpful,” Susie said as Ella burst out laughing.

A scene from the WB's "Gilmore Girls" in 2002.

Emily Gilmore (Kelly Bishop), left, Lorelai Gilmore (Lauren Graham), Rory Gilmore (Alexis Bledel) and Richard Gilmore (Edward Herrmann) in a scene from “Gilmore Girls.”

(Mitchell Haddad / The WB)

Regardless of which team fans are on regarding Rory’s boyfriends or which of the memorable recurring characters is their favorite, most can agree that they want to see more of the Gilmores and Stars Hollow.

In 2016, many original cast members and creatives reunited to make a revival miniseries, “Gilmore Girls: A Year in the Life.” The Netflix series had four episodes representing the four seasons to continue the Gilmore family’s story several years later. While it was hotly anticipated, it was not particularly well received by critics and fans alike because some felt the characters seemed to stray from their core attributes and values that made them so loveable.

So more than two decades after the start of the story, many fans are clamoring for another slice of Stars Hollow life. Graham, who reunited with Bledel onstage at the Emmy Awards last month, said on the red carpet that she’d like the idea of a “Gilmore Girls” Christmas movie.

Regardless of whether the story continues in some shape or form, “Gilmore Girls” is regarded as one of the best series of all time and Lorelai and Rory will continue to fuel conversations between mothers and daughters for generations to come.

Eleni Zumot, who attended Saturday’s event with her sister, her mother and her 9-month-old daughter Amelia (sporting a pink Luke’s Diner t-shirt), said she hopes to re-watch the show with her daughter when the time is right.

“I think she’ll love it.”

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6 popular TV reboots that have found the secret to Emmy success

Every year, Emmy prognosticators weigh the chances of TV’s newcomers. But what about newcomers that are also old-timers?

Whether you prefer to call them remakes, revivals or reboots, reimaginations of beloved movies and TV shows are all the rage: Think of CBS’ “Matlock,” which swapped in Academy Award winner Kathy Bates for Andy Griffith as a charming lawyer who gets things done in the legal system; Peacock’s “Bel-Air,” which turned a multicam sitcom into a drama; or HBO’s “Perry Mason,” which was less about the courtroom than Mason as private investigator.

When it comes to awards season, though, reboots aren’t such a hot commodity. Max’s “Gossip Girl,” Paramount+’s “Frasier” and ABC’s “The Wonder Years” came and went with no wins, and continuations like NBC’s “Law & Order” and “Will & Grace,” Fox’s “The X-Files” and CBS’ “Murphy Brown” have generally not received the same love from voters as their original runs.

Not all reboots fizzle at the Emmys, though. Here are six examples of rethinks that not only brought back beloved series from the graveyard but made them award-worthy all over again.

‘Shōgun’ (2024-present)

Emmy wins: 18

A woman in a white kimono flanked by two women in green kimonos.

Anna Sawai in “Shōgun.”

(Kurt Iswarienko / FX)

With 26 nominations and an astounding 18 wins, the premiere season of “Shōgun” is the first Japanese-language series to take home an Emmy for drama series. In addition to the top prize, the adaptation of James Clavell’s 1975 historical novel won awards for stars Hiroyuki Sanada (lead actor, drama) and Anna Sawai (lead actress, drama) plus a raft of below-the-line Emmys. The original miniseries’ take on Clavell’s story of colonialism and war in medieval Japan didn’t do so badly, either — in 1980 it scored 14 nominations and won three Primetime Emmys, including one for limited series.

‘Queer Eye’ (2018-present)

Emmy wins: 11

Five people in pink or white bathrobes seated on a curved sofa, with a dog at their feet

“Queer Eye” cast members Antoni Porowski, left, Tan France, Jeremiah Brent, Jonathan Van Ness and Karamo Brown.

(Netflix)

The fixer-upper series featuring five gay men zhuzhing up the lives of more staid straights was a phenomenon when it originally aired between 2003 and 2007 but was comparatively overlooked by the Emmys, picking up a win for reality program in 2004 plus three other nominations. Meanwhile, Netflix’s reboot — featuring makeovers of more than just straight guys, and a less snarky sensibility — has earned 11 Emmys to date, including six wins for structured reality program (2018, 2019-23).

‘Westworld’ (2016-22)

Emmy wins: 9

A woman in a long dress and a man in a tuxedo walk in a white hallway, large glass doors behind them

Thandiwe Newton and Aaron Paul in Season 4 of “Westworld.”

(John Johnson / HBO)

“Westworld” stands out on this list because it reimagines a feature film, not an earlier TV series — in this case, the 1973 movie written and directed by Michael Crichton and starring Yul Brynner. The film scored no top-line awards or nominations, but the HBO reboot, which premiered in 2016, landed 54 Emmy nominations and nine wins across its four-season run, including a 2018 trophy for Thandiwe Newton (lead actress, drama) for her performance as the series’ cunning madam, Maeve Millay.

‘One Day at a Time’ (2017-20)

Emmy wins: 3

A smiling woman shows her cellphone screen to a younger woman who looks confused

Justina Machado, left, and Isabella Gomez in “One Day at a Time.”

(Ali Goldstein / Netflix)

The story of a single mom raising her growing daughters earned three nominations during its original run from 1975 to 1984, including one in 1982 for star Bonnie Franklin (lead actress, comedy); director Alan Rafkin and supporting actor Pat Harrington won. The Netflix reboot, which recast the Romanos as the Cuban American Alvarez family and shifted the action from Indianapolis to L.A., was nominated for each of its four seasons and won two, as well as a special Television Academy Honor.

‘Battlestar Galactica’ (2004-09)

Emmy wins: 3

Three men and a woman in dark uniforms stand looking in different directions.

Michael Hogan as Col. Saul Tigh, left, Edward James Olmos as Adm. William Adama, Mary McDonnell as Laura Roslin and Jamie Bamber as Lee “Apollo” Adama in the TV movie “Battlestar Galactica: Razor,” part of the popular Sci-Fi Channel franchise.

(Carole Segal / Sci-Fi Channel)

In the decades between the original 1978-79 “Battlestar” and the full-throttle reboot, science-fiction storytelling on the small screen advanced at lightspeed, which may have helped the latter last far longer than the original. The story of human refugees fleeing space colonies destroyed by Cylon robots (who were now on their tail) earned the original series three nominations and two Emmy wins in below-the line categories. The reboot ended up with three Emmy wins of its own from 19 nominations, though all the wins were for special effects and sound editing. (A 2003 backdoor pilot became a three-hour miniseries and also earned three Emmy nominations.)

‘The Conners’ (2018-25)

Emmy wins: 1

Extended family sitting around the kitchen table on a TV sitcom

Maya Lynne Robinson, left, Jayden Rey, Michael Fishman, John Goodman, Laurie Metcalf, Sara Gilbert, Emma Kenney, Ames McNamara and Lecy Goranson in “The Conners.”

(Robert Trachtenberg / ABC)

Let’s call this one an unplanned reboot. After ABC canceled its 2018 “Roseanne” revival due to star Roseanne Barr’s public flameout, the quick-thinking network teed up “The Conners,” which follows the titular family after its matriarch’s untimely death. Falling somewhere between a traditional revival and a full-on reboot, “The Conners” hasn’t matched the original “Roseanne’s” Emmy haul, which included 25 nominations and four wins (three for Laurie Metcalf and one for Barr). But the series, which recently concluded its own seven-season run, has performed solidly with voters, earning six nominations and one win in 2021 for editing in a comedy series.

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