News Desk

Pay TV providers have a new message for consumers: Your ex wants you back.

While the media industry watches the once massive number of subscribers to cable and satellite services diminish like a slow-melting iceberg as audiences move to streaming, the companies are aggressively developing ways to slow the trend and perhaps win some business back.

Spectrum and DirecTV have both recently held fancy press events in New York to tout their efforts to offer a more consumer-friendly experience and services that add value for the still substantial number of customers they serve. Giving consumers more choice and flexibility is their new mantra.

The latest evidence of this emerged last week when Spectrum introduced an app store, where customers can get subscriptions to the streaming platforms such as Disney+, Hulu, AMC+ and ESPN, and access them alongside the broadcast and cable channels that still carry the bulk of high-profile sports and live events.

The Stamford, Conn.-based company’s 31 million subscribers can now get ad-supported streaming apps as part of their TV packages, which would otherwise cost an additional $125 a month. Ad-free versions are also offered at a discounted price.

Over the last year, El Segundo-based DirecTV rolled out smaller packages of channels aimed at consumers who no longer want a big monthly bill for the panoply of networks that have accumulated in the pay TV bundle over the years. The satellite TV service now offers smaller “genre packages” of channels and streaming apps that cater to a particular interest available at a lower price — designed for news junkies, sports fans, kids and Spanish-language speakers. There is one for entertainment channels as well.

There are early indications consumers are responding. In the second quarter of this year, Spectrum reported a loss of 80,000 cable customers due to cord-cutting, a significant decline from the same period in 2024, when 408,000 homes ditched cable.

DirecTV does not disclose its subscriber numbers, but Vincent Torres, the company’s chief marketing officer, said the smaller and more bespoke channel packages are drawing younger consumers who have bypassed pay TV subscriptions up to now.

For Spectrum, the deal to get the Disney apps came out of an ugly carriage dispute in August 2023 that for 12 days left customers without programming, including the U.S. Open tennis tournament and the start of the college football season. The standoff followed comments by Walt Disney Co. Chief Executive Bob Iger that taking the company’s program services directly to the consumer and bypassing its traditional pay TV partners was inevitable.

Spectrum CEO Chris Winfrey suggested his company could get out of the video distribution business and stick to selling its far more profitable broadband internet services.

The dispute was a sharp example of the pressure on cable providers that have been asked to pay more to carry the channels from Disney and other media conglomerates as they feel the pressure of rising programming costs and sports rights fees. The costs are passed along to customers who are paying more for content that is available on streaming services. Spectrum insisted on a deal that made Disney’s streaming apps available to its customers at no additional cost.

The tensions subsided and, in June, Spectrum reopened and extended its contract with Disney before it was up — a rarity in the contentious arena of carriage negotiations that lead to channel blackouts.

DirecTV’s slimmer cable packages came after a similarly bruising dispute with Disney last September, with customers losing access to the channels for 13 days.

But there was a new spirit of unity on stage at Spectrum headquarters, where ESPN Chair Jimmy Pitaro, the architect of ESPN’s direct-to-consumer strategy, was among the guest speakers.

Although Pitaro has long hammered away at how ESPN needs to be accessible to sports fans wherever they are, he touted the value of the cable subscription and described the relationship with Spectrum as “the best it has ever been.”

Spectrum customers already get ESPN channels through their cable subscription, but adding the direct-to-consumer app allows them access to its features such as enhanced real-time stats during live games and a personalized “SportsCenter” that uses AI to create a custom highlight show for users.

Spectrum has enlisted the networks it carries to make promotional spots touting its new services. Speaking at the Spectrum event, Winfrey acknowledged it will take some time for consumers to get used to the idea of getting more from their cable provider at no additional cost.

“Our No. 1 issue is — and this may shock you — but customers don’t trust the cable company,” Winfrey said. “Maybe with good reason. For how many decades did the cable industry go out and say HBO is included for free? And it was for three months and then, $10 would show up on your bill. We’ve conditioned people to think it’s a free trial period.”

Torres notes that more consumers are experiencing what he calls “content rage” as the prices of individual streaming services such as Peacock and Disney+ continue to rise. As programming gets sliced and diced for the growing number of services, consumers are finding that more than one subscription is necessary, especially for fans of the NFL or NBA, which have spread their games over several services.

“You see a growing frustration that ‘I can never find what I want to find when I want to watch it,” Torres said. “The fragmentation of the content is creating customer dissatisfaction. They can’t always find what they’re looking for.”

Along with its slimmer channel packages, DirectTV recently introduced a new internet-connected device called Gemini that combines streaming apps with traditional TV channels.

Pay TV companies are also offering voice-controlled remotes to help consumers find what they want to watch, whether on streaming or a traditional channel.

Executives say more enhanced viewing experiences are coming to keep the pay TV customer connected.

Starting this season, Spectrum’s SportsNet channel will be offering its Los Angeles customers several Lakers games in an immersive video format that can be streamed through an Apple Vision Pro device. The technology will give users a courtside view of the game at Crypto.com Arena. All that’s missing is a seat next to Jack Nicholson, but as AI advances, who knows?

Stuff We Wrote

Film shoots

Number of the week

Disney’s sci-fi sequel “Tron: Ares” got off to a weak start, opening with just $33.5 million in North American theaters.

The results were well below 2010’s “Tron: Legacy,” which opened to $44 million. The production budget for “Tron: Ares” was reportedly $180 million.

Still, Disney does have two potential box office hits later this year with “Avatar: Fire and Ash” and animated sequel “Zootopia 2.”

Finally …

Stacy Perman’s deeply reported piece on fake collectible movie props is a must read. Bonus points for an appearance by notorious movie and TV executive Jim Aubrey, known as “The Smiling Cobra.”

Madagascar’s parliament has voted to impeach embattled President Andry Rajoelina just hours after he fled the country in the wake of an elite army unit appearing to turn against him and seize power following weeks of deadly Gen Z protests.

The vote on Tuesday afternoon came as Rajoelina moved to dissolve parliament via a decree posted on social media earlier in the day, but which the opposition rejected.

“I have decided to dissolve the National Assembly, in accordance with the Constitution,” Rajoelina posted on X on Tuesday. “This choice is necessary to restore order within our Nation and strengthen democracy. The People must be heard again. Make way for the youth.”

The protests, which initially erupted over power and water shortages, have evolved into the most serious crisis the country and Rajoelina’s government has faced in years. “I was forced to find a safe place to protect my life,” Rajoleina, who did not disclose his location, said in a 26-minute-long live broadcast on Monday after a top army unit, known widely as CAPSAT, reportedly seized the state broadcaster. The same unit announced on Tuesday afternoon that it was “in charge” as parliament concluded the impeachment proceedings.

Rajoleina has not responded to the impeachment and has not renounced his title as head of state. Opposition parties initiated the impeachment vote on charges that Rajoelina “abandoned” his post.

There’s no clear leader in the country.

Madagascar has a long history of political crises and uprisings. Rajoelina’s own apparent exit from the country appeared to be an eerie replay of protests in 2009 that led to the collapse of a previous government, and his ascent to power. However, his government has been accused of corruption and of managing a stagnant economy.

Here’s what to know about how the protests unfolded and the army unit that has turned against the president:

What led to the protests?

Hundreds of angry protesters, led by a young movement called “Gen Z Madagascar,” began taking to the streets of the capital Antananarivo on September 25, with protests over the weekend recording the largest number of demonstrators in the three weeks of unrest.

What began as anger about persistent water and power cuts that leave businesses and homes without electricity or running water for more than 12 hours quickly escalated into frustrations with general governance.

Protesters decried widespread poverty, high costs of living, and state corruption that they say has seen business elites benefit from close contacts in government. Demonstrators began calling for the end of Rajoelina’s 15-year-old government, and for a “free, egalitarian and united society”.

Although Rajoelina sacked his prime minister and attempted a government reshuffle, protesters were not satisfied, culminating in the CAPSAT backing protesters on Saturday in what the president called an “attempt to seize power”. The unit, in a statement, said it refused “orders to shoot” demonstrators.

Some 80 percent of the country’s 31 million people lived in extreme poverty by 2022, according to the World Bank, largely due to political instability and severe climate disasters affecting food supplies. Only a third of the population has access to electricity, according to the International Monetary Fund, with the state-owned energy company, Jirama, accused of corruption and mismanagement.

Angry demonstrators blocked roads with burning tyres and rocks, and reportedly attacked public buildings, transport infrastructure, and private shops. In response, security officials responded with “violent force” according to the United Nations, with reports noting police fired rubber bullets, stun grenades, and tear gas. At least 22 people have died and dozens of others are injured, the UN said in a statement last week, although the government disputed those figures.

Rajoelina ignored calls for his resignation and accused protesters calling for his exit of wanting to “destroy our country.” His attempts to quell the anger by dissolving the government and appointing army General Ruphin Fortunat Zafisambo as the new prime minister on October 6, as well as inviting protesters for talks, were rejected by the demonstrators, who accused the government of ruling “with weapons”.

Who led the protests?

Young protesters, led by the “Gen Z Madagascar” group, started the demonstrations in late September, following similar youth-led uprisings witnessed in the past year in countries like Nepal, Morocco, Kenya, and Bangladesh.

In Madagascar, protesters say they’re demanding an end to 16 years of “inaction” by Rajoelina’s government, and have promised that they will not be silenced.

“They didn’t want to hear us in the streets,” a statement on the Gen Z Madagascar website reads. “Today, thanks to digital technology and the voice of Generation Z, we will make our voices heard at the table of power on the opposition side. To put an end to 16 years of inaction, let’s demand transparency, accountability, and deep reforms.”

The movement highlighted three demands from the government: the immediate resignation of Rajoelina and his government, the dismantling of the Senate, the electoral commission, and the constitutional court, as well as the prosecution of “the businessman close to the president”, referring to Rajoelina’s adviser and businessman, Maminiaina Ravatomanga.

It warned Rajoelina would be dragged to the International Court of Human Rights on various charges ranging from repression to embezzlement if the demands are not met.

The Gen Z Madagascar’s emblem, a flag featuring a pirate skull and crossbones wearing a distinctive Madagascan hat, is a reference to the Japanese comic series, One Piece, which follows a young pirate banding with others to fight an authoritarian government. The flag has become a hallmark of youth-led protests globally. It was raised by Indonesian protesters to show discontent in the run-up to the nation’s independence day in August, as well as by youth protesters who overthrew the Nepal government in September.

Who is President Rajoelina, and where is he?

President Rajoelina’s location is currently unknown. There is speculation that he was flown out of the country on a French military plane, according to French broadcaster RFI, but France has not commented. Madagascar is a former French colony, and Rojoelina is reported to have French citizenship – an issue which has angered some over the years.

In his Facebook statement on Monday evening, the president called for dialogue “to find a way out of this situation” and urged Madagascans to respect the constitution. He did not reveal his location and did not state his resignation.

The move to dissolve the parliament from exile further escalated the crisis and caused confusion, but opposition groups rejected it and voted for the president’s impeachment.

“The legal basis for this is unclear at the moment,” Kenya-based analyst Rose Mumunya told Al Jazeera. “Is he still the president? Legally, he is, but now that the army has announced they are taking over [security institutions], the legality of his decision to dissolve parliament is not really clear,” she said.

The 51-year-old first came to power in 2009 as the leader of a transitional government following a bloodless coup against the former president, Ravalomanana. As an opposition member and mayor of Antananarivo, Rajoelina led weeks of violent protests starting from January 2009 against Ravalomanana, whom he criticised for “restricting freedom” in the country.

Some 130 people died in the crisis. Rabalomanana fled to South Africa in March 2009 following a military coup. Rajoelina’s announcement as leader was ironically backed by CAPSAT. The international community criticised the military intervention and sanctioned Madagascar for years.

Rajoelina was elected in 2019 and re-elected in disputed 2023 polls that were boycotted by the opposition. His government, while popular at first, faced accusations of corruption, increasing repression and rights violations, analysts say. Fired Prime Minister Christian Ntsay and businessman Maminiaina Ravatomanga, were among prominent figures widely criticised in the country. Both arrived in Mauritius on a private flight on Sunday, authorities there said.

What’s CAPSAT, the army unit accused of a coup?

CAPSAT, or the Corps d’administration des personnels et des services administratifs et techniques, is an elite unit based in Soanierana district on the outskirts of Antananarivo. The group’s leader, Colonel Michael Randrianirina announed on Tuesday the unit was “in charge.”

While Rajoelina had influential backers in other important army units, analyst Mumunya noted he has not able to gain such support with CAPSAT.

The unit first appeared to mutiny after members joined thousands of protesters in Antananarivo on Saturday and called for Rajoelina’s resignation. Demonstrators hailed armed CAPSAT members packed in trucks and waving Madagascan flags. There were reports of CAPSAT teams clashing with pro-Rajoelina security forces.

A representative of the contingent said in a video statement on Saturday that “from now on, all orders of the Malagasy army, whether land, air, or navy, will originate from CAPSAT headquarters.” The unit urged all security forces to refuse “orders to shoot” and to stand with protesters.

On the same day, CAPSAT installed a new chief of defense staff, General Demosthene Pikulas, at a ceremony at the army headquarters. Armed Forces Minister Manantsoa Deramasinjaka Rakotoarivelo endorsed the move at the ceremony, saying, “I give him my blessing.”

On Sunday, CAPSAT Colonel Randrianirina told reporters that his unit’s actions did not amount to a coup. “We answered the people’s calls, but it wasn’t a coup d’etat,” he said, speaking at a gathering on Sunday outside the Antananarivo city hall, where large crowds gathered to pray for victims of the violence. One CAPSAT soldier was reportedly killed in a clash with other security units on Saturday.

Madagascar’s military has intervened in politics in several crises since 1960, when the country gained independence from France. Analyst Mumunya said CAPSAT leaders were carefully avoiding an outright coup declaration to avoid international backlash, as in the 2009 revolt. The move by the opposition to impeachment the president would legalise the takeover while the army holds the fort to ensure there’s no counter coup, she said.

“It’s a bit of push and pull between Rajoelina and the army … but the balance of power is not in Rajoelina’s favour,” Mumunya said. “There are likely ongoing negotiations between the political opposition, business elite and security forces to install a new civilian government that will appeal to the youth,” she added.

“So has his government effectively collapsed? I think we can probably conclude that,” she said.

The High Court, where Rajoelina has supporters, analysts say, will likely scrutinise and confirm whether the president can dissolve the parliament from an unknown location, or whether his impeachment can hold.

When Jibrin Kolo Adamu talks about how the HumAngle Accountability Fellowship changed his life, his eyes light up with purpose. “The fellowship was impactful because I am currently working because of the skills I acquired from it,” he said. 

He added that “I learnt the art of human storytelling, and it helped me to win several grants and partnerships for my organisation. I now lead advocacy programs because of the HumAngle training.”

Jibrin is one of many young journalists and advocates from Borno State who have passed through the HumAngle Accountability Fellowship. The fellowship program was launched in 2022 with support from the MacArthur Foundation to promote transparency, accountability through storytelling, and community-driven advocacy initiatives. Over the past three years, five cohorts have been trained, with fellows drawn from the northern, central, and southern federal constituents of Borno state.

For many of them, the fellowship was a turning point.

Halima Bawah, a fellow from central Borno, said the training gave her the courage to start her own organisation. “I launched an advocacy group promoting renewable and sustainable climate action solutions. Now my company provides climate-smart solutions, recycling plastic waste, and offering consultations to other organisations,” she explained proudly.

Rukkaya Ahmed Alibe, who works with a radio station in Maiduguri, the capital city of Borno State, said the fellowship transformed her broadcasting career. “I have integrated human-centred storytelling into my radio programs. It has made my work more impactful and connected to the people. I now produce stories that give voice to local communities,” she said.

Another alumnus, Abubakar Mukhtar Abba, from central Borno, shared how the fellowship inspired his journalism journey. “I had no background in journalism, but the fellowship gave me everything in six months. I am now a freelance journalist reporting important stories about the humanitarian crisis in the region. My stories are driven by the question of accountability and how it affects the lives of ordinary people. All thanks to HumAngle,” he said.

The fellowship aims to build a new generation of journalists and advocates who use storytelling to demand accountability and amplify community voices in conflict-affected areas.

Speaking during an alumni roundtable session held on Oct. 11 in Maiduguri, Angela Umoru-David, HumAngle Foundation’s Director, said the engagement was an opportunity to see how far the fellows have come. “Engaging with the alumni was an opportunity to experience first-hand the impact the fellowship had on the participants. We have achieved exactly what we hoped for: a network of young people pushing locally-driven solutions and demanding accountability,” Angela said.

According to Angela, many alumni are now leading organisations, winning international fellowships, and pursuing advanced studies abroad. “We have an alumnus pursuing a PhD in security studies in China, another starting a waste management and environmental protection company, and many others representing their communities on global platforms,” she added.

The stories of progress from the fellows are not limited to Borno State alone. Across Adamawa and Yobe, the fellows have similar stories. During a similar roundtable held in Yola, the Adamawa state capital, in September, fellows said HumAngle had been a major influence on how their careers are blossoming currently, expressing their willingness for collaborations in the future.

“The support HumAngle gives us goes a long way,” Habila Albert, a member of the second cohort of the fellowship noted. Fellows from Damaturu in Yobe also highlighted stories of collaboration within each other.

Salma Jumah, Senior Programme Officer of the Foundation, noted that the fellowship’s success reflects the power of knowledge and collaboration. “The learning session with the Accountability Fellows has shown us that they have built a strong network and a remarkable trail of impact. Hearing from participants across all cohorts, we’ve seen significant accomplishments and stories of change that speak to the strength of this community,” Salma said.

From classrooms to radio stations, and from local advocacy groups to international platforms, the fellows of the HumAngle Accountability Fellowship continue to inspire change and promote accountability and transparency in both private and public sectors across northeastern Nigeria.

The Great British Bake Off star Iain Ross has been a firm fan favourite on the Channel 4 baking show, but some viewers have only just noticed one thing about him

The beloved Channel 4 programme The Great British Bake Off has returned to our television screens as hopeful contestants compete to claim the title of Britain’s finest amateur baker, with Iain Ross, from County Derry, Northern Ireland, already capturing the hearts of countless viewers. Yet some are only now cottoning on to exactly who the 29-year-old software engineer bears a striking resemblance to.

Iain, who harbours a passion for live music alongside his sourdough obsession, originally had zero intentions of gracing the show with his presence, but when his girlfriend Dervla refused to accept defeat, he eventually submitted his application. Channel 4 audiences are undoubtedly thrilled he did, with legions branding him ‘adorable’ across social media platforms.

However, others are now spotting another fascinating detail about him – his uncanny likeness to a particular children’s television character.

Which character might that be, you wonder? None other than Sir Gadabout from the beloved children’s tale Zog, which has since been transformed into an animated BBC production.

A viewer named Katie recently took to X to highlight the remarkable similarity, penning: “For weeks I’ve struggled to think of who Iain reminds me of and it took my son wearing his Zog pyjamas for me to finally realise that it’s Sir Gadabout. #GBBO.”

Clearly, numerous others shared her observation, as the post accumulated over 66,000 views alongside thousands of likes.

One individual responded: “Thank you. I’ve been thinking exactly the same thing!”.

Meanwhile, another chimed in: “Oh my goodness! Absolutely nailed it!”

A third chimed in: “Thank you, I’ve been so confused why he looked so familiar,” while a fourth said: “You are not wrong!”

A further fan exclaimed: “It’s literally him,” while another simply concurred: “Yes!”

Speaking about securing his spot on the programme, Iain told Radio Times: “Every step of the way I kept it a secret from everyone apart from Dervla, I didn’t think I’d make it to the following stage and I didn’t want to let anyone down.

“Then when I got the call to confirm my place I was in sheer disbelief, I had no idea it would actually happen.”

He added: “I thought it was a prank at first, I got a call a few minutes after being told and I thought they were going to tell me they made a mistake and I wasn’t actually on the show!”.

“I was in the office at work and had to go out to the foyer to take the call and speak in code, everyone who was walking past heading to the toilet looked very concerned and confused.”

Iain, who lives in Belfast with Dervla and their cat Victor, disclosed on the programme that he was planning to pop the question to her, and has since announced on his social media pages that she said yes.

His heartfelt post featured Dervla flaunting a dazzling ring with Crawfordsburn waterfall in Northern Ireland as the stunning backdrop.

Captioning the snap, he penned: “Don’t suppose you know anyone who can make a decent wedding cake?”

He then added: “A picture at this waterfall every year for the past 8 years, and a special lil one to complete the frame.”

Oct. 14 (UPI) — Google announced it will invest $15 billion to build an AI hub in India, Google Cloud CEO Thomas Kurian announced Tuesday.

The hub will be in Visakhapatnam, Andhra Pradesh, in southeastern India, and will reportedly be a 1-gigawatt facility.

The investment is Google’s largest Indian investment to date and will create Google’s largest AI hub in the world outside of the United States, Kurian said.

On Monday, Lokesh Nara, Andhra Pradesh’s minister of Human Resources, posted on X about the investment.

“After a year of intense discussions and relentless effort, tomorrow we make history. Google will sign an MOU with the Govt. of Andhra Pradesh for a 1GW project with an investment of $10 billion USD. It is a massive leap for our state’s digital future, innovation, and global standing. This is just the beginning,” he wrote.

The Indian Economic Times reported on Saturday that the investment would come from Google’s Indian subsidiary Raiden Infotech, which will also develop three campuses in Visakhapatnam.

According to an analysis commissioned by Google by Access Partnership, the AI hub is expected to generate at least $15 billion over five years in American gross domestic product because of new economic activity from increased cloud and AI adoption, as well as the American talent and resources involved in developing and operating the AI hub, the Google press release said.

“The Google AI hub in Visakhapatnam represents a landmark investment in India’s digital future,” Kurian said in a statement. “By delivering industry-leading AI infrastructure at scale, we are enabling businesses to innovate faster and creating meaningful opportunities for inclusive growth. This partnership reflects our shared commitment to the Indian and U.S. governments to harness AI responsibly and drive transformative impact for society.”

Part of the investment will be the construction of a new international subsea gateway, including multiple international subsea cables to land in Visakhapatnam, which is on the coast of the Bay of Bengal. This will help India meet its increasing digital demands, giving route diversity to complement subsea cable landings in Mumbai and Chennai and securing India’s digital backbone.

“This significant investment in Andhra Pradesh marks a new chapter in India’s digital transformation journey,” said N. Chandrababu Naidu, chief minister of Andhra Pradesh, in a statement. “We are proud to host India’s first truly gigawatt-scale data center and Google’s first AI hub in India, which is a testament to our shared commitment to innovation, AI adoption, and long-term support for businesses and startups in the state.”

AeroVironment has unveiled a new member of its Switchblade family of loitering munitions, the Switchblade 400. It is designed to offer similar capabilities, especially when it comes to destroying enemy tanks and other heavy armor, to the larger Switchblade 600, but in a package that a single individual can employ. It is also sized to fit into U.S. military standard Common Launch Tubes (CLT), which are typically used to fire precision-guided munitions and small uncrewed aerial systems from crewed and uncrewed aircraft, primarily within the special operations community.

Todd Hanning, product line director for what AeroVironment is currently calling its Mojave systems, which includes the Switchblade 400, talked about the new offering with TWZ‘s Howard Altman on the show floor at the Association of the U.S. Army’s (AUSA) main annual symposium today. The Switchblade 400 was originally developed to meet a U.S. Army requirement under the service’s Low Altitude Stalking and Strike Ordnance (LASSO) program. LASSO is also part of a larger effort that the service calls its Lethal Unmanned Systems Directed Requirement (LUS DR). The Army has already been buying Switchblade 300s, which are smaller than the new 400 version, as well as the bigger 600s, to meet its LASSO/LUS DR needs.

Hanning explained that the core Army requirement that led to the Switchblade 400 was a total weight of 40 pounds for the All-Up-Round (AUR), which consists of the loitering munition and its launch tube. AeroVironment’s website says a single individual can carry the weapon and have it ready to launch within five minutes. The Switchblade 600 is available in a man-portable form, but is designed for employment by a team and takes twice as much time to set up.

Switchblade 400 needed to be a “single soldier lift,” Hanning said. “Switchblade 600, coming in at about 67 pounds, so right out of the gate, we’ve got to shed about 30 pounds off this thing. Yet we still want the same lethality for [sic; as] a Javelin.”

The Switchblade 600 notably features an anti-armor warhead based on the one in the FGM-148 Javelin anti-tank guided missile (ATGM). AeroVironment also unveiled a Block 2 version of the Switchblade 600 today, which offers greater endurance and a new secondary payload bay for added flexibility, as well as improvements to its artificial intelligence and machine learning-driven automated target recognition capabilities.

Hanning said that the Switchblade 400 and Switchblade 600 Block 2 reflect a new modular, open-architecture approach AeroVironment is taking, which offers benefits when it comes to manufacturing and supply chains. The “same avionics, … the same camera architecture, same motor, [and] same power technology” are used in both models.

Overall, Switchblade 400 is “how do we take, really, a Block 2 [Switchblade 600], the next-gen, take 30 pounds out of it, and still do the same mission,” Hanning added. “Now you’re losing a little bit of endurance, right? We had to pull two cameras out, but you still have a gimbaled payload with probably the best optics out there on this kind of a platform, you’ve got the Javelin [warhead], you’ve got some new battery technology, and it’s very lightweight.”

AeroVironment’s website says Switchblade 400 has a maximum endurance of 35 minutes, and a speed profile that allows for 27 and 15 minutes of loiter time after reaching target areas 12.4 miles (20 kilometers) and 21.7 miles (35 kilometers) away, respectively. The company also says it can reach out to around 40 miles (65 kilometers) by handing off control to an operator closer to the target.

This all puts Switchblade 400 roughly in between current-generation Switchblade 300s and Switchblade 600s in terms of range and endurance, but with the ability to engage the same kinds of targets as the latter. Switchblade 300s have much smaller warheads weighing just under four pounds. Switchblade 400 also gives a single user a major boost in capability over a Javelin, which has a demonstrated maximum range of just under two and a half miles (4,000 meters) in its latest man-portable configuration, and no ability to loiter.

Hanning used the breadth of targets that Ukrainian forces have been using Switchblade 600s against to underscore the capabilities on offer. Ukraine has received tranches of both Switchblade 300s and 600s.

“They were shooting some tanks early on, but now you’re seeing them take out surface-to-air missile batteries constantly,” he said. “They’ve taken out some trains. A lot of command elements. But mostly what you’re seeing is those high-value assets, those mobile surface-to-air missile batteries.”

It is worth noting here that AeroVironment has been securing sales of Switchblade 300s and 600s to a growing number of countries beyond the United States and Ukraine in recent years. Last year, the U.S. government notably approved the potential sale of 720 Switchblade 300s to Taiwan. The Taiwanese armed forces have been stepping up their acquisition of a growing array of one-way attack drones as part of a larger strategy to challenge a potential intervention from the mainland, as you can read more about here.

That being said, lessons learned from the particular drone-heavy war in Ukraine have been very important for AeroVironment, according to Hanning.

“We take lessons learned from all of the systems that are in Ukraine, and rapidly inject that technology into the 400 and the 600 Block 2,” Hanning said. “So launching in different environments, on different ground surfaces, that was one. Tactics for range and for how you engage the target. So we’re engaging from higher altitudes. We’re engaging faster. We have different communication modes, silent modes, things like that.”

Hanning said the silent mode referred to here involves operating, at least for a time, without emitting signals that enemy forces could detect. He noted that members of the Switchblade family are designed around concepts of operations that involve a human at least ‘on-the-loop’ during any endgame attack run, despite their highly automated targeting capabilities.

In general terms of controlling Switchblades after launch, “we are running Silvus radio[s], but we are agnostic to radios. So we’ve also integrated an L3Harris radio. We did that about two weeks ago. Very easy,” he added. “So, we’re looking to, how can we shed weight at the soldier level so that we’re using all the common systems that they’re already carrying. So, if that’s a PRC radio that they’re already carrying, if we can leverage that for our C2 [command and control] scheme, then that’s what we’d want to do. … that’s part of that whole modular, open system architecture.”

Switchblade 400s, as well as 600s, could make use of their modularity in other ways going forward. Hanning highlighted the possibility of different warhead options by mentioning a test involving a different type supplied by a company called Corvid Technologies.

“We’re really open to whatever the DoD wants. When a lot of people come to us and say, ‘use my thing,’ and I’m like, well, what does the Army think about that?” Hanning said. “We need to know what they want versus what a vendor wants you to want. And so the best way to do that is to just be very open, hear the voice of the customer, and have the ability to integrate things.”

“When you start doing mixed payloads, you definitely want to play with some [things], maybe a smaller warhead, with some electronic warfare packages, things like that,” he continued. CACI is set to supply an electronic warfare package for testing on Switchblade 400 later this month.

AeroVironment’s emphasis on flexibility has already extended to launch modes. Launchers integrated into crewed and uncrewed armored and other ground vehicles, offering indirect fire and reconnaissance capabilities, have been put forward. The Switchblade 300, at least, has been test-launched from maritime platforms. Last month, General Atomics also announced a test launch of a Switchblade 600 from one of its MQ-9 Reaper drones.

Switchblade 400’s aforementioned ability to fit inside a CLT immediately opens up a host of additional potential launch platforms, including various crewed and uncrewed fixed-wing aircraft and helicopters. CLT-launched munitions are a particularly significant part of the current armament package on the U.S. Air Force’s AC-130J Ghostrider gunships, something they inherited from the now-retired AC-130W variants.

When it comes to the Army requirement that drove the initial development of the Switchblade 400, the service is currently evaluating four different options, according to AeroVironment’s Hanning. A downselect of some kind is expected to come in time, but it’s unclear whether the service might choose to further pursue multiple entrants.

Whether or not the Army ultimately acquires Switchblade 400s, it looks to be a significant new addition to this family of loitering munitions, which is seeing growing popularity globally.

Contact the author: [email protected]

A FOOTBALLER has been arrested on suspicion of killing an opponent more than a year after the brutal brawl.

Luis Torres was killed following an alleged attack by Moisés Pulido on 9 September 2024.

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The incident happened during a seven-a-side amateur football match between Torres’ Viper 3.0 and Pulido’s Deportivo Esmeralda on a synthetic pitch in Guadalajara, north west of Mexico City, Mexico.

Torres, 16, is said to have been charging through the midfield in the second half when he laid the ball off before having a go at a rival for a mistimed tackle.

Pulido, 25, is then reported to have rushed over and punched the teen in the face multiple times during the Cannán League game.

After Torres fell to the ground, Pulido allegedly carried on striking him in the back of the head, which caused fatal trauma.

Emergency services were called to the scene but Torres had died by the time they arrived after he was seen convulsing.

Pulido is then said to have fled the scene.

He was arrested on Friday, October 10 after a court order was issued for him to be tracked down.

A court judge charged him with intentional homicide, and he remains in police custody as the investigation continues.

In a statement the Public Prosecutor’s Office said: “On the night of 9 September 2024, Moisés ‘N’ was taking part in a soccer game with the victim on opposing teams.

“At one point, the suspect allegedly hit the victim in the face and then continued to hit him on the back of his head.”

Thousands of displaced Palestinians have been returning to northern Gaza following the ceasefire, only to find their homes reduced to rubble.

Madonna’s “MDNA.” Bruce Springsteen’s “The Rising.” Mariah Carey’s “Memoirs of an Imperfect Angel.”

According to the Recording Industry Assn. of America, none of these albums — each the 12th studio LP by its respective maker — has sold 4 million copies in the United States in the decade or more since it was released.

Yet that’s what Taylor Swift just did in a single week with her 12th album, “The Life of a Showgirl,” which Billboard reported Monday had moved 4.002 million copies in the seven days between Oct. 3 and 9.

That figure, which combines sales and streaming numbers, represents the biggest opening week for an album in modern history, breaking the record set by Adele 10 years ago when her “25” moved 3.482 million units in its first week.

Swift marked the achievement on Instagram on Monday with a note to her 281 million followers.

“I’ll never forget how excited I was in 2006 when my first album sold 40,000 copies in its first week,” she wrote. “I was 16 and couldn’t even fathom that that many people would care enough about my music to invest their time and energy into it. Since then I’ve tried to meet and thank as many people as I could who have given me the chance to chase this insane dream. Here we are all these years later and a hundred times that many people showed up for me this week.

“I have 4 million thank you’s I want to send to the fans,” she added, “and 4 million reasons to feel even more proud of this album than I already was.”

The speed with which Swift hit the 4-million mark is undeniably impressive. Morgan Wallen’s “I’m the Problem,” the biggest album of 2025 so far, has sold and streamed the equivalent of 4.2 million copies, according to the trade journal Hits. But “I’m the Problem” has been out since mid-May; “Showgirl” will almost certainly have surpassed Wallen’s LP by the end of this week (if it hasn’t already).

What’s more remarkable is where “Showgirl’s” blockbuster success comes in the arc of Swift’s career.

Madonna and Springsteen were both in their early 50s when they released their 12th LPs; Carey was 40 when “Imperfect Angel” came out. Swift, in contrast, is only 35 — one advantage of starting out professionally as a teenager.

Still, Swift has been a star for nearly two decades, a point at which many pop musicians have shifted the focus of their work to touring even as they continue to make new records generally ignored by all but their most devoted fans. In 2024, according to Pollstar, Madonna’s and Springsteen’s latest road shows — each drawn from a catalog packed with hit songs — were among the year’s 10 highest-grossing tours.

And indeed Swift has been amply rewarded on the road: At No. 1 on Pollstar’s list was her Eras tour, which sold more than $2 billion in tickets across 149 dates on five continents.

Yet unlike virtually every other veteran act in music, Swift’s recording business is growing along with her live business.

“Everything that’s happening here is historic and unprecedented,” said Hits’ editor in chief, Lenny Beer. “Maybe if the Beatles had stayed together, we’d have seen something like it.”

Also worth considering: Nobody seems to think “The Life of a Showgirl” is Swift’s best album. Reviews have been mixed, and even some fans have expressed disappointment with the record on social media — a once-unthinkable development among the fiercely loyal Swifties.

So how did the singer pull off such a feat?

First, a little math: Of “Showgirl’s” 4 million units, approximately 3.5 million were sales of either digital or physical versions of the album (including CDs, cassettes and vinyl LPs); the remaining half-million came from streams of the album’s songs on platforms like Spotify and Apple Music, which the data firm Luminate counts toward what it calls streaming equivalent albums.

“Showgirl’s” 12 songs racked up 681 million streams in all, Billboard said — the fourth-biggest streaming week of all time, behind Swift’s “The Tortured Poets Department” and Drake’s “Scorpion” and “Certified Lover Boy.” But the album’s sales number is the largest ever recorded since Luminate started tracking sales electronically in 1991.

Among Swift’s strategies to get to that number was selling more than three dozen editions of the album, each with its own artwork and bonus material designed to lure collectors. On vinyl alone, “Showgirl” came out in eight so-called variants, which helped drive the album’s first-week vinyl sales to a modern record of 1.3 million copies.

Offering something for sale doesn’t necessarily mean anyone will buy it, of course. Yet Swift was positioning “The Life of a Showgirl” as a juggernaut from the moment she announced it. Appearing with her fiancé, the NFL player Travis Kelce, on his “New Heights” podcast in August, the singer described the album as a return to the hit-making ways of albums like “Red” and “1989” after the relatively experimental “Folklore” and “Tortured Poets Department.”

To make “Showgirl,” she reteamed with the Swedish producers Max Martin and Shellback, with whom she’d collaborated on some of her biggest singles, including “Blank Space,” “Bad Blood” and “We Are Never Ever Getting Back Together.” On “New Heights” she and Kelce talked about the new album as a “180” from the moody confessions of “Tortured Poets,” whetting appetites for the kind of crisply hooky Taylor Swift songs that blanketed Top 40 radio in the mid-2010s.

Promised the football star: “12 bangers.”

Fans visit an activation for Taylor Swift’s “The Life of a Showgirl” at the Westfield Century City mall on Oct. 4.

(Christina House/Los Angeles Times)

Once “Showgirl” was out, Swift jumped into the promotional fray with more gusto than she’d summoned in years, sitting for numerous radio interviews and putting in appearances on Graham Norton’s, Jimmy Fallon’s and Seth Meyers’ late-night shows; the weekend after the album’s release, a glorified sizzle reel called “The Official Release Party of a Showgirl” played in AMC movie theaters across the country.

On Monday, Swift kept the conversation going with the announcement that two Eras-related projects are headed to Disney+ in December: a six-part behind-the-scenes docuseries and a concert film of the tour’s finale in Vancouver.

“One of the hardest parts of ensuring you have a record-setting first week is making sure that everyone who could possibly be interested in your album knows about it,” said Bill Werde, director of the Bandier Program for Recording and Entertainment Industries at Syracuse University. “I’m not sure anyone has ever covered that need the way Taylor did with this album cycle.”

Yet “The Life of a Showgirl” has not been greeted as enthusiastically as some of Swift’s earlier work.

Pitchfork said “her music’s never been less compelling,” while The Guardian called the album “dull razzle-dazzle from a star who seems frazzled.” Fans on TikTok have complained that Swift’s lyrics — which take up her romance with Kelce, the burdens of fame and an apparent beef with Charli XCX — are unusually shallow; some have even formulated a kind of tradwife critique of “Showgirl” in which Swift is seen as upholding regressive ideas about marriage and domesticity.

The album has also attracted criticism from people who say Swift’s songs recycle familiar elements from other pop tunes without giving credit: the Jackson 5’s “I Want You Back” in “Wood,” for instance, and the Jonas Brothers’ “Cool” in the LP’s closing title track.

“When every song is a derivative of another song, that’s an issue,” said one hit songwriter who asked not to be named in order to speak freely. “That one song is the Jonas Brothers song — the exact same melody. And here’s how lazy that is: It’s the same key and the same tempo.”

In Werde’s view, Swift’s place atop the pop hierarchy makes such carping inevitable. “Anytime an artist gets this big, there’s going to be backlash,” he said — a take with which Swift would likely agree.

“I welcome the chaos,” she said in an interview with Apple Music’s Zane Lowe. “The rule of show business is: If it’s the first week of my album release and you are saying either my name or my album title, you’re helping.”

Even so, the polarized reaction to “Showgirl” — Swift’s 15th album to debut at No. 1 on the Billboard 200 — raises questions about the breadth of Swift’s popularity as compared to its depth. Should the album’s gargantuan numbers be taken as a sign that she appeals to a wide spectrum of pop music lovers or to a committed group of hardcore Swifties willing to spend untold amounts of money to demonstrate their loyalty?

“Showgirl’s” second-week stats should provide the beginnings of an answer, given that they won’t be shaped by one-time sales of all those limited-edition variants.

Then again, another unprecedented chart achievement from the album’s first week is already shedding some light on the matter: “The Fate of Ophelia,” the album’s lead single, is the first song ever to debut inside the top 10 of Billboard’s Pop Airplay chart — an indication of the heavy Top 40 radio play it’s getting along with the millions of daily streams that have kept it atop Spotify’s U.S. Top 50 tally since the song came out.

That’s one banger certified, with more perhaps to come.

EXPLAINER

FIFA boss Gianni Infantino was among attendees in Egypt, continuing a string of appearances with the US president Donald Trump.

FIFA President Gianni Infantino’s participation in Summit for Peace held in Sharm El-Sheikh, Egypt on Monday may have been a surprise to those who were expecting only world leaders, presidents and high-ranking officials to be in attendance at the Red Sea resort town.

Infantino was photographed next to the co-chair of the event, United States President Donald Trump, in the latest joint appearance by the pair during the second Trump presidency.

Here is all to know about Infantino’s presence in Egypt:

Why was FIFA president at the Egypt Peace summit?

Infantino stated that Trump had invited him to the Summit for Peace and that “FIFA is here to help, to assist and to put ourselves at disposal for whatever we can do to make sure that this peace process comes to fruition and to the best possible end.”

His invitation followed the FIFA president becoming more vocal on the Israel-Gaza conflict in recent days.

Last week, he called for football to support efforts towards peace in the Middle East in the lead-up to two World Cup qualifiers that involved Israel, after pro-Palestinian demonstrations were planned at stadiums in Norway and Italy.

After Friday’s Israel-Hamas ceasefire announcement, Infantino praised the US-brokered plan and singled out Trump to be awarded the Nobel Peace Prize for his efforts.

“The role of President Trump has been absolutely fundamental and crucial in the process. Without President Trump, there would be no peace,” he said.

What role did Infantino play at the Summit for Peace?

In Sharm el Sheikh, the FIFA president stressed football’s important role in creating new hope in the Middle East region.

Infantino pledged the governing body’s support to rebuild football infrastructure in Gaza as part of wider post-war reconstruction efforts following Monday’s peace summit.

“Football’s role has to be to support, has to be to unite, has to be to give hope in the region. In Gaza, in Palestine, we will, of course, help to rebuild all the football facilities. We will help to bring football back – together with the Palestinian Football Association – in every corner of the country. We will bring (footballs), we will build pitches, we will bring instructors, we will help organise competitions, we will launch a fund to help rebuild football infrastructure in Palestine,” he announced.

Infantino added that FIFA would contribute with mini-pitches and “FIFA arenas” and invite other partners to join the effort, saying “football brings hope to children, and it’s very, very important.”

What is the relationship between Infantino and Trump?

Trump first met Infantino at the White House in 2018, during his first presidential term, after the US was awarded the co-hosting rights to the 2026 FIFA World Cup.

They have appeared at summits together before; in 2020, they shared the stage at the World Economic Forum in Davos, Switzerland. It was during this summit that Infantino first called Trump “my great friend”, according to reporting by The Washington Post.

The pair remained in contact when Trump left office in early 2021, but since the second Trump presidency, which coincided with June’s FIFA Club World Cup staged in the US, Infantino has been seen repeatedly with the US president.

Most recently, on August 22, Infantino was filmed inside the Oval Office after he gifted a gold replica World Cup trophy to Trump.

In late 2024, Infantino relocated to Trump’s hometown in Miami due to his North American-based World Cup commitments, ensuring the two friends have easy access for any joint public appearances in the future.

Donald Trump says there is peace in the Middle East, after signing the Gaza ceasefire deal. But when asked about a two-state solution, Trump suggested he hadn’t focused on long-term solutions to the Israel-Palestine conflict. Analysts say there will be no lasting peace in the Middle East, without a Palestinian state.

A horror series that has been described as the “most terrifying” TV show ever made is streaming for free, and fans are being warned to prepare for a chilling experience

One of the most spine-chilling horror series ever made, which viewers insist ‘just gets scarier’ after each episode, is now available to stream for free in the UK.

The Terror, adapted from the acclaimed sci-fi and horror author Dan Simmons’ book of the same name, depicts the ill-fated Franklin Expedition of 1845, which aimed to discover the Northwest Passage, the sea route between the Atlantic and Pacific oceans via the Arctic Ocean.

Simmons, also the author of the Hyperion Cantos, fictionalised the accounts of the expedition’s Captain Sir John Franklin as two British ships, HMS Erebus and HMS Terror, became trapped in Arctic ice, eventually vanishing without a trace and leaving no survivors.

Across 20 episodes, featuring Jared Harris, Tobias Menzies, and Ciaran Hinds amongst others, historical fact is woven with supernatural horror as the crew aboard the Terror succumb to starvation and cannibalism whilst grappling with the mysterious creature that haunts them.

The series, which was recently revived in 2025 following its first two seasons in 2018 and 2019, has received rave reviews on both IMDB and Rotten Tomatoes film and TV review platforms, scoring 7.8 stars out of 10 and an approval rating of 87%, respectively, reports the Express.

Evidence of its bone-chilling nature can be found on Reddit’s Horror subreddit, which boasts over 3 million members who post reviews and pose questions to the site’s leading horror entertainment community.

Horror enthusiasts can watch the programme without charge in the UK via ITVX’s streaming service, following account registration and enduring several advertisements.

Reddit user gtr011191 put forward a query to the online forum: “So just finished The Haunting of Hill House again, just looking for something else now to watch. What, in your opinion, is the most terrifying TV series?”.

Numerous Reddit contributors were swift to suggest The Terror, alongside other programmes, with user Hookums garnering more than 40 upvotes for their comment, “The Terror, season 1. F***ing horrifying. Episode one has some really chilling moments, and it just gets scarier from there.”

On IMDB, a verified critic named mohahaa13 awarded the programme nine out of 10 stars, cautioning audiences: “Going into the series with no expectations or impressions from the novel, and barely reading about the series at all before binge watching it, I was expecting a high-paced master and commander type of series.

“And, while it’s set in roughly the same time period, it’s unlike anything I was expecting. It’s quite suspenseful and chilling.

“Much thanks to the great acting, casting and details. The ambient soundtrack (R.I.P. Marcus Fjellstrom) is fantastic and really helps with the eerie feeling.

“There were some moments that made me feel really at unease. Right up there with the top series for sure. Well worth a watch.”

SEOUL, Oct. 14 (UPI) — The South Korean government will send a joint response team to Cambodia to oversee the repatriation of citizens being held in the country after a surge in kidnappings, Seoul’s presidential office said Tuesday, following the highly publicized torture and murder of a 22-year-old who was lured by a scam job order.

The team, led by Second Vice Foreign Minister Kim Ji-na, will depart Wednesday, presidential spokesman Kim Nam-joon told reporters. Members of the National Police Agency and the National Intelligence Service will participate in the mission.

“The Ministry will make every possible diplomatic effort to encourage Cambodian cooperation and, in consultation with relevant ministries and agencies, strengthen the embassy’s response capabilities, including increasing the number of police officers stationed at the Cambodian embassy,” Kim said.

“The government will also consider upgrading travel alerts for key crime areas in Cambodia to prevent further damage,” he added.

The move comes after South Korean President Lee Jae Myung on Tuesday called for government ministries to use “all available resources” to help South Koreans trapped in Cambodia return home.

“Relevant ministries should consult with the Cambodian government and expedite the establishment of a regular cooperation system between law enforcement authorities,” Lee said at a Cabinet meeting, according to his office.

According to data from lawmaker Na Kyung-won, the number of kidnappings of South Koreans in Cambodia soared to 220 in 2024 and reached 330 through August of this year. In previous years, the average was between 10 and 20.

Most of the cases are linked to transnational crime gangs running large-scale voice phishing rings and illegal gambling operations. Victims are lured with fake job offers and then held against their will and forced to participate in criminal activities.

In one recent case that sparked public outrage, a Korean university student was found dead near Bokor Mountain in Kampot Province after being detained and tortured. Three Chinese nationals were indicted on murder and fraud charges by Cambodian prosecutors, state-run news agency Agence Khmer Press reported on Friday.

The rash of crime reports prompted Seoul’s Foreign Minister Cho Hyun to summon Cambodia’s ambassador on Friday. The Foreign Ministry also raised its travel alert for the capital city of Phnom Penh and certain regions connected to the employment scams and detentions.

Seoul’s National Police Agency said Sunday that it planned to launch a “Korean Desk” in Cambodia to handle cases involving Korean nationals.

Lawmakers with South Korea’s opposition People Power Party on Tuesday criticized the government’s response to the rising number of crimes in Cambodia.

“Crimes targeting Koreans in Cambodia are not a new phenomenon, but the government has been inactive for some time and is only now taking action,” Rep. Choi Bo-yoon said in a statement. “Protecting the lives and safety of our citizens is the most important responsibility of any nation, but the Lee Jae Myung administration is increasingly putting the entire nation at risk.”

Choi called for a “full-scale, national effort” that includes beefing up local investigative cooperation and filling diplomatic positions, including the vacant ambassador post in Cambodia.

The ruling Democratic Party, meanwhile, blamed the previous administration of President Yoon Suk Yeol for failing to address the surge in crimes, which began while he was in office.

The DP’s Policy Committee Chairperson Han Jeoung-ae said that Yoon increased overseas development assistance to Cambodia while neglecting the safety of Korean citizens in the country.

“It has been revealed that the government reduced its international crime response personnel and ignored requests for more police officers,” Han said at a party meeting Tuesday. “Meanwhile, the number of reported detentions in Cambodia increased tenfold from 21 in 2023 to 221 in 2024.”

The October 13, 2023, attack in southern Lebanon killed a Reuters journalist and wounded six other reporters.

The NGO Human Rights Watch (HRW) has urged Lebanon to continue its pursuit of justice over a deadly Israeli strike two years ago that killed a Reuters journalist and wounded six other reporters.

The rights group said in a statement on Monday that it welcomed a move by Lebanon’s Ministry of Justice to investigate legal options to press charges against Israel for crimes against journalists.

Reporters Without Borders also welcomed that “Lebanon is finally taking action” as Israel is accused of targeting a large number of journalists during its military aggression in Gaza and Lebanon.

Issam Abdallah, a videographer for the Reuters news agency, was killed in the October 13, 2023, attack by an Israeli tank on southern Lebanon near the Israeli border. Two Al Jazeera reporters were among those injured.

HRW said Lebanon’s announcement last week that it was looking at legal options to pursue the matter presented a “fresh opportunity to achieve justice for the victims”.

Ramzi Kaiss, the NGO’s Lebanon researcher, said the country’s action to hold Israel accountable is overdue.

“Israel’s apparently deliberate killing of Issam Abdallah should have served as a crystal clear message for Lebanon’s government that impunity for war crimes begets more war crimes,” he said.

“Since Issam’s killing, scores of other civilians in Lebanon have been killed in apparently deliberate or indiscriminate attacks that violate the laws of war and amount to war crimes,” Kaiss asserted.

‘War crime’

The October 2023 attack wounded Al Jazeera cameraman Elie Brakhia and reporter Carmen Joukhadar, Reuters journalists Thaer Al-Sudani and Maher Nazeh, and the AFP news agency’s Christina Assi and Dylan Collins.

Assi was seriously wounded and had to have her right leg amputated.

HRW said an investigation by the United Nations Interim Forces in Lebanon (UNIFIL) had found that an Israeli Merkava tank had fired two 120mm rounds at the group of clearly identifiable journalists.

The journalists were removed from the hostilities and had been stationary for more than an hour when they came under fire, the report said. No exchange of fire had been recorded across the border for more than 40 minutes before the attack.

The NGO said it had found no evidence of a military target near the journalists’ location and, because the incident appeared to be a deliberate attack on civilians, it constituted a war crime.

‘Premeditated, targeted attack’

Morris Tidball-Binz, UN special rapporteur on extrajudicial, summary or arbitrary executions, said on Friday that the attack was “a premeditated, targeted and double-tapped attack from the Israeli forces, a clear violation, in my opinion, of [international humanitarian law], a war crime”.

Reporters Without Borders urged Beirut to refer the case to the International Criminal Court, saying on Friday: “Lebanon is finally taking action against impunity for the crime.”

In February, the Committee to Protect Journalists said a record 124 journalists had been killed in 2024 and Israel was responsible for more than two-thirds of those deaths.

A MARRIED At First Sight star warned fans “a smile hides a lot” as she broke down in tears in an emotional Instagram upload.

The E4 show contestant admitted “I have my struggles” and told how she “feels like a failure” amid a tricky patch in her personal life.

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Ella Morgan‘s raw confession came after the Celebs Go Dating alum posted a series of cryptic messages to her Stories, including one which read: “Remember who checks on you when you get a little quiet.

“Those are your people.”

Now Ella, who saw sparks fly with JJ Slater on MAFS as the show’s first transgender contestant back in 2023, has pleaded for fans to “be kind”

The 31-year-old bravely posted an image which showed her in tears in her car.

In a far cry from her ordinarily glam look, Ella was seen donning a pink sports top and going make-up free, brushing her hair into an up-do.

In a lengthy text post uploaded underneath the sad snap she wrote: “Sometimes a smile hides a lot.

“I can be the loudest most outgoing person in the room but inside it’s a very different story.

“Maybe I’ll regret posting this story because I care what others think.

“But I never talk or post about my feelings or when I’m not in a good place.

“But I felt like I needed to post this.

“Maybe it’ll help me or make me feel better or maybe it’ll help somebody else who is struggling right now.

“The reality is, everyone is going through something.”

She continued: “I have my struggles and a lot of you have noticed me going quieter on socials and I have reasons why.

“And social media a lot of the time gives off the impression that life is amazing but the truth is, it isn’t always.”

Ella then told how “constant trolling” and negativity around the trans community, as well as feeling run down and unwell, had also taken its toll.

She also confessed the “pressure of being a role model” felt like a “huge weight.”

In a heartbreaking conclusion Ella put: “Sometimes I feel like a failure and being sent horrible DMs doesn’t help when I’m having a bad day already.

“I took this picture this morning so I can look back when I’m in a better place and remind me how far I’ve come. Not for attention.

“Sometimes the feelings of failure and loneliness and negativity get the better of you and override the positive feelings.

“But I know tomorrow is a new day and hopefully it’ll be an easier one.

“Thank you for you continued support. Please be kind to one another.”

Ella then posted a snapshot of her dog, who she hailed her “best friend.”

Her poignant post came just weeks after the Bristol lass slammed a well-known celeb who called her a transphobic slur behind her back.

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Cape Verde beat Eswatini 3-0 to qualify for the football World Cup for the first time. The island nation, with a population of just 600,000, is the second smallest country ever to reach the tournament, finishing ahead of Cameroon to top their group.

Getty Images

Youth drive unemployment

‘Steady labour market’

‘Paltry’ real wage growth

When Diane Keaton was 11, her father told her she was growing into a pretty young woman and someday, a boy would make her happy. She was horrified. One boy? Keaton — then going by her birth name of Diane Hall — needed to be loved by everyone. It was an early sign that she was meant to be an actor.

“Intimacy meant only one person loved you, not thousands, not millions,” Keaton wrote decades later in her 2011 memoir “Then Again.” Like drinking and smoking, she added, intimacy should be handled with caution.

“I wanted to be Warren Beatty, not date him,” Keaton confessed, romancing fellow artists as long as their relationship was mutually stimulating and then after that, remaining friends. “I collect men,” she jokingly told me when I interviewed her a decade ago, referring to a photo wall in her Los Angeles home of fellows she admired, including Morgan Freeman, Abraham Lincoln, Gary Cooper and John Wayne. She wanted an excuse to add Ryan Gosling and Channing Tatum, so I suggested a love-triangle comedy as a twofer. “No! Not one movie!” Keaton exclaimed. “I want to keep my career going.”

Just as she hoped, millions of us did fall in love with Keaton, who died Saturday at age 79. She captivated us for over 50 years, from awards heavy-hitters to a late-career string of hangout comedies that weren’t about anything more than the joy of spending time with Diane Keaton, or in the case of her 2022 body swap movie “Mack & Rita,” the thrill of becoming Diane Keaton.

In her final films, including “Summer Camp” and the “Book Club” franchise, Keaton pretty much only played variations of herself, providing reason enough to watch. I looked forward to the moment her character fully embraced looking like Diane Keaton, writing in my otherwise middling review of “Mack & Rita” that the sequence in which she “picks up a kooky blazer and wide belt is presented with the anticipation of Bruce Wayne reaching for his cowl.”

I wanted to be Diane Keaton, even if she wanted to be Warren Beatty.

The contradiction of her career is that the things we in the audience loved about her — the breezy humor, the self-deprecating charm, the iconic threads — were Keaton’s attempts to mask her own insecurities. She struggled to love herself. Even after success, Keaton remained iffy about her looks, her talent and her achievements. In interviews, she openly admitted to feeling inadequate in her signature halting, circular stammers. That is, when she’d consent to be interviewed at all, which in the first decade of her career was so rare that Keaton, loping across Central Park in baggy pants to the white-on-white apartment where she lived alone, was essentially a movie star Sasquatch.

Journalists described her as a modern Garbo. “Her habit is to clutch privacy about her like a shawl,” Time Magazine wrote in 1977, the year that “Annie Hall” and “Looking for Mr. Goodbar” established Keaton as a kooky sweetheart with serious range. I love that simile because she did refer to her wardrobe as an “impenetrable fortress.” The more bizarre the ensemble — jackets over skirts over pants over boots — the less anyone would notice the person wearing it.

Odd ducks like myself adored the whole package, including her relatable candor. She showed us how to charge through the world with aplomb, even when you’re nervous as heck.

Once young Keaton decided she wanted to perform, she set about auditioning for everything from the church choir and the cheerleading squad to the class play. But her school had a traditionally beautiful ingenue who landed the leads. This was Orange County, after all. Keaton would go home, stare at the mirror and feel disappointed by her reflection. She dreamed of looking like perky, platinum blond Doris Day. Instead, she saw a miniature Amelia Earhart. (She’d eventually get a Golden Globe nomination for playing Earhart on television in 1994.)

Keaton stuck a clothespin on the tip of her nose to make it smaller, and acted the part of an extrovert: big laugh, big hair and, when she stopped liking her hair, big hats. By age 15, she was assembling the bold, black and white wardrobe she’d wear forever and her taste for monochrome clothes was already so entrenched that she wrote Judy Garland a fan letter wondering why Dorothy had to leave Kansas for garish Oz. She might have been the only person to ever ask that question.

Not too long after that, Keaton flew across the country to New York where several things happened in short succession that would have puffed up anyone else’s ego. The drama coach Sanford Meisner gave her his blessing. The Broadway hit “Hair” gave her the main part (and agreed she could stay fully clothed). And “The Godfather,” the No. 1 box office hit of 1972, plucked Keaton from stage obscurity to give the fledgling screen actor its crucial final shot, a close-up.

Keaton made $6,000 for “The Godfather,” less than a quarter of her salary for the national deodorant commercial she’d shot a year earlier. Her memories from the set of the first film were uncharacteristically terse. Her wig was heavy, her part was “background music” and the one time Marlon Brando spoke to her, he said, “Nice tits.”

Nevertheless, Keaton’s Kay is so soft, friendly and assured when she first meets the Corleone clan at a wedding, sweetly refusing to let her boyfriend Michael dodge how the family knows the pop singer Johnny Fontane, that it’s heartbreaking (and impressive) to watch her become smaller and harder across her few scenes. But Keaton says she never saw the finished movie. “I couldn’t stand looking at myself,” she wrote in “Then Again.”

Woody Allen put the Keaton he adored front and center when he wrote “Annie Hall.” He wanted audiences to fall in love with the singular daffiness of his former girlfriend and it worked like gangbusters. It’s my favorite of his movies and my favorite of hers, and there’s just no use in pretending otherwise, as obvious of a pick as it is. Even now that I know the Annie Hall I worship is a shy woman putting on a show of being herself, the “la-di-dah” confidence she projects makes her the most precious of screen presences: the icon who feels like friend.

But I wonder if Allen also made “Annie Hall” so that Diane Keaton could fall in love with Diane Keaton just as he had. Maybe if she saw herself through his eyes, it could convince her that she really was sexy, sparkling and hilarious. But Keaton only watched “Annie Hall” once, in an ordinary theater well after it opened, and she found the experience of staring at herself miserable. She never absorbed her lead actress Oscar win. “I knew I didn’t deserve it,” she said. “I’d won an Academy Award for playing an affable version of myself.”

Nearly herself, that is. The onscreen version of Keaton is stumped when Alvy Singer brings her a copy of the philosophical tome “Death and Western Thought.” But a decade later, Keaton directed “Heaven,” an entire documentary about the subject, in which she asked street preachers and Don King and her 94-year-old grandmother how they imagined the afterlife. (As in Allen’s movie, her grandmother actually was named Grammy Hall.)

“Heaven” is an experimental film that’s heavy on dramatic shadows and surreal old movie footage, the sort of thing that would play best on an art gallery wall. It flopped, as test screenings warned it would, cautioning Keaton that her directorial debut only appealed to female weirdos — people like her. Keaton isn’t a voice in the film. Yet, that she made it at all makes every frame feel personal, and you hear her affection for the cadence of her occasionally tongue-tied subjects. Her first interviewee stutters, “Uh, heaven, heaven is, uh, um, let me see.” Exactly how Annie Hall would have put it.

Today more than ever, I’m wishing Keaton had been comfortable turning her camera on herself. I’d have liked to watch her explain where she thinks she’s gone, however adorably flustered the answer. But in her four memoirs, she safely bared all in print, openly confronting her harsh inner critic, her battle with bulimia, and — yes, Alvy — her musings on death.

“I don’t know if I have the courage to stare into the spectacle of the great unknown,” Keaton wrote in 2014’s “Let’s Just Say It Wasn’t Pretty,” sounding as apprehensive as ever. “I don’t know if I will make bold mistakes, go out on a blaze of glory unbroken by my losses, defy complacency, and refuse to face the unknown like the coward I know myself to be.”

At last, a sliver of confidence peeks out. “But I hope so.”

On behalf of her millions of fans, I hope so too.

Al Jazeera’s Nils Alder has been seeing how Lithuania’s military forces are staying ready, at a time of increasing concern over Russia’s military activity.