Bayern Munich set to rival Manchester United for Nottingham Forest‘s Elliot Anderson, Morgan Rogers could leave Aston Villa if they fail to qualify for the Champions League, while Arsenal trio face uncertain future at the club.
Aston Villa‘s English winger Morgan Rogers, 23, may be tempted to look for Champions League football elsewhere if Unai Emery’s side fail to qualify for next season’s competition. (Talksport), external
Arsenal‘s Brazilian winger Gabriel Martinelli, 24, faces an uncertain future at the club along with English left-back Myles Lewis-Skelly, 19, and 18-year-old English winger Ethan Nwaneri. (Times – subscription required), external
Manchester Citydefender Nathan Ake is a target for AC Milan and Inter Milan with the Netherlands international, 31, unable to command a regular starting spot this season. (Caughtoffside), external
Arsenal have little intention of allowing 23-year-old Italian defender Riccardo Calafiori to leave this summer despite growing interest from Serie A clubs including Inter Milan, AC Milan, Juventus and Napoli. (Teamtalk), external
Paris St-Germain have no plans whatsoever to sell 25-year-old Georgian winger Khvicha Kvaratskhelia to Arsenal. (Fabrizio Romano), external
Roma captain Lorenzo Pellegrini is wanted by Juventus with the 29-year-old Italian attacking midfielder out of contract at the Giallorossi at the end of the season. (Gazzetta dello Sport – in Italian), external
Andre (Wolves): Yes, he gets a goal to win the game against Liverpool on Tuesday, but he’s an enforcer. He had to dig in a lot with the Liverpool pressure, especially in the first half. He did a great job for the team. On the odd occasion, he was able to get forward – and he drove forward with pace and purpose, and he managed to nick a goal. He has been a huge part of the Wolves revival.
Declan Rice (Arsenal): Need I say anything else? Rice is the man who is always in the right area. The ball always breaks to him. It looks like he is tiring, but then he manages to do a lung-busting run. It was an excellent performance from Rice against Brighton. He controlled and dictated the field.
Elliot Anderson (Nottingham Forest): It was one of those performances that make you think he will probably be at Manchester City one day. The goal was a great hit, and he broke up play really well. He also manages to make 25 fouls a game, but never gets a card! I think he would be a good replacement for Rodri one day. If Manchester City cannot get Rodri back to the level he was fitness-wise, then they need Anderson next to him, or they move Rodri on and put Anderson in.
Adam Wharton (Crystal Palace): He plays forward and he assists goals. What separates him from other players in the Premier League is he plays one or two touches, and he plays forward more than anyone that I can think of. He is not afraid of making mistakes. His pass for Jorgen Strand Larsen’s goal in the 3-1 win at Tottenham on Thursday was lovely. His take on the half-turn and the ball in for Ismaila Sarr was fantastic too. I wonder whether Palace can keep him moving forward?
Manchester City are closing in on a deal for Elliot Anderson, several Premier League clubs are interested in Fulham‘s Samuel Amissah, and Liverpool have identified Yan Diomande as a replacement for Mohamed Salah.
Liverpoolwant 19-year-old Yan Diomande to replace Mohamed Salah on the right wing and the RB Leipzig winger could cost them £87m. (Teamtalk), external
Former Spurs boss Mauricio Pochettino and Roberto de Zerbi are Tottenham‘s top managerial targets this summer – however former player Robbie Keane, now in charge of Ferencvaros, could be considered if they are relegated to the Championship. (GiveMeSport), external
Arne Slot’s position as Liverpoolboss is set to come under significant scrutiny at the end of the season, with former Real Madrid coach Xabi Alonso the only manager the club’s owners want to succeed the Dutchman. (Teamtalk), external
Ecuador defender Piero Hincapie, 24, will join Arsenalon a permanent transfer from Bayer Leverkusen at the end of this season. (Sun), external
The Gunners will need to sell a first-team player this summer, with Norway midfielder Martin Odegaard, 27, and Brazil winger Gabriel Martinelli, 24, among the potential candidates. (Telegraph – subscription required), external
Paul Thomas Anderson’s darkly comedic action-thriller “One Battle After Another” won the top prize at the Producers Guild Awards on Saturday, continuing its dominating run through awards season.
The PGA honor, presented at a ceremony in Beverly Hills, cements Anderson’s celebrated film as the front-runner for the best picture Oscar. Since 2009, when both the Producers Guild and the motion picture academy expanded their best picture nominee slates from five to 10 and adopted a preferential ballot, the PGA winner has gone on to win best picture all but three times.
The last time the groups diverged came six years ago when PGA winner “1917” lost the Oscar to Bong Joon Ho’s “Parasite,” a film that surged in momentum in the weeks leading up to the 2020 Oscars.
No other movie this season has shown that kind of strength other than Ryan Coogler’s “Sinners,” which scored a record-breaking 16 Oscar nominations in January. However, “One Battle” has prevailed at the major ceremonies since then, winning best picture at the British Academy Film Awards last week and Anderson taking the top honor with the Directors Guild earlier this month.
“Sinners” has one more chance to reverse the tide. It will compete against “One Battle After Another” for the cast award at the Actor Awards on Sunday. That ensemble honor, the most prestigious prize handed out by SAG-AFTRA voters, isn’t as strong a precursor as the PGA’s best film. But “Parasite” did win it right before the 2020 Oscars.
Hope springs eternal. Oscar voting ends on Thursday.
Read the full list of 2026 Producers Guild Award winners below.
Darryl F. Zanuck Award (outstanding theatrical motion picture): “One Battle After Another”
When the pandemic hit, and reality settled in that life would be isolated and mostly inside, Grammy winner Anderson .Paak found himself on the outside looking in, in a way he didn’t anticipate. “I was the odd man out. My son was 8, and BTS took over the whole house,” .Paak explained in an interview with The Times at his WeHo lounge, Andy’s. “It was a K-pop storm. Before that, me and my son were bonding off of my music.”
.Paak’s son, Soul Rasheed, and his now ex-wife originally from Korea, Jaylyn Chang, had become obsessed with K-pop alongside much of America, which reminded .Paak of the intensity of Beatlemania. Black American music influenced the birth of a new style, which formed and expanded across oceans, then returned to the U.S. and exploded. This effect in the .Paak household was palpable, causing Soul and Chang to deeply bond in a new way. .Paak himself, as a soul, R&B and hip-hop aficionado, was tapped into the source, but not the reinterpreted subject. So he had to find a way in.
Soul, at the time, like many 8-year-olds, had also become obsessed with becoming a YouTuber. Besides .Paak’s music, the father-and-son duo had also previously connected over humor, so .Paak started there. They began with funny skits and eventually fused them with BTS dances. Soon, there were even videos featuring them comedically educating each other about their individual music tastes. “I loved it,” .Paak recalled, getting lost in the memory. “I was getting to know him more, and he was getting to know me. My mom would always say, ‘It’s one thing for your kids to love you, but it’s another to share things you’re interested in.’ It wasn’t like I was being Anderson .Paak, I was just Dad.”
“I was getting to know him more, and he was getting to know me,” .Paak said of bonding with his son, Soul.
(Carlin Stiehl / For The Times)
Through this exploration and the realization of a potential continued familial bond, a story idea emerged, then a treatment for a K-pop-centered film that .Paak would direct and he and Soul would both star in. .Paak then began directing a slew of music videos as the pandemic began to fade, building a portfolio and gaining experience in the medium. But he could start to sense Soul’s interest fading as time passed. After a few failed pitch attempts, .Paak urgently enlisted the help of one of his oldest friends and fellow entertainer, Jonnie “Dumbfoundead” Park, who brought .Paak and the idea to Stampede Ventures.
“The pitch was from an idea that Anderson had, and [to introduce it], we showed them this TikTok that he had with his son,” Park recalled over Zoom. “Anderson was like, ‘Do you know anything about BET, son?’ And [Soul] was like, ‘No, but I know BTS.’ Then they were just going back and forth, arguing about BET and BTS. That was literally the deck, [us saying] we would take that energy and put it into a two-hour film. They loved it. As soon as we walked out of the office, Anderson looked over like, ‘Are we greenlit?!’ They just understood it, the whole intergenerational, intercultural element of Black and Korean.” Stampede combined forces on the project with Live Nation Studios and .Paak’s debut feature “K-Pops!” was off to the races.
It’s important to note that .Paak is himself Black and Korean. His mother was adopted from Korea by a SoCal Black American military family and .Paak’s father was also a Black military officer. Thus, while his mother was born in Korea, he was raised almost entirely within a Black cultural space. .Paak didn’t experience much direct exposure to Korean culture until his 20s, when he met Chang at the Musicians Institute in Hollywood. As an immigrant directly from Korea, Chang showed him the fortitude of structure amid her community. He was also taken by their inherent family value system. “In Korean households, you stay in the house until you get older so you can take care of your parents, and your parents can help take care of the kids,” .Paak explained. “There’s an infrastructure that’s worked out. Also, Korean food is important, as is learning the language. I was drawn to that. My son didn’t eat anything outside of Korean food for so long, and he’s just now getting into tacos.”
.Paak then further explored his Korean side through a burgeoning friendship with Park, which happened a bit later, after Chang had already given birth to Soul. Park introduced .Paak to K-town-based Korean culture through their shared music scene. “The people that came from K-town had a lot of Latino and Black influences as well,” .Paak remembered. “There was a little more of a melting pot, and it was more urban. But in a similarly communal way [to Koreans from Korea], they were all hanging out in K-town with other Korean friends. They’d drink soju, and go to after-hours where you had to have somebody Korean with you.”
While .Paak had some opportunities in adulthood to grasp a bit of his Korean heritage, in “K-Pops!,” through his main character BJ, he also got to actualize what his mother may have missed. In the film, BJ, a failed karaoke bar R&B musician, gets a lucky chance to go to Korea and be the drummer for a popular K-pop competition series. There, he bumps into his estranged ex-girlfriend’s son, Tae Young (played by Soul), who is competing on the show. He then finds out that the kid is his. While a messy transition ensues, BJ and Tae Young eventually get to galavant around Korea and work together to try to win the competition. Through this exploration, BJ finds out he can thrive in Korea while still holding onto his Blackness. .Paak’s mother’s dive back into her roots had a different result. “My mom went abroad and spent a year in Korea, but when she went there, she just didn’t like it,” .Paak explained. “In the movie, initially, BJ doesn’t really have any connection to his Korean side and doesn’t really care to know, but then he finds a bridge.” That bridge is music.
Actor Yvette Nicole Brown, who in “K-Pops!” plays BJ’s mother, proclaimed over Zoom that, “Everything about the film and the music in it is Blasian, every culture is celebrated and massaged and made into something beautiful.” .Paak made a concerted, intentional effort to explore both the Black and Korean sides of K-pop in two scenes.
The first is an early breakdown initiated by Soul’s character, Tae Young, who explains the structured roles of a K-pop group, which may be fun for superfans and educational for laypeople to the genre. The next is a winding presentation by BJ to Tae Young about the influence of Motown groups like the Jackson 5 and boy bands like New Edition on the momentum of K-pop’s rise. It’s particularly poignant because it is all shot at a record store on the streets of Korea, where .Paak explained he actually found the records he was referencing. “There’s nothing wrong with people doing their interpretation of Black music, as long as you pay homage and as long as you respect it and take care of it,” .Paak declared. “Because [if you do], then they’ll take care of you, but the moment you don’t, you’ll see what happens … I wanted to explain that history because that’s how I saw it.”
Real-life father and son, Anderson .Paak, left, and Soul Rasheed, co-star in “K-Pops!”
(Jake Giles Netter)
”K-Pops!” has as much of who .Paak and Soul are as father and son as he could fit in. There are appearances by legacy Black artists like Earth, Wind & Fire, as well as K-pop stars like Vernon from Seventeen. There are original songs co-written and co-produced by .Paak and musician Dem Jointz, that feature K-pop fused with soul and funk, one of which Tae Young performs as his finale competition number (soundtrack arriving soon). The film was shot in both L.A. and Korea and provided ample time for bonding (especially during scenes filled with off-the-cuff humor) that .Paak envisioned from the beginning. Yet still, at the time they were about to shoot, .Paak almost couldn’t get Soul on board because he had turned 11 and wasn’t as into K-pop or acting comedically anymore; he insisted he was instead “into Slipknot.”
The duo did find their footing, though, and executed a winding story that centers on their connection. As a burgeoning teenager in 2024, Soul went with his father to the world premiere at the Toronto International Film Festival, along with a plethora of Korean relatives from his mom’s side. .Paak anxiously awaited their full reaction to the culmination of his quest for a deeper bond.
“Everybody really enjoyed it,” .Paak remembered, relieved. “[Soul] was like, ‘I’m proud of you, Dad.’ I asked him, ‘You think you would ever do part two?’ He was like, ‘Nah, I don’t think acting is my passion, but I’ll never forget those moments … You know what? On second thought, it depends on the script.’ But I think he’s really proud of it. I think it’s something like, when he gets older, he’ll see how special it is as well. But yeah, he didn’t say it’s cringe.”
“K-Pops!” has its L.A. premiere on Tuesday and debuts in select theaters Friday.
