SHOW BIZ

A UK train station that lost its direct routes to Europe during the pandemic could soon welcome them back.

Eurostar rival Ferrovie dello Stato Italiane (FS) said they were likely to restart train routes from Ashford International Station when they launch.

4

4

The Italian train operator revealed plans earlier this year to take on Eurostar with UK-Europe routes.

And it has since confirmed a £1billion investment into the UK economy which would include reopening the Kent station.

Initial plans include an “Innovation Hub” in Ashford International Station by early 2026, the Times reports.

The first trains to Europe will then launch in 2029 from London to Paris, which includes a stop in Ashford.

Rail minister Lord Peter Hendy also backed the return of European connections at Ashford International.

He said earlier this year: “I firmly believe that competition offers the best prospect of international services returning to Kent stations.”

Eurostar scrapped all trains from Ashford back in 2020, as well as trains at Ebbsfleet International.

Despite a campaign with more than 75,000 signatures for trains to return to Ashford, Eurostar has yet to confirm if they will.

Initial suggestions of reopening it in 2026 have been quashed.

The Eurostar has been the only railway line to use the Channel Tunnel since 1994.

4

However, other operators have since revealed plans to take them on.

Virgin has revealed plans to launch trains from the UK to Europe by 2030.

This would include routes from London to Paris, Brussels and Amsterdam – similar destinations to Eurostar.

Another rival is Gemini Trains, who has teamed up with Uber.

The new train operator recently bought 10 high speed trains ahead of plans to launch from both London and Ebbsfleet to Paris and Brussels by 2029.

Evolyn, a new start up, expressed plans for London-Paris trains back in 2023, with initial plans to launch next year.

And Eurostar themselves has revealed huge expansion plans, with potential new European destinations.

When it comes to France, it could relaunch train routes to Marseille and Bordeaux, having previously once stopped there.

And the CCO said they could also one day stop in cities in both Germany and Switzerland.

This could include places like Cologne and and Frankfurt, as well as Geneva and Zurich.

Here are four Eurostar routes that have been scrapped over the years.

4

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This has turned into one of those weeks when there are just way too many movies opening. From titles that premiered earlier in the year, to films that popped up only recently, distributors have decided that today is the time to drop them in theaters. It can make for some tough calls as a moviegoer but hopefully ones with pleasant returns. Here’s some intel.

Mary Bronstein’s “If I Had Legs I’d Kick You” was a standout at Sundance in January and remains one of the most powerful films of the year. Rose Byrne gives a knockout performance as Linda, a mother struggling to hold onto her own unraveling sense of self as she cares for her ill daughter.

Rose Byrne in the movie “If I Had Legs I’d Kick You.”

(Logan White / A24)

In his review Glenn Whipp said, “Linda makes dozens of bad decisions in ‘If I Had Legs I’d Kick You,’ many of them seemingly indefensible until you realize that just how utterly isolated she feels. … Bronstein demands you pay attention to her, and with Byrne diving headfirst into the character’s harrowing panic, you will find you have no other choice.”

Speaking to Esther Zuckerman for a wide-ranging feature, Byrne said of the part: “Anything dealing with motherhood and shame around motherhood, whether it’s disappointment, failure — she’s got this line in the movie, ‘I wasn’t meant to do this’ — these are pretty radical things to say. People aren’t comfortable with that. So performance-wise, that was the hardest part because it was like a tightrope, the tightrope of this woman.”

Another Sundance premiere hitting theaters this week is director Bill Condon’s adaptation of “Kiss of the Spider Woman,” starring Diego Luna, Tonatiuh and Jennifer Lopez. Already a novel, a movie and a Broadway show, the story involves two men imprisoned in an Argentine jail for political crimes during the 1980s, with Lopez playing a fantasy film star who exists in their imaginations — a reverie to which they can escape.

Tonatiuh in the movie “Kiss of the Spider Woman.”

(Roadside Attractions)

For our fall preview, Carlos Aguilar spoke to Tonatiuh, a native of L.A.’s Boyle Heights, whose performance is a true breakout.

“When I first met Jennifer, I was like, ‘Oh, my God — that’s Jennifer Lopez. What the hell?’ ” he recalled, with the enthusiasm of a true fan. “I must have turned left on the wrong street because now I’m standing in front of her. How did this happen? What life am I living?”

After praising both Lopez and Tonatiuh in her review of the film, Amy Nicholson wrote, “Still, my favorite performance has to be Luna’s, whose Valentin is at once strong and vulnerable, like a mutt attempting to fend off a bear. He’s the only one who doesn’t need to prove he’s a great actor, yet he feels like a revelation. Watching him gradually turn tender sends tingles through your heartstrings.”

Among the other new releases this week is “Urchin,” the directing debut from Harris Dickinson, and the documentary “Orwell: 2+2=5,” directed by Raoul Peck. There’s also Derek Cianfrance’s true-crime comedy “Roofman,” Kathryn Bigelow’s nuclear-war thriller “A House of Dynamite” and Luca Guadagnino’s campus-set cancel culture drama “After the Hunt.”

Rebecca Miller retro and ‘Mr. Scorsese’

Robert De Niro, left, and Martin Scorsese in an undated photo from Rebecca Miller’s documentary series “Mr. Scorsese.”

(Apple TV+)

The American Cinematheque is celebrating filmmaker Rebecca Miller this weekend with a four-title retrospective plus a preview of her documentary series “Mr. Scorsese,” a five-part portrait of the life and career of Martin Scorsese.

Miller will introduce a Saturday screening of her 2023 rom-com “She Came to Me,” starring Anne Hathaway and Peter Dinklage, then do a Q&A for the first two episodes of the Scorsese project on Sunday. Also screening in the series will be 2016’s “Maggie’s Plan,” starring Julianne Moore, Ethan Hawke and Greta Gerwig; Miller’s 2002 Sundance grand jury prize winner “Personal Velocity”; and 2005’s “The Ballad of Jack and Rose,” starring Miller’s husband Daniel Day-Lewis, screening with an introduction from co-star Camilla Belle.

Ethan Hawke and Greta Gerwig in “Maggie’s Plan,” written and directed by Rebecca Miller.

(Sony Pictures Classics)

I spoke to Miller this week about the retrospective and her new Scorsese project, which premieres Oct. 17 on Apple TV+. Along with extensive interviews with Scorsese himself, the series includes insights from collaborators such as Robert De Niro, Paul Schrader and longtime editor Thelma Schoonmaker as well as childhood friends, Scorsese’s children, ex-wives and fellow filmmakers such as Steven Spielberg, Brian De Palma, Ari Aster, Benny Safdie and Spike Lee.

“It feels like such an honor and so weird in a way,” said Miller of the notion of having a retrospective. “You feel like you’re just in the middle of making everything, but then you realize, no, I’ve been making these films for 30 years. And it’ll be really interesting to see how the films play now for people. It’s exciting to have them still be sort of alive.”

When you look back on your own movies, what comes to mind for you?

Funnily enough, there is a connection between “Personal Velocity” and Martin Scorsese, which is that when I was about to shoot personal “Velocity,” I was in Rome, on the set of “Gangs of New York,” and I was watching the snack trolley go by and thinking my entire budget is probably the same as their snack budget. And thinking: What am I doing? What was I thinking? How am I going to do this? But talking to [“Gangs” cinematographer] Michael Ballhaus, I told him how long we had to shoot everything, and he said, “Oh, I envy you. We shot ‘The Bitter Tears of Petra von Kant’ in 10 days.” He was looking back on his days with Fassbinder as the good old days.

Then Marty gave me some advice on films with voiceovers to watch, and he ended up watching “Personal Velocity.” It was the first of my films that he saw, which then led probably to this [doc series] because he knew my films quite well. He watched them as time went on.

What interested you in Scorsese as a subject?

I knew that he was Catholic, that there was a strong spiritual element to his films. But I was interested in how that Catholicism kind of jogged with his fascination, or apparent fascination, with violence. Who is that person? How do those two things go together? And I thought that could be part of my exploration. I had a sense that all his work has a spiritual undercurrent in it, which I think it does. And I think that’s one of the things that I try to explore in the documentary. I felt I had something a little bit different to offer, for that reason.

The big questions that he’s asking: Are we essentially good? Are we essentially evil? And his immense honesty with himself about who he really is, the darkness of his own soul. I don’t think that people are usually that honest with themselves. And you realize that part of his greatness has to do with his willingness to look at himself.

Martin Scorsese in an undated photo from Rebecca Miller’s documentary series “Mr. Scorsese.”

(Apple TV+)

As much as we think we know about Scorsese, he seemed so candid about some of the darkest moments of his life, especially when he talks about his drug overdose and hospitalization in the late 1970s or about some of his issues with Hollywood, especially around “The Last Temptation of Christ.” Were you ever surprised that he was so willing to go there with you?

Oh, yeah, I was. I really didn’t know what to expect. I didn’t have an agenda. I had the scaffolding of the films themselves and a strong sense that this was a man that you can’t separate from the films. So the thing is like a dance, it’s like a permanent tango between those two things. You’re not going to pry them apart. I didn’t know about the addiction. I didn’t know a lot of these things. My questions are totally genuine, there’s no manipulation. It’s all me. I was very prepared in terms of the films. But in terms of the chronology and the connective tissue of his life, I was really right there discovering it.

Martin Scorsese at work on his film “Killers of the Flower Moon,” as seen in Rebecca Miller’s documenary series “Mr. Scorsese.”

(Apple TV+)

You’re catching him such a remarkable point in his life and career. He seems very happy and settled in his personal life and yet he still makes something like “Killers of the Flower Moon,” full of passion and fire. What do you make of that?

[Screenwriter] Jay [Cocks] says he’s learned that he can be selfish in his art, but he doesn’t have to be selfish in his life. Even if your outside is regular, your inside can be boiling. And I think Marty’s inside is always going to be boiling. The seas are not calm in there and never will be.

‘They Live’ and ‘Josie and the Pussycats,’ together at last

Roddy Piper in John Carpenter’s 1988 thriller “They Live.”

(Sunset Boulevard / Corbis )

There’s a real art to putting together a double bill. Sure, you can just program movies that have the same director or share the same on-screen talent. But what about deep, thematic links that might not otherwise be noticed?

The New Beverly has put together an inspired double bill playing on Friday, Saturday and Sunday of John Carpenter’s 1988 “They Live” and Deborah Kaplan and Harry Elfont’s 2001 “Josie and the Pussycats.” Though one is a rough-and-tumble sci-fi action picture and the other a satirical teen-pop fantasia, they both use the idea of subliminal messages to explore how consumer culture can be a means of control.

In “They Live,” wrestler-turned-actor “Rowdy” Roddy Piper plays a drifter who lands in Los Angeles and discovers a secret network fighting against an invasion of aliens living among us.

In Michael Wilmington’s original review, after joking the movie could be called “Invasion of the Space Yuppies,” he adds, “You can forgive the movie everything because of the sheer nasty pizzazz of its central concept. … The movie daffily mixes up the paranoia of the Red Scare monster movies of the ’50’s with a different kind of nightmare: the radical’s belief that everything is tightly controlled by a small, malicious ruling elite. Everything — the flat lighting, the crazily protracted action scenes, the monolithic beat and vamp of the score — reinforces a mood of murderous persecution mania.”

Rosario Dawson, from left, Rachael Leigh Cook and Tara Reid in the movie “Josie and the Pussycats.”

(Joseph Lederer / Universal Studios)

In “Josie and the Pussycats,” a small-town rock ‘n’ roll band (Rachael Leigh Cook, Tara Reid and Rosario Dawson) are plucked from obscurity when they are signed to a major record label and all their dreams of stardom seem to come true. But they come to realize the company’s executives (a brilliant pairing of Parker Posey and Allan Cumming) are using them for their own nefarious purposes.

Aside from some very hummable songs, the film has a truly epic amount of corporate logos and branding that appears throughout. Many reviewers at the time brought this up, including the L.A. Times’ own Kenneth Turan, who noted, “It’s a potent reminder that no matter how innocent a film may seem, there’s a Hollywood cash register behind almost every frame.” In subsequent interviews, Kaplan and Elfont confirmed these were not instances of paid product placement and, in fact, the production had to fight to get them all on-screen.

Points of interest

‘Eight Men Out’ in 35mm

Charlie Sheen, center, in a scene from the film “Eight Men Out.”

(Archive Photos / Getty Images)

Writer-director John Sayles has been so consistently good for so long that it is easy to take his work for granted. Case in point: 1988’s “Eight Men Out,” which tells the story of the infamous “Black Sox” scandal, when players from the Chicago White Sox were accused of intentionally throwing the 1919 World Series in league with underworld gamblers. The movie is playing on Sunday at Vidiots in 35mm.

The film captures much of what makes Sayles so special, particularly his unique grasp of the interplay between social and economic dynamics — a sense of how things work and why. He also fully grasps the deeper implications of the forces of greed and money setting themselves upon such an unassailable symbol of wholesome Americana as baseball. It’s also what makes the movie particularly worth a revisit now. With a phenomenal cast that includes John Cusack, David Straithairn, D.B. Sweeney, Charlie Sheen, John Mahoney, Christopher Lloyd, Michael Lerner and Sayles himself, the film was a relatively early effort from cinematographer Robert Richardson, who would go on to work repeatedly with Martin Scorsese and Quentin Tarantino.

In a review at the time, Sheila Benson wrote, “ ‘Eight Men Out’ is not a bad movie for an election year. Everything that politicians cherish as ‘old-fashioned’ and ‘American’ is here. The Grand Old Game. Idealistic little kids. Straw hats and cat’s-whisker crystal sets. And under the slogans and the platitudes, a terrifying erosion and no one to answer for it. No wonder Sayles, hardly an unpolitical animal, found it such a relevant story nearly 70 years later.”

‘The Sound of Music’ in 70mm

Julie Andrews, center, in the 1965 musical “The Sound of Music.”

(20th Century-Fox)

On Sunday the Academy Museum will screen Robert Wise’s “The Sound of Music” in 70mm, a rare opportunity to see this classic in the premium format on which it was originally released. Based on the stage musical by Rodgers and Hammerstein , the film would eventually win five Oscars, including director and best picture.

Starring Julie Andrews and Christopher Plummer, it’s the story of the singing Von Trapp family, eventually forced to flee their native Austria as the Nazis take power.

In a Times review from March 1965, Philip K. Scheuer wrote of Wise and his collaborators, “They have taken this sweet, sometimes saccharine and structurally slight story of the Von Trapp Family Singers and transformed it into close to three hours of visual and vocal broilliaance, all in the universal terms of cinema. They have invested it with new delights and even a sense of depth in human relationships — not to mention the swooning beauty of Salzburg and the Austrian Alps, which the stage, of course, could only suggest.”

Even notorious gossip columnist Hedda Hopper liked the movie, presciently writing, “The picture is superb — dramatically, musically, cinematically. Julie Andrews and Christopher Plummer were born for their roles. … All children — from 7 to 90 — wil love it. The following morning I woke up singing. Producer-director Bob Wise did a magnificent job and 20th [Century Fox] will hear nothing but the sound of money for years to come.”

Fans of the creator’s hit Netflix series have their new favourite show of 2025

A new series being hailed as ‘one of the best shows of the year’ and a ‘ridiculously addictive’ thriller’ which has earned a perfect score is now streaming.

The Chair Company makes its debut via Sky Comedy as well as through the NOW platform for those with an entertainment pass.

It comes from former Saturday Night Live writers Tim Robinson and Zach Kanin, who are also the comedic minds behind Netflix cult favourite sketch show I Think You Should Leave. This time, they are bringing to the screen what is being described as a labyrinthine mystery-comedy.

According to the show’s secretive synopsis, after an embarrassing incident at work, William Ronald “Ron” Trosper (Robinson) finds himself investigating a far-reaching conspiracy. The makers have remain tight lipped around the show’s plot, wanting fans to discover all the unexpected twists and turns for themselves.

Joining Robinson in the cast, who recently starred in Paul Rudd movie Friendship are The Practice star Lake Bell, IT Part One’s Sophia Lillis, Will Price and Lou Diamond Phillips.

Ahead of it making its debut in the US and UK, it has already managed to secure a perfect 100% rating on website Rotten Tomatoes. One critic simply claimed: “One of the best shows of the year, The Chair Company will have you sinking in your recliner.”

Another added: “The Chair Company is one of the most offbeat and outlandish shows you’ll see this year.” Meanwhile a different verdict suggested: “There is nothing quite like The Chair Company: a show that is emotionally potent while still delivering the perfect marriage between sketch comedy and conspiracy theory.”

The only issue fans may find is that the series is expected to release episodes on a weekly basis with the premiere made available from October 13. Based on information found on IMDB, new instalments will be added each Sunday in the US and Monday in the UK.

This will lead to the finale airing on November 30. It means fans will need to make a decision to watch as soon as episodes drop or wait to catch up as the show is a much more compelling binge watch. That is coming from a reporter who has watched screeners for the first seven episodes and found them ridiculously addictive.

It is a perfect replacement for any viewer who enjoyed any high paced thriller or offbeat comedy released in the last year. That includes Severance, Paradise, Slow Horses, Dept. Q, The Studio and The Rehearsal. The Chair Company dials up the stakes to absolute ridiculous levels and pokes fun at how even the best in the genre make the most unexpected of connections and leaps in their stories.

In doing this it also simultaneously continues the method of Tim Robinson’s expertly crafted sketch show premise of taking simple misunderstandings or social faux pas and blows them way out of proportion.

Imagine the conspiracy thrills of Severance paired with the awkward humour of Nathan Fielder or Larry David.

Everything becomes so bizarre and compelling you can’t help but remain tight in its grip, needing to know just where the eight-part series will end up. The show proves that Robinson et al can indeed stretch a sketch idea into a lengthy series, while somehow maintaining interest and filling it with memorable character moments they are known for.

The Chair Company is streaming on Sky Comedy and NOW

A MAJOR motorway has closed after a serious crash between two lorries.

Motorists heading southbound on the M6 have been warned of hours-long delays after the horror smash in the early hours.

2

Emergency crews were scrambled to the collision near Walsall, West Midlands at around 12.45am.

Cops confirmed one of the lorry drivers had been rushed to hospital with potentially serious injuries.

National Highways said the crash had caused an oil spill on the carriageway between junctions 10 and 11.

In a statement on X, it said: “M6 south from J10A (M54) to J10 (Walsall).

“3 lanes (of 4) remain closed due to a collision/oil spill. The M54 eastbound from J1 to the M6 is also open.

“Delays are now 60 minutes above normal – 4 miles congestion, back to J11A (M6 Toll junction).”

Drivers have been urged to avoid the area, with three lanes still closed along the busy route.

West Midlands Police said: “We were called shortly before midnight to reports of a collision between two lorries.

“The motorway was closed going south between Junction 11 and Junction 10.

“One lane reopened earlier, but three remain closed as colleagues continue to work at the scene.

“We are expecting delays which may affect people using the motorway network into this morning.

“We are asking drivers to plan ahead and avoid the area where possible.”

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us from our main Twitter account at @TheSun.

2

Welcome to Screen Gab, the newsletter for everyone who spent the week Googling Ed Gein.

“Monster,” the gruesome and graphic anthology series from longtime collaborators Ryan Murphy and Ian Brennan, has dramatized the chilling story of serial killer Jeffrey Dahmer and the highly publicized and complex case of Lyle and Erik Menendez, brothers who were convicted for the 1989 murder of their parents. The third installment of the Netflix series, which was released last week, puts its twist on the legend of Gein, a killer who inspired fictional villains like Norman Bates and Leatherface. Brennan, who wrote the season, stopped by Guest Spot to discuss the fantastical approach to the season and that “Mindhunter” hat tip.

Also in this week’s Screen Gab, our streaming recommendations include a “Frontline” documentary that continues its chronicle on the lingering impact of poverty and a spinoff of “The Boys” set at America’s only college for superheroes.

ICYMI

Must-read stories you might have missed

Illustration of John Candy with his hands on his cheeks.

(Brian Lutz / For The Times)

‘You never stop thinking about John Candy’: How a pair of projects keep his legacy alive: The beloved actor, who would have turned 75 this month, is the focus of an eponymous biography and “John Candy: I Like Me,” a documentary directed by Colin Hanks.

With the help of advisors, ‘Boots’ co-stars challenged themselves to portray military life authentically: Actors Miles Heizer and Max Parker trained like Marines and utilized the experiences of the show’s military advisors to ground their characters.

She’s used to finding laughs in catastrophe. But Rose Byrne is only now going to the edge: After stealing focus in everything from “Bridesmaids” to “Insidious,” Rose Byrne unravels beautifully in “If I Had Legs I’d Kick You.”

Victoria Beckham sheds Posh persona, gets candid about eating disorder in Netflix doc: The three-part docuseries chronicles the Spice Girls alum’s pivot from pop stardom to high fashion.

Turn on

Recommendations from the film and TV experts at The Times

A still from “Frontline: Born Poor,” which filmed over 14 years with kids from three families, from adolescents to adults, to explore how poverty has affected them.

(Frontline PBS)

“Frontline: Born Poor” (PBS.org)

Television is glutted with “reality,” but there are still filmmakers who prefer to look at how people live when they’re not contestants in a dating game or bunked up with competitive strangers. Jezza Neumann’s “Born Poor” is the third installment in a moving documentary series that began 14 years ago with “Poor Kids,” and, like Michael Apted’s “7 Up” films, has visited its subjects in intervals over the years since. Set in the Quad Cities area, where Illinois meets Iowa along the Mississippi River, it follows Brittany, Johnny and Kayli from bright-eyed childhood into chastened, though still optimistic adulthood, as they deal with life on the margins — power lost, houses lost, school impossible, food unpredictable. Now, with kids of their own, all are concerned to provide them a better life than the ones they had. With Washington waging a war on the poor to protect the rich, it’s a valuable watch. — Robert Lloyd

Derek Luh (Jordan Li), from left, Jaz Sinclair (Marie Moreau), Keeya King (Annabeth Moreau), Lizze Broadway (Emma Meyer) in “Gen V.”

(Jasper Savage / Prime)

“Gen V” (Prime Video)

Just two weeks out from its Season 2 finale and the satirical superhero series continues to deliver merciless dark humor and sharp topical commentary on America’s great crumble — inside of a tale about misfits enduring the rigors of college life.

Spun off from the brilliant “The Boys” franchise, this series from Eric Kripke, Craig Rosenberg and Evan Goldberg follows a group of students at Godolkin University, an institution designed to identify and train the next generation of superheroes. But the co-eds soon discover that their supposed higher education is in fact a clandestine operation to create “Supe” soldiers for an impending war between the super-powered and non-powered humans. Returning to the fold is Marie Moreau (Jaz Sinclair), who emerges as the rebel group’s most powerful weapon against the school’s nefarious plot. Working alongside her are Emma (Lizze Broadway), Cate (Maddie Phillips), Jordan (London Thor and Derek Luh) and Sam (Asa Germann). The wonderfully unnerving Hamish Linklater (“Midnight Mass”) joins the cast as the school’s new dean.

Is “Gen V” just as gory as “The Boys”? Absolutely. Watch with caution. But nothing else is quite as fearless in calling out the contradictions and absurdities of our times, be it corrupt politics, corporate domination or false religiosity. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Charlie Hunnam as Ed Gein in an episode of “Monster: The Ed Gein Story.”

(Netflix)

“Monster: The Ed Gein Story” stars Charlie Hunnam as the so-called “Butcher of Plainfield,” whose gruesome crimes in 1950s small-town Wisconsin went on to inspire pop culture classics like “Psycho” and “The Texas Chain Saw Massacre.” The season leans into Gein’s diagnosed schizophrenia and his legacy in Hollywood to present a deeply fictionalized version of his horrifying activities. All eight episodes of the season are now streaming. Ian Brennan, who co-created the anthology series with Ryan Murphy and helmed the latest installment, stopped by Guest Spot to discuss the season’s approach to fact vs. fiction, that “Mindhunter” nod and the documentary that earns his rewatch time. — Yvonne Villarreal

We often hear from actors about the roles that stay with them long after they’re done filming. Are there elements of “Monster: The Ed Gein Story” that you still can’t shake?

Ed Gein was schizophrenic, and I find the internal life he would have suffered through for decades — alone and hearing voices, primarily that of his dead mother — completely harrowing. He wasn’t medicated until late in his life, and until he was, his mind was a hall of mirrors of images he saw and couldn’t unsee — most shockingly photos of Nazi atrocities during the Holocaust. I believe the only way he could cope was to try to normalize these things — digging up bodies, skinning them, making things from them — and the nagging voice of his mother ultimately drove him to murder at least two women, Mary Hogan and Bernice Worden, maybe more. Ed Gein wasn’t the local boogeyman — his neighbors didn’t find him scary — he was the guy you’d have watch your kids if the babysitter canceled last-minute. And yet, in those four inches between his ears there existed a bizarre, terrifying hellscape of profound loneliness and total confusion. Every day in this country we see what happens when the lethal combination of male loneliness and mental illness goes ignored. The thought of an Ed Gein living just down the street from me is chilling.

“Based on a true story” depictions typically have a loose relationship with the truth due to storytelling needs. This season of “Monster” bakes that idea into the narrative — whether because of Ed’s understanding of events or the way in which he, or his crimes, inspired deeply fictionalized villains like Norman Bates (“Psycho”), Leatherface (“The Texas Chain Saw Massacre”) and Buffalo Bill (“The Silence of the Lambs”) — in trying to unpack the “Who is the monster?” question. What questions were swirling in your head as you tried to weave this story together? And how did that inform where and how you took your liberties?

Ed’s story is, in many ways, fragmented — he didn’t remember many details of the acts he committed, and he passed polygraph tests when interrogated about cold cases police suspected he may have perpetrated. So we knew from the very beginning that there would be gaps to fill in when telling his story — and it seemed the obvious way to do it was to let the true story interplay with the fictionalized versions of Ed Gein that he inspired. There’s a subtle thematic bleed between the versions of Ed we see in the series and the monsters in the movies he inspired — in the first three episodes, we see a “Psycho”-inflected Ed Gein obsessed with his mother; next a much more sexualized, violent Ed Gein that would become “Leatherface”; then an Ed Gein who so fetishized the female body and who was made so ill by the repression of that urge that he became obsessed with building a suit made from women’s bodies. These versions of Ed, to me, are like the blind men feeling different parts of the elephant in the parable — each true in their own way, but each also just a fragment of a shattered whole that will probably never be fully understood.

The season finale features a “Mindhunter” nod. Happy Anderson, who played serial killer Jerry Brudos on that show, reprises his role as the Shoe Fetish Slayer, talking to characters meant to be Holden Ford and Bill Tench, though they’re named John Douglas and Robert Ressler, the real FBI agents who inspired the fictional ones. When and why did you realize you wanted to have that hat tip? Was there an attempt to try to get Jonathan Groff or Holt McCallany?

Having written three seasons of this anthology so far, we’ve realized each time that the emotional climax always comes in the penultimate episode and the finales are always particularly difficult to figure out. We knew we needed to top the episodes that had preceded it by shifting the show’s look and tone — and we had in our hands the nugget that John Douglas and Robert Ressler had, indeed, interviewed Ed Gein in person. Ryan and I both find David Fincher’s oeuvre almost uniquely inspiring, so once we pictured an episode that played as an homage to Fincher’s tone and style and narrative approach, it was something I, at least, just couldn’t unsee. If we were going to go down the rabbit hole of what this chapter of Ed’s story might have looked like, I could only really picture it in Fincher’s terms — so your guess is as good as mine as to why casting the “Mindhunter” pair of Jonathan Groff and Holt McCallany in the roles didn’t feel right (we both love both of those actors), but it just didn’t.

There are so many dark moments for the actors. What scene struck you as especially difficult to write and shoot?

I was at once excited and terrified by the challenge of depicting necrophilia on our show. I’m fairly certain it’s never been done before on TV, and I knew it ran the risk of seeming arbitrarily shocking or exploitative (though I think choosing to tell Ed’s story in an easier manner by avoiding this chapter and not showing it would be the actually exploitative choice). Needless to say, even after I’d written the scene, it preoccupied me, as I had to also direct it. I felt greatly helped by the new industry standard of intimacy coordinators on set — and ours, Katie Groves, was spectacular — but still I worried about the scene just playing as cringey or unwatchable. But Charlie Hunnam, as with every scene he acted in on the show, came at the sequence with honesty and deep concern to capture all of the strangeness of the bizarre, disturbing act we were depicting — and what it said about what was going on inside Ed to lead him to commit such an act.

What have you watched recently that you are recommending to everyone you know?

I just saw PT Anderson’s “One Battle After Another” — which was shot by one of our two directors of photography, Michael Bauman — and was just completely floored and delighted. I’m sure it’s rife with homage to films that have gone before, but I could detect no inheritance at all; it felt like a genre to itself — completely original and new. And I still find the time I watched Jonathan Glazer’s “Zone of Interest” to be among the most profound experiences of my life. He took what is maybe cinema’s most settled, well-trodden genres and turned it on its head in a way I found shocking and revelatory. If there is a better portrait of the proximity and ubiquity and the banality of human evil, I haven’t seen it. I think it is as brilliant a slice of human ingenuity as has ever been crafted. I have thought about that movie every day since I first saw it.

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

It’s annoying to say it, but I don’t watch a lot of television. It’s like spending all day at the sausage factory then coming home to watch sausage footage. But the big exception is Peter Jackson’s Beatles documentary “Get Back” [Disney+] chronicling the making of the film and album “Let it Be.” I basically just watch it over and over again. I came late to the Beatles (I loved the Who and resented that they always sat squarely in the Beatles’ shadow), but when they hit me, they hit me hard, and watching them in this documentary at the height of their powers is a master class in the craft of collaboration and the hard work of genius. Also, everything I thought I knew about the Beatles at the end of their stretch as a band is wrong — fighting all the time? A bit but not really. Paul hated Yoko? He actually seems to really like her. I don’t know how many hours the documentary clocks in at, but I wish it were 10 times as long.

Big Brother fans believe they have worked out that Elsa is heavily encouraging a narrative of love between her and Marcus in a desperate bid to land brand deals on exit from the show

Big Brother fans are convinced that Elsa is desperate to force a love narrative between her and fellow housemate Marcus in order to secure couple brand deals. The blonde housemate revealed following this week’s eviction, that she was prepared to drop a love bombshell on Marcus if she was evicted from the show.

She told her housemates that she was prepared to tell him that she loved him, leaving her housemates in utter shock. And this has caused a stir among fans on X, who now believe that she entered the house with an agenda.

One person wrote: “Elsa was going to tell a dude she’s known for two weeks she loves him. She wants those couples brand deals BAD #BBUK.” Another person said: “I’ve had ‘relationships’ in primary school more realistic than Marcus and Elsa #bbuk.”

READ MORE: Big Brother star reveals why she still doesn’t speak to Denise Welch after iconic rowREAD MORE: ITV Big Brother housemate ‘fuming’ as latest rule break sparks chaos

Meanwhile a third person added: “if i was gonna go i was gonna tell marcus i loved him” ..elsa girl please chill you bunny boiler you’ve known him less than 3 weeks #bbuk.”

And a fourth person chimed in saying: “marcus please your not going to get with elsa your just saying that to make good tv but we don’t care this is big brother not love island.”

A fifth said: “Marcus has no intentions of seeing Elsa after this. You can see it on his face #bbuk.”

In a private conversation her fellow housemate Zelah, Elsa confessed that she was in love with him, leaving the wannabe star in utter shock. A coy looking Elsa simply smiled.

However, further into the evening shown in tonight’s show Zelah and Marcus found themselves in a conversation in the garden where the pair were talking about his feelings for Elsa. And it seems he does not share the same feelings for the reality TV star.

When asked if the location between the two would be an obstacle that they would have to overcome, Marcus made it clear that his doubts were more focused on the dynamics within the house.

Marcus appeared concerned that the feelings the pair have for one another in the house may change in the outside world when the reality of their situation is put to the test.

The couple have been heavily flirting with one another since entering the iconic Big Brother house. At one point, Caroline is seen telling Marcus: “I think she’s in love.”

Marcus then quipped: “I know, I don’t blame her.” Beckoning for her to come over to him he shouted out “come here Elsa.” And Caroline then joked: “The romance is coming.”

READ MORE: ‘Warm and cosy’ electric blanket is ‘much cheaper than having the heating on’

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, You Tube and Threads.

Hope for peace

TODAY marks the dawn of a new era of hope for the Middle East.

As US Vice-President JD Vance said yesterday, a truce brokered by Donald Trump has brought the region to “the cusp of true peace”.

1

While other world leaders postured and bewailed, the US President used his extraordinary power of persuasion to force Hamas and Israel to strike a deal to end two years of bloodshed.

It means thousands of Palestinians will return to what is left of their homes and get the food and medical aid they need, and Israelis can welcome back loved ones taken hostage during the terrorist massacre which started the conflict.

The 19th Century German Chancellor Otto von Bismarck once said that politics is “the art of the possible”.

But hard-nosed businessman President Trump has proved it can also be “the art of the deal”.

The path to lasting peace is still littered with pitfalls.

Hamas must be made to disarm and Israeli leader Benjamin Netanyahu will have to be persuaded to drop his opposition to a future, self-ruling Palestinian state.

More tears will be shed in the days to come.

Much trauma awaits Israeli families whose loved ones return alive but emaciated or, tragically, in body bags.

There will also be anger if terrorist killers are freed as part of the deal.

Yet despite these hurdles, this is the brightest glimmer of hope the region has seen in a generation.

And if, one day, it leads to a lasting peace, the whole world will rejoice.

Win for justice

THE phrase “justice must be seen to be done” is as relevant today as when it was first uttered in court a century ago.

That is why The Sun challenged an order banning a child rapist from being identified as an asylum seeker.

In a shocking example of two-tier justice, both the prosecution and the offender’s lawyer had opposed our attempt to report his status.

But this newspaper chalked up a landmark victory for open justice and Press freedom by fighting to have the order overturned.

Judge Maria Lamb gave an instant ruling that we were right.

The jury took just two-and-a-half hours to convict the serial offender.

A double triumph for common sense.

Silly Mili

ED Miliband’s fixation with Net Zero gets more desperate and costly by the day.

The Energy Secretary is targeting well-off families with £7,500 “bribes” to fit green heat pump systems most of us can’t afford.

His barmy campaign confirms what we already knew about Mr Miliband’s obsession with meeting unrealistic carbon emission targets.

It’s a waste of money — and he is a waste of space.

“Days of Our Lives” actor Arianne Zucker has reached a settlement with the producers of the show after her 2024 lawsuit alleging sexual harassment and discrimination on the set of the soap opera.

Notice of the settlement was filed Thursday in Los Angeles County Superior Court. No further details about the settlement were included. Zucker’s attorney could not be immediately reached for comment.

Zucker had starred on “Days of Our Lives” since 1998, playing the character Nicole Walker. In her February 2024 lawsuit, she alleged that now-former executive producer Albert Alarr subjected her and other employees to “severe and pervasive harassment and discrimination, including sexual harassment, based upon their female gender.”

Zucker claimed that Alarr would grab and hug her, “purposely pushing her breasts onto his chest” while moaning sexually, according to the lawsuit. She also alleged that he would make “sexually charged comments” to her.

“Our client continues to deny the allegations set forth in the complaint,” Alarr’s attorney, Robert Barta, said in a statement. “However, in order to bring the litigation to the end, he has agreed to settle. This decision was made solely to end the dispute and move forward.”

Zucker’s lawsuit also named Corday Productions, which oversees the show, and its owner, Ken Corday, as defendants in the lawsuit, alleging retaliation. Zucker alleged that her pay was decreased and her travel stipend revoked after she voiced concerns. In June 2023, she said her character was written off the show after 20 years.

Several months later, Corday Productions offered to renew Zucker’s contract but allegedly did not negotiate with her representatives for higher pay, the lawsuit said.

Attorneys for Corday and Corday Productions did not immediately respond to a request for comment.

Corday Productions previously told The Times in a statement that Zucker’s claims “are without merit” and that she was offered a pay increase upon an offer to renew her contract. The company said at the time that complaints about Alarr’s on-set behavior were “promptly investigated” and the company “fully cooperated with the impartial investigation and subsequently terminated Mr. Alarr.”

“Days of Our Lives” aired on Comcast-owned NBC from Nov. 8, 1965, to Sept. 9, 2022, before moving to the Comcast streaming platform Peacock in 2022.

The Strictly Come Dancing ‘curse’ has taken many victims, but musical theatre contestant Amber Davies is confident that she and Nikita will not be a part of it

For years, the Strictly Come Dancing ‘curse’ has haunted the ballroom, blamed for break-ups, busted engagements, and headline-making scandals. But while the dancefloor has seen its fair share of heartbreak, Amber Davies is confident she won’t be a victim of the ‘curse’.

Musical theatre and former Love Island star Amber is currently paired up with professional dancer and one of Strictly’s favourites, Nikita Kuzmin. Amber, 29, has revealed that she is good friends with Nikita’s partner, model Lauren Jaine, and has also introduced her boyfriend Ben Joyce to Nikita and Lauren.

Amber said: “I’ve met Nikita’s girlfriend. I love her, she is so supportive, so easy-going. She met Ben and my sister too. It was lovely.”

READ MORE: Strictly Come Dancing’s Jowita Przystal breaks silence on emotional exit with Ross KingREAD MORE: Strictly Come Dancing fans ‘totally flabbergasted’ by ‘ridiculous’ dance-off

Lauren has also hit back at viewers who claimed that they wanted Amber and Nikita to succumb to the curse and said: “Please be respectful to the real-life partners and let them have a good experience of the show too.”

Amber and Nikita appear to be going from strength to strength in the competition and scored a whopping 35 for their American Smooth. They danced to the track Sixteen Going on Seventeen from The Sound of Music, which put them second on the leaderboard.

A source has since revealed that Amber is going to be taking the competition ‘one week at a time’ and that she ‘isn’t complacent’. The source also gave an insight into Amber’s thoughts on the ‘Strictly curse’.

They said to The Sun: “As for the curse, she’s madly in love with Ben and he is 100 per cent supportive of her. They are both performers and know how to block out the noise. They have zero doubt the curse won’t touch them. Amber and Lauren get on really well. They swapped numbers early on.”

Amber has been sharing some behind-the-scenes footage on her social media and revealed that her beau Ben has been watching her videos every day.

She said in a TikTok live video: “He is always like ‘let me see the tapes from today’. Sometimes Ben will make me bits and bobs for lunch. Contestants can stay in hotels but I don’t before a live show. I want to be in my own bed with my dog and my boyfriend.”

Amber didn’t even know she was going to be on Strictly until 48 hours before her first dance when she was whisked into the cast of the BBC show as a replacement for fellow Love Island winner Dani Dyer, who had sustained an injury in rehearsals before the first live show.

Just days before she was announced as Dani’s replacement, it was revealed that she will be taking on the tough role of Elle Woods, the part originally made famous by Reese Witherspoon in the 2001 classic, in a new UK tour of Legally Blonde.

READ MORE: ‘I’m a wine connoisseur and this wine advent calendar is the best I’ve found’

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

MAFS newcomers bring the drama with them as the groom says he’s been “disrespected” by his wife at an explosive dinner party.

Reiss and Leisha walked down the aisle on the E4 show last week but its been a bumpy ride.

5

5

5

They got off to a bad start at their wedding reception when Leisha pummelled him with questions about his life.

But after a in-depth conversation in tonight’s show the couple seemed to have put their differences aside and appeared happy again.

Reiss explained: “I like the stage I am at with Leisha, she’s got a heart of gold.”

Leisha agreed: “I’m happy. Complete. I’ve fallen for Reiss hard.

“He’s everything I have asked for.”

However, in a preview for tomorrow night’s dinner party things seem to have gone off the boil again.

The couple steal the spotlight as Leisha complains to Reiss: “Everyone else is holding hands.”

“I stopped holding your hand because you said don’t hold my f***ing hand and stormed off.” replies Reiss.

Then things take a turn for the worse when Leisha is asked: “Do you think you should be sat on a plane talking to a boy?”

Leisha replies: “I’ve had past relationships. That’s never been a problem.”

Julia-Ruth chimes in: “Babe, you’ve just had a honeymoon with this man.”

Then Reiss snaps: “I felt disrespected.”

Earlier in last night’s show, Leisha’s questions continued to baffle painter and decorator Reiss.

In an effort to get her husband to open up she asked: “Do you feel like you are falling for me though? Do you like me?”

Married at First Sight’s best moments

Married at First sight has brought eight explosive series of drama to the small screen. These are some of the best moments

• When series 8 couple Rozz Darlington and Thomas Kriaras brought secretly brought a sex toy to the couple’s dinner party. Unbeknownst to their fellow cast members who they were having dinner with, Rozz wore a vibrating egg gadget whilst husband Thomas had the controls.

• Nikita’s exit in series 6. Nikita was removed from the show early on due to her behaviour, which led to her husband Ant re-entering the experiment with Alexis.

• A slightly more heart warming highlight from series 6 was watching Dan and Matt’s relationship unfold. Dan and Matt were the first same-sex couple on the show, and their relationship was both ground-breaking and adorable.

• Emma and James’ wedding in series 1. They were the first couple to ever get married on the UK version of the show. Emma and James, had a beautiful ceremony that set the tone for the series.

• The dinner party showdowns are always a MAFs highlight with explosive arguments and unexpected alliances forming.

The question was met with an awkward silence until Reiss giggled and said: “Easy girl. It’s been two days.”

Then during a boat trip she asked: “”Do you visualise me in your future?”

An annoyed Reiss threw an epic strop and responded: “I can’t cope! You’re too much.

“I don’t need pressure yet, it’s so early.

“I don’t like it. I know you’re saying you want to see the real me you aint going to find that out over night.

“You know I’m a closed book. If you’re constantly pressuring me you’re just going to keep me closed.”

Fans will have to wait until tomorrow night to see if the couple can patch things up after their latest row.

5

5

Paramount, backed by billionaire Larry Ellison and his family, has officially opened the bidding for rival Warner Bros. Discovery — a potential massive merger that would dramatically change Hollywood.

Warner Bros. Discovery’s board rejected Paramount’s initial bid of about $20 a share, but talks are continuing, according to two people close to the companies who were not authorized to speak publicly.

One of the knowledgeable sources said Paramount was preparing a second bid.

Warner Bros. Discovery owns HBO, CNN, TBS, Food Network, HGTV and the prolific Warner Bros. movie and television studio in Burbank.

Ellison, one of the world’s richest men, is committed to helping his 42-year-old son, David, pull off the industry-reshaping acquisition and has agreed to help finance the bid, two people close to the situation said.

The younger Ellison, who entered the movie business 15 years ago by launching his Skydance Media production company, was catapulted into the major leagues this summer with the Ellison family’s purchase of Paramount’s controlling stake.

Since then, David Ellison and his team have made bold moves to help Paramount shake more than a decade of doldrums. Buying Warner Bros. Discovery would be their most audacious move yet. The merger would lead to the elimination of one of the original Hollywood film studios, and could see the consolidation of CNN with Paramount-owned CBS News.

Representatives for Paramount and Warner Bros. Discovery declined to comment.

CNBC reported Friday that two companies have been in discussions for weeks following last month’s news that Paramount was planning a bid. Bloomberg reported Saturday that Warner Bros. Discovery had rejected Paramount’s bid of about $20 a share.

Industry veterans were stunned by the speed of Paramount’s play for Warner Bros. Discovery, noting that top executives had begun working on the bid even as they were putting finishing touches on the Paramount takeover.

One of Paramount’s top executives is a former Goldman Sachs banker, Andy Gordon, who was a ranking member of RedBird Capital Partners, the private equity firm that has teamed up with the Ellisons and has a significant stake in Paramount.

Paramount’s interest prompted stocks of both companies to soar, driving up the market value for Warner Bros. Discovery.

Paramount’s offer of $20 a share for Warner Bros. Discovery was less than what some analysts and sources believe the company’s parts are worth, leading the Warner Bros. Discovery board to rebuff the offer, sources said.

But many believe that Paramount needs more content to better compete in a landscape that’s dominated by tech giants such as Netflix and Amazon.

Paramount has reason to move quickly.

Warner Bros. Discovery had previously announced that it was planning to divide its assets into two companies by next April. One company, Warner Bros., would be made up of HBO, the HBO Max streaming service and the Burbank-based movie and television studios. Current Chief Executive David Zaslav would run that enterprise.

The other arm would be called Discovery Global and consist of the linear cable television channels, which have seen their fortunes fall with consumers’ shift to streaming.

The Paramount bid was seen as an attempt to slip in under the wire because other large companies, including Amazon, Apple and Netflix, may have been interested in buying the studios, streaming service and leafy studio lot in Burbank.

However, Netflix’s co-chief executive Greg Peters appeared to downplay Netflix’s interest during an appearance last week at the Bloomberg Screentime media conference. “We come from a deep heritage of being builders rather than buyers,” Peters said.

Some analysts believe Paramount’s proposed takeover of Warner Bros. Discovery could ultimately prevail because Zaslav and his team have made huge cuts during the past three years to get the various businesses profitable after buying the company from AT&T, which left the company burdened with a heavy debt load. The company has paid down billions of dollars of debt, but still carries nearly $35 billion of debt on its books.

Others point to Warner Bros.’ recent successes at the box office as evidence that Paramount is offering too little.

Despite the tumult at the corporate level, Warner Bros.’ film studio has had a successful year. Its fortunes turned around in April with the release of “A Minecraft Movie,” which grossed nearly $958 million worldwide, followed by a string of hits including Ryan Coogler’s “Sinners,” James Gunn’s “Superman” and horror flick “Weapons.”

Meanwhile, Paramount has been on a buying spree.

Just in the last two months, Paramount made a $7.7 billion deal for UFC media rights and closed two deals that will pay the creators of “South Park” more than $1.25 billion over five years to secure streaming rights to the popular cartoon.

Last week at Bloomberg’s Screentime media conference, Ellison declined to comment on Paramount’s pursuit of Warner Bros. or even whether his company had already made a bid. But he did touch briefly on consolidation in Hollywood, saying, “Ironically, it was David Zaslav last year who said that consolidation in the media business is important.”

“There are a lot of options out there,” he added, but declined to elaborate.

After news of Paramount’s interest surfaced, Warner Bros. Discovery‘s stock jumped more than 30%. It climbed as much as $20 a share, but closed Friday at $17.10, down 3.2%.

Paramount also has seen its stock surge by about 12%. Shares finished Friday at $17, down 5.4%

Warner Bros. Discovery is now valued at $42 billion. Paramount is considerably smaller, worth about $18.5 billion.

Strictly Come Dancing’s Karen Carney has shared her heartbreak after another star was booted off the series

After performing a Thunderbirds themed routine for Movie Week, Ross King became the second celebrity to be eliminated from Strictly Come Dancing.

He failed to impress the judges as he faced Balvinder Sopal in the dreaded dance-off.

Fellow Strictly Come Dancing star Karen Carney took to Instagram to share their heartache over Ross’ exit.

Alongside a snap of her with Ross in their Movie Week outfits, Karen penned: “Absolutely gutted. Since the beginning of this show @therossking has been a rock for me and is one of the most genuine and funny people I’ve ever met.

“Have loved every minute of our @bbcstrictly journey and will miss you loads but know I’ll have a mate for life.”

Speaking on the Strictly results show, Ross said about his time on the show: “I have loved every single minute of it.

“I would like to say thank you to everyone who has supported us, all the people who voted – they’ve been amazing.

“I want to thank everyone here in this room, backstage, the judges, the crew – every single person here has made me so, so welcome.

“And, I want to thank a very special lady who has been with me through it all and has been absolutely everything: she’s been a mentor, teacher, carer and I could not have wished for a better partner, and I could not have wished to be on a better show. Thank you judges for all your remarks.”

Meanwhile, Jowita shared: “Thank you so much for all of your work. For everything you have done during rehearsals.

“We laugh a lot – but we also cried! Thank you so much, and I hope I’m going to be a little part in your life forever.”

Both Jowita and Ross will appear on It Takes Two on Monday in their first TV interview after their elimination.

Ross also shared a number of snaps from his time on the show on Instagram as he reflected on his journey.

Strictly Come Dancing returns on Saturday 18 October at 6:30pm, with the results show on Sunday 19 October at 7:15pm on BBC One and BBC iPlayer

EX-FOOTIE star and manager Iain Dowie faces being made bankrupt after being taken to court by the taxman.

Cult hero Dowie, 60 – who coined the term “bouncebackability” – has been hit with the bankruptcy petition by HMRC with a hearing due at the High Court.

2

2

It comes almost two decades after ex-Luton, Southampton and West Ham striker Dowie was clobbered with a huge legal bill after leaving Crystal Palace as manager.

A court ruled in 2007 that Dowie deceived Palace into waiving a £1 million compensation clause when he quit.

And a source said: “It looks like Iain’s financial problems might date back to that legal action – there doesn’t seem to be any other reason for it.

“It is a shame for him as he’s such a likeable bloke, but he hasn’t cashed in with punditry as much as some other ex-players and he probably could have done.

“But Iain is a bright bloke and I am sure he will bounce back.”

After leaving Palace, Dowie joined Charlton – but left the Addicks after just 15 games.

His contract contained a clause that Palace would receive £1 million in compensation if Dowie left to join another club.

The 59-cap Northern Ireland international worked as a sales manager and a Sky Sports pundit since his football career ended.

In 2023, Dowie told how he had landed a new position – as a mortgage advisor at a law firm.

He joined Alexander Grace Law, based near Burnley, as a business director leading its re-mortgaging team.

Dad of two Dowie, whose wife Debbie was also working for the company, said: “While people may wonder how I’ve gone from the football pitch to the office I have been working within the conveyancing arena for some four years now and when I was asked if I would come on board with them it was a no-brainer.”

Last year Dowie – who scored 105 goals in 388 league games – said he was lucky to be alive after suffering cardiac arrest during a spin class at a gym in Chorley, Lancs.

After he was treated by other gym-goers and paramedics, Dowie backed calls for more people to learn CPR and said he survived due to the “brilliance of everyone involved”.

Dowie famously used the word “boucebackability” to describe a Crystal Palace comeback and it entered the Oxford dictionary in 2005.

A spokesperson for the star did not respond to a request for comment.

In the late 1990s and early aughts, the conservative Parents Television Council struck fear in the hearts of network TV executives for its high-profile campaigns against shows it deemed too raunchy.

The watchdog group, founded by conservative commentator L. Brent Bozell III, railed against Fox’s “Melrose Place” and “Family Guy”; NBC’s “Just Shoot Me”; and the CW’s “Gossip Girl.” It also singled out CBS following the infamous Janet Jackson-Justin Timberlake “nipplegate” controversy during the 2004 Super Bowl halftime show when the singer’s breast was briefly exposed.

But the Parents Television Council Inc. — whose members lodged thousands of indecency complaints with the Federal Communications Commission — has folded. Earlier this month, the Burbank-based nonprofit filed for Chapter 7 bankruptcy in Delaware court, saying it had $284,823 in liabilities, which include staff member salaries, insurance payments and credit card debt. The filing lists $91,874 in assets.

The group’s demise reflects broad cultural changes, including a fractured media environment and consumers’ shift to streaming and social media apps such as TikTok for entertainment. Parents also have tools, including the ability to configure settings on streaming accounts to try to shield children from inappropriate content.

The PTC’s power came, in large part, from its ability to flood the FCC with indecency complaints. But the FCC, which licenses broadcasters, does not regulate streaming services, YouTube or TikTok.

The council had clout with advertisers, which put pressure on network programmers to minimize shows that would raise the group’s ire and threats of boycotts.

“I’m disappointed but I’m still very proud of what we did and what we achieved,” Tim Winter, former president of the group, said Friday. “We were able to raise awareness about so many important issues — issues that are still out there.”

“Like most businesses, it came down to money,” said Winter, who retired three years ago. “It’s just a slog out there to fundraise.”

Decades ago, the group hauled in millions of dollars in donations. The PTC boasted more than 653,000 members and supporters by 2000. However, in 2023, the most recent year of available tax reports, the Parents Television Council raised just $1.6 million, down from $4.7 million in 2007.

The group, which also went by Parents Television and Media Council, was formed in 1995 by Bozell as the Hollywood arm of his Virginia-based Media Research Center.

Bozell, long a booster of President Trump, now serves in his administration as ambassador to South Africa.

One of the PTC’s early efforts was to urge broadcasters to reserve the 8 p.m. hour for family-friendly fare. That was the custom of the networks in the 1970s; but two decades later, there was a rise in sexually suggestive content.

Over the years, the group hired analysts to monitor TV programming, published detailed reports and TV show rankings. Winter testified before a U.S. Senate committee hearing in 2007 on the impact of media violence on children.

Advertisers were sensitive to the PTC’s warnings.

“We were able to redirect tens of millions of dollars away from more explicit programming and into more family-friendly shows,” Winter said.

The PTC also spoke out against media consolidation, which accelerated in the 1990s, “the problem of having too few voices hold the microphone,” Winter said.

While it initially focused on broadcast shows, the group went after others, including Netflix when it offered the show “13 Reasons Why,” based on a book about a 17-year-old girl who died by suicide. The PTC, and other organizations, decried the series, fearing it would encourage more deaths.

Netflix responded by deleting a graphic suicide scene, and the show was later canceled.

“The media culture is no less toxic than it was years ago. And in some ways, it is more toxic,” Winter said, adding that other organizations will have to carry the mantle. “The mission is more important than ever.”

Gogglebox star Georgia Bell has opened up about the ‘chaos’ of filming the hit Channel 4 show

Recording Gogglebox proves utterly chaotic for Georgia Bell, with the mum frequently allowing her two youngsters to join her on the settee – and they don’t always play ball.

She told the Daily Star: “It’s good fun having the kids with me. But sometimes it is chaos. I have to tell my boyfriend to take them out.”

Georgia’s co-star and mate Abbie Lynn revealed: “It’s hard for a three-year-old to sit and focus on The Traitors. They’d rather have Bluey on. Mind you, they do love Britain’s Got Talent!”

Despite the difficulties of having children present during recording, Georgia remains delighted she’s included them, as the programme provides her with precious footage she can treasure forever.

She explained: “In years to come, I’ll be like, ‘Sit down boys, this is you two when you were so young’.

“Ralphie was only a few weeks old when he was first on the show and Hugh was a few months old. I just think it will be an amazing thing to be able to look back on when they’re older.”

Georgia and Abbie have featured on the programme for seven years and remain eager to continue, with Abbie declaring: “I will stay on the show until I die.”

Last year Georgia revealed that she had welcomed her second child, sharing a snap of the tiny tot whilst radiating happiness as she provided an update on how he was getting on. In the photograph, the tiny bundle was spotted tucked up in a white baby grow with little white fluffy socks and a sweet little collar round his neck to keep him cosy.

He was pictured having a snooze in a Moses basket wrapped in a soft woollen blanket as he slumbered peacefully after arriving into the world.

Penning the caption, Georgia revealed all the crucial details fans would have been desperate for.

“Ralphie James Newby,” she wrote, “our precious boy – born November 10th at 11:27pm, weighing 7lbs 10oz.

“Settling into the life of a family of 5, we all love you unbelievable amounts little one,” Georgia continued.

Followers were thrilled to discover that the Geordie star had finally welcomed her baby into the world after months of anticipation, but this wasn’t the first time it was suggested she had given birth.

AMY HUNT is prioritising “medals over men” as she adapts to life as a superstar athlete.

The 23-year-old shot to fame last month after claiming a silver medal at the World Championships in Tokyo.

4

4

Following her achievement, Hunt claimed that she would celebrate with some karaoke.

Quizzed what she’d be singing, the confident star said: “Probably Maneater.

“That’s really boring but I feel like that was the vibe tonight, just sexy and aggressive.”

Hunt, who has a degree in English Literature from Cambridge, continues to have her eyes firmly set on further prizes.

Speaking to The Times, the 200m specialist said: “Obviously, as a female athlete, you also have to plan when you think motherhood is a feasible thing for you.

“But the world is very open to me and I will get a sense of what I want to do when the moment is right.

“I actually always joke to my coach, ‘medals before men’, that’s the quote of the day!”

Hunt has not ruled out balancing her blossoming athletics career with further studies.

BEST ONLINE CASINOS – TOP SITES IN THE UK

She added: “I change my mind on it every year. Immediately after coming out of university I thought about the V&A and doing a Masters — with the hope of maybe going on to do a PhD, because I always thought being ‘Dr Amy’ would be pretty cool.

“But then my mind changed and I think I’d want to actually work at a museum or gallery and curate.

“But then I’m like, no, maybe I’d do a law conversion because a lot of my friends did a law conversion out of English.

“And then maybe I’d do that, or maybe an Amal Clooney kind of thing.

“So my mind is always changing on that and I think I’ll only decide when I get to the end.”

4

4

There’s something about Thai cuisine that is warm and welcoming.

Perhaps it’s the fire that bird’s eye chili brings to a dish, or maybe the bold punchiness of tom yum soup.

My colleague and food critic Bill Addison referred to Thai as “a pillar cuisine of Los Angeles.”

And why not?

The city boasts the world’s largest Thai population outside of Thailand. Those who open restaurants open our palates to a diverse range of flavors and sensations from their micro-regional cooking styles.

Addison is wary of using the term “best.” Instead, he crafted a list of his 15 favorite Thai restaurants in Los Angeles. Here, we’ll highlight a handful of those choices, in Addison’s own words.

(Mariah Tauger / Los Angeles Times)

Anajak Thai (Sherman Oaks)

If you’ve had any passing interest in Los Angeles dining culture this decade, you probably know the story: Anajak Thai was founded in 1981 by chef Ricky Pichetrungsi, whose recipes merge his Thai upbringing and Cantonese heritage, and his wife Rattikorn.

In 2019, when Pichetrungsi suffered a stroke, the couple’s son Justin left a thriving career as an art director at Walt Disney Imagineering to take over the restaurant.

It changed his life, and it changed Los Angeles, with Justin’s creative individualism — specifically his Thai Taco Tuesday phenomenon.

That’s when the menu crisscrosses fish tacos lit up by chili crisp and limey nam jim with wok-fragrant drunken noodles and Dungeness crab fried rice. Add what has become one of L.A.’s great wine lists, and the restaurant has catapulted into one of the city’s great dining sensations.

The restaurant closed for a couple of months over the summer for a renovation, revealing a brighter, significantly resituated interior — and introducing an open kitchen and a second dining room — in August.

The menu didn’t radically alter: It’s the same multi-generational cooking, tracing the family heritage, leaning ever-further into freshness, perfecting the details in familiar dishes.

Fried chicken sheathed in rice flour batter and scattered with fried shallots, the star of the Justin-era menu, remains, as does the sublime mango sticky rice that Rattikorn makes when she can find fragrant fruit in season and at its ripest.

(Bill Addison / Los Angeles Times)

Ayara Thai (Westchester)

Owner Andy Asapahu grew up in a Thai-Chinese community in Bangkok.

Anna Asapahu, his wife, was raised in Lampang, a small city in the verdant center of northern Thailand.

They melded their backgrounds into a sprawling multi-regional menu of soups, salads, noodles and curries when they opened Ayara in Westchester in 2004.

Their daughters Vanda and Cathy oversee the restaurant these days, but Anna’s recipe for khao soi endures as the marquee dish.

Khao soi seems to have become nearly as popular in Los Angeles as pad Thai. This one is quintessential: chicken drumsticks braised in silky coconut milk infused with lemongrass and other piercing aromatics, poured over egg noodles, sharpened with shallots and pickled mustard greens and garnished with lime and a thatch of fried noodles.

The counterpoints are all in play: a little sweetness from palm sugar and a lot of complexity from fish sauce, a bump of chile heat to offset the richness.

Pair it with a standout dish that reflects Andy’s upbringing, like pad pong kari, a stir-fry of curried shrimp and egg with Chinese celery and other vegetables, smoothed with a splash of cream and served over rice. The restaurant has a spacious dining room.

Note that lunch is technically carry-out only, though the family sets up the patio space outside the restaurant for those who want to stick around.

(Silvia Razgova / For The Times)

Holy Basil (Atwater Village)

Wedchayan “Deau” Arpapornnopparat and Tongkamal “Joy” Yuon run two wholly different Holy Basils.

Downtown’s Santee Passage food hall houses the original, a window that does a brisk takeout business cranking out Arpapornnopparat’s visceral, full-throttle interpretations of Bangkok street food.

His pad see ew huffs with smokiness from the wok. The fluffy-crackly skin of moo krob pops and gives way to satiny pork belly underneath. Douse “grandma’s fry fish and rice” with chile vinegar, and in its sudden brightness you’ll understand why the dish was his childhood favorite.

Their sit-down restaurant in Atwater Village is a culmination of their ambitions. The space might be small, with much of the seating against a wall between two buildings, but the cooking is tremendous.

Arpapornnopparat leaps ahead, rendering a short, revolving menu of noodles, curries, chicken wings, fried rice and vegetable dishes that is more experimental, weaving in elements of his father’s Chinese heritage, his time growing up in India and the Mexican and Japanese flavors he loves in Los Angeles.

One creation that shows up in spring but I wait for all year: fried soft-shell crab and shrimp set in a thrilling, confounding sauce centered around salted egg yolk, browned butter, shrimp paste and scallion oil. In its sharp left turns of salt and acid and sultry funk, the brain longs to consult a GPS. But no map exists. These flavor combinations are from an interior land.

If you enjoyed those selections, check out the full list here. Happy dining.

The week’s biggest stories

(Carlin Stiehl/For the Times)

Palisades fire and other blazes

Trump administration policies and reactions

Crime, courts and policing

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by Kevin Winter / Getty Images)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Graham Norton has finally revealed the Hollywood star he deemed to be his worst guest while hosting his BBC chat show as he describes the interview as ‘hell’

It is one of the main questions asked of TV chat show hosts and now, Graham Norton has finally revealed who has been his worst guest on The Graham Norton Show. He has welcomed huge A-listers onto his red sofa for over 18 years but not all of them have been a joy to be around.

Step forward Hollywood royalty Mark Wahlberg. The legendary actor was invited on to the BBC show back in 2013 to promote his movie Broken City. And Graham believes that the star was under the influence, making the interview “hell.”

Presenter Graham, 62, was speaking at the Henley Literary Festival last week Friday when the claim was made. In a revealing admission, he shared: “Mark Wahlberg was a weird one because when he arrived, he didn’t seem drunk.”

READ MORE: ‘I was at Graham Norton Show and awkward Taylor Swift baby question was cut from air’READ MORE: Robbie Williams’ ‘prostitute’ admission leaves Julia Roberts speechless

He added: “He told me about his film, told me a couple of stories about stunts going wrong or whatever, and then it was only 15 minutes into the show when whatever the hell was in his system really took hold – and it was hell.”

Things became so bad, Mark interrupted other guests when they were asked questions, until Mark reportedly fell asleep while actor Michael Fassbender, was in the middle of recalling an anecdote.

According to The Independent, Graham continued: “I thought, ‘this one is going well – I wonder why’ and I looked over at Mark Wahlberg and he was asleep, so yeah, we don’t encourage that.”

Earlier this month, the future of his TV show was announced and it looks as though fans of the show can breathe a sigh of relief as it has been commissioned for another three series. The 34th series is set to air next year.

Speaking of the return of his hugely popular show, the legendary presenter said of the news: “Getting to host my own chat show is a huge pleasure as well as a privilege. I’m thrilled that the BBC are allowing me to continue for another three years. The whole team is looking forward to bringing the world’s brightest stars into the homes of the great British public!”

And Head of Entertainment Kalpna Patel-Knight said: “We are thrilled that The Graham Norton Show will remain a flagship part of the BBC’s entertainment offering for another three series. Graham sets the gold standard for celebrity interviews and continues to attract the best global talent to his sofa, it’s no wonder that the show remains so beloved by our audiences.”

Graham will continue to work with So Television production company as well as the BBC. Managing Director of So Television Graham Stuart, went on to say: “We began the Norton Talk Show journey in 1998 and have never felt like stopping. So happy the BBC feel the same way.”

But it’s not just his work life that appears to be busy, so too is his home life as the TV star is currently in the middle of moving home after selling both his London and New York properties. Informing his podcast fans of the move, he said that the whole situation has left him “frazzled.”

Addressing the move on his Wanging On with Graham Norton and Maria McErlane, he said: “I’m very frazzled. We are attempting to move. We are very lucky in that we are able to move slowly, bit by bit. But the house we are moving out of, which I didn’t think had that much stuff in it.”

READ MORE: Shoppers say hair removal device ‘results speak for themselves’ and it’s £140 off

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

A NON-LEAGUE club has demolished the wall that was struck by former Arsenal star Billy Vigar leading to his tragic death.

The Chichester City ace collided with the pitchside barrier during the Isthmian Premier Division game at Wingate and Finchley last month.

2

2

Vigar, 21, was placed into an induced coma following the accident after he hit his head against the wall.

The game was suspended just 15 minutes in and was abandoned completely after he had been airlifted to hospital.

He had suffered a serious brain injury, and an operation was unable to save his life.

He sadly died just days later on September 25.

Following the tragedy, the FA insisted that it would carry out a safety review of perimeter walls in the National League.

But officials at Wingate and Finchley have already made steps to increase safety around the pitch at the Maurice Rebak Stadium.

The Daily Mail has reported that work has been commissioned to make improvements.

The ground did comply with current regulations, but the club has now demolished the wall completely.

It follows on from a petition calling on brick walls around pitches to be banned reached over 4,000 signatures.

On the immediate review, a FA spokesperson said: “[It woudl] include looking at ways we can assist National League system clubs to identify and implement additional measures at their stadiums that they determine will help to mitigate any potential safety risks.”

Meanwhile, the PFA called for an investigation and demanded that players should “not be put at unnecessary and avoidable risk”.

Vigar, from Worthing, West Sussex, spent his youth career with Arsenal after joining at age 14 and signed a professional contract in July 2022.

He worked his way up to the U21 team in North London, alongside loan spells with Derby County U21 and Eastbourne.

He left the club permanently in 2024 after being unable to progress to the senior team, joining Hastings United in the Non-League Premier before his move to Chichester.

Full statement from Arsenal

Everyone at Arsenal Football Club is deeply sorry to hear of the tragic passing of Chichester City forward and former Arsenal academy player, Billy Vigar.

Billy joined our academy on schoolboy terms aged 14, after being scouted at his hometown club Hove Rivervale FC and excelled as a striker at Hale End, scoring 17 goals in his debut season.

In 2020, his performances earned him a scholarship and joined us full-time for the 2020/21 season, his intake including current players Charles Sagoe Jr, Remy Mitchell and others such as Omari Hutchinson, Charlie Patino and Brook Norton-Cuffy.

Quick, powerful and fiercely determined, his first season as a scholar was blighted by a serious hamstring injury, but he made up for it in his second, scoring four goals in 18 under-18 appearances and signed professional terms for the club at the end of that 2021/22 season.

Billy went on to appear for us in the PL2 and EFL Trophy and proved to be an asset across the forward positions and even deputised in defence – his versatility illustrating his commitment to the coaching staff and his team.

He enjoyed loan spells at Derby County and Eastbourne Borough and at the end of the 2023/24 season,  headed back to his native south coast, signing for Hastings United – prior to a move to Chichester just last month.

As well as his significant talent, Billy will always be remembered for his love of the game, pride at representing our football club – he once called the day he was spotted by our scouts as ’the most Important of his life’ – and a character beloved by teammates and coaches alike.

Our deepest condolences go out to the Vigar family and his many friends at this extremely difficult time.