twilight

Are we in the twilight of scientific age?

Meritocracy in the 21st century is fast becoming the new aristocracy. Envisaged as an ideal to counter inequality, it has become one to create, sustain, and justify it. Or is it a new mediocrity? Earlier, meritocracy was practiced as a smokescreen for a system that was rigged. Now mediocrity is being celebrated as a new gospel. We are witnessing the slow death of classics and literature, theories and science.

Thanks to the dominance of multimedia technology, traditional literacy has lost its primacy, and we have become a “post-literate society.” But this retreat is far more serious, as we are retreating from serious reading even in academia. The retreat from reason is another worrying trend. However, the most alarming phenomenon is what Paul R. Goddard, emeritus professor at the University of the West of England, and Angus G. Dagleish of the University of London call “the death of science.”

Data deluge is threatening to end scientific theory and the scientific method. Today, the science industry is driven by greed and ambition. It represses imagination and freedom and destroys novelty and diversity of ideas. Science is now a technocratic specialization. We have long forgotten the philosophy of science.

Martin Lopez Corredoira of the Instituto de Astrofísica de Canarias argues in his book, The Twilight of the Scientific Age, that after centuries of great achievements science is going through “an exhaustion of new forms” and fatigue has “reached our culture in all of its manifestations, including the pure sciences.”

The search for great truths is on the back burner. Some argue that even the Nobel Prizes are being increasingly awarded for speculative hypotheses, rather than concrete discoveries.

Mediocrity is sweeping the world. Lies, calumnies, and specious arguments are no longer the hallmarks of political discourse today; these now characterize scientific endeavors as well. Managers and politicians have taken over where previously the scientists were in charge.

 There is a tendency to abhor experts. Political correctness now dictates what science must produce and at whose benefit. Many scientists and scientific institutions have now become what Paul R. Goddard calls “the high priests of a new religion.”

Trump’s America, many believe, has regressed back to the myth of meritocracy. As Lauren Tucker, honorary research fellow at the School of Mass Communication Research Center, University of Wisconsin, says, Trump’s Cabinet includes “cronies, grifters, sycophants, neophytes, and those whose qualifications begin and end with ‘once praised Trump on Fox News.’””Trump is bringing back affirmative action for the rich, White mediocrity.

President Trump has mounted a concerted effort to undermine federal scientific research, particularly research relating to climate change. The Trump administration has also removed scientific information from regulatory documents. sought to restrict or prevent further climate change research, including by removing and reassigning federal government scientists.

Federal agencies are facing the pressure to reduce spending on scientific research, with the administration proposing deep across-the-board cuts in many budget cycles.

President Joe Biden had vowed to “end the politics and follow the science” when dealing with the COVID-19 pandemic. The first Trump administration regularly suppressed, downplayed, or simply ignored scientific research. This regression is by no means confined to the US.

Last year, over 100 scientis­ts in India decried what they described as the government’s “antagonistic stance” to science and evidence-based thinking and its support of “false narratives, unfounded opinions, and a cloak of religiosity to instill adherence to a majoritarian idea of India.”

We are going through a phase of new regression. Cultural critic Neil Postman persuasively argues how technology today has become an institution. It has acquired the power to bend culture to its own agenda. Its worst fallout can be seen in the field of education. Schooling has become what he calls “a trivial pursuit and a mechanical exercise.”

America’s educational decline is most worrisome. The Nation’s Report Card’s 2024 results confirm a long-term crisis in education, with student performance stagnating or declining despite decades of federal spending and education reform initiatives. And it is not as if efforts have not been made to improve the students’ performance. Federal interventions such as No Child Left Behind (2002), Common Core (2010), and the Every Student Succeeds Act (2015) were all designed to improve student academic outcomes.

The maximum damage has been done by the digital media. Lack of critical thinking is the result of the primacy of the visual over textual learning, algorithm-driven echo chambers, and the bite-sized overload. Social media has ensured that we are more likely to read stuff that confirms our views rather than engage with diverse perspectives.Only through serious research can the past’s inconsistencies be accounted for. Today, McLuhan’s “mass man” has become the “algorithmic man.”

What is worrying is the gradual decline, if not collapse, of high-end, problem-solving research. The slow death of literature and the retreat from serious reading mark a cultural crisis, with far-reaching consequences for politics, education, and civic life. Without books and deep reading, society risks becoming shallow, distracted, and dangerously unserious.

If we dispense with ontology and philosophy, our education will not prepare us for the future. From ancient scrolls to modern paperbacks, books have been the vessels carrying humanity’s stories, knowledge, and imagination. These vessels are being suddenly wiped out.

The post-truth world is sliding into an age of “un-enlightenment.” Bill Gates warned in 2017 that “technologies such as social media let you go off with like-minded people, so you’re not mixing and sharing and understanding other points of view.”

Anti-science sneering, conspiracy theories, and a medieval pottage of religious extremism sweeping the world will have far-reaching consequences. The current Prussian school system produces compliant citizens. After several crushing defeats at the hands of Napoleon, Prussian political and military elites believed that independent thinking was the root cause of their defeat.

What would the world be without literature and theories? Literature has long been a mirror reflecting the human experience, allowing us to empathize with others and understand ourselves better. Literature doesn’t just tell stories; it shapes lives.

Science, with its emphasis on observation, hypothesis testing, and empirical evidence, provides a robust framework for understanding the world, challenging existing assumptions and discovering new knowledge. 

There can be no social science without critical theories. The intellectual’s job is to tell the truth. In fact, as Thomas Huxley says, “Science and literature are not two things, but two sides of one thing.”

All said, the way things are, reading books for pleasure will one day be the province of a special “reading class,” much as it was before the arrival of mass literacy in the second half of the nineteenth century.

A new Dark Age has begun if we go by the titles of books like Jane Jacob’s Dark Age Ahead (2004), Morris Berman’s Dark Ages America: The Final Phase of Empire (2011), James Kirchik’s The End of Europe: Dictators, Demagogues, and the Coming Dark Age (2017), and James Bridle’s New Dark Age: Technology and the End of the Future (2018).

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Twilight fans rejoice as mystery update confirmed – but there’s a catch

The Twilight Saga teased a major announcement on Wednesday and fans finally have answers

Robert Pattinson and Kristen Stewart slow dancing in a scene from Twilight
The Twilight Saga is returning to cinemas this October (Image: Summit Entertainment)

Twilight enthusiasts have been left thrilled following a huge update from the iconic film series, but it’s not good news for all movie-goers.

The much-loved franchise, based on Stephenie Meyer’s novels, released five films between 2008 and 2012, with Breaking Dawn: Part 2 marking the end of the series.

Fast forward over a decade, and the saga made a cryptic announcement across social media on Wednesday (August 27). Fans were tantalised with an image featuring Bella Swan (Kristen Stewart), Jacob Black (Taylor Lautner) and Edward Cullen (Robert Pattinson), accompanied by the words “Forever Begins Again, “The Twilight Saga,” and “This October.”

The post also included the mysterious caption “Tomorrow,” hinting that further details would be revealed on Thursday (August 28). Now, the enigma has finally been unveiled, reports the Manchester Evening News.

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As many fans had speculated, the entire Twilight Saga is set to make a comeback in cinemas this October, perfectly timed for the first novel’s 20th anniversary.

On Thursday evening, the franchise posted a trailer on Instagram featuring clips from each of the five films, along with the caption: “All five films. Back in theatres. This October.”

Naturally, the announcement sent fans into a whirlwind of excitement, with many expressing their joy in the comments section.

One fan exclaimed: “Omg I get to see it in theatres for the first time,” while another simply wrote: “Finally.

“Exciting!!! I actually missed out on the first one in theatres,” enthused a third.

Actors Taylor Lautner, Kristen Stewart and Robert Pattinson in the movie Twilight
American audiences can catch the entire saga in cinemas this October (Image: Publicity Picture)

However, some sharp-eyed viewers have spotted that the trailer reveals the celebration will be “nationwide,” indicating the re-release is limited to American cinemas only.

International fans have been left devastated by this news. Expressing their frustration, one viewer raged: “Why only nationwide? ? ? This should be international thooooooo!!!”

Another added: “NOOO MAKE IT WORLDWIDE PLEASEEEEE,” whilst a third begged: “WHAT ABOUT THE REST OF THE WORLD?”

Currently, it seems only US-based audiences will get to enjoy this massive celebration.

Twilight follows the tale of teenager Bella, who becomes smitten with vampire Edward and gets dragged into the supernatural realm of bloodsuckers and werewolves.

The film series catapulted Pattinson and Stewart, who were establishing themselves in Hollywood at the time, to worldwide stardom.

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Entire ‘Twilight Saga’ will be released in theaters in October

It’s time to revisit the age-old question that’s been debated for years: Are you Team Edward or Team Jacob?

Lionsgate will celebrate the 20th anniversary of the “Twilight” novels by bringing the entire film saga back to the big screen from Oct. 29 through Nov. 2, The Times confirmed.

The love triangle tale starring Kristen Stewart, Robert Pattinson and Taylor Lautner — a human, a vampire and a werewolf, respectively — grossed more than $3.3 billion worldwide during its first run, according to Box Office Mojo.

The films, based on the four-part book series written by Stephenie Meyer, follow the story of Bella Swan (Stewart) and vampire Edward Cullen (Pattinson). Their relationship is tested by Edward’s instinct to harm her and by Bella’s friend Jacob Black (Lautner), who belongs to a rival werewolf clan.

There are five films in the series: “Twilight” (2008); “New Moon” (2009); “Eclipse” (2010); “Breaking Dawn — Part 1” (2011); and “Breaking Dawn — Part 2” (2012). Round-table chats with Meyer, producer Wyck Godfrey, former co-president of Lionsgate Gillian Bohrer and others will accompany each film.

As part of the festivities, Meyers is scheduled to be the honored guest at this year’s Forever Twilight in Forks Festival, an annual celebration in Forks, Wash., the setting of the book series. The fest will take place Sept. 11-14.

The films have remained in pop culture through TikTok trends where fans announce their “gay awakening” using scenes of Bella. Stewart, who came out as queer and married screenwriter Dylan Meyer in April, said the films are “gay” during an interview with Variety in January.

“It’s all about oppression, about wanting what’s going to destroy you. That’s a very Gothic, gay inclination that I love,” the actor said.

Stewart starred in last year’s romantic thriller “Love Lies Bleeding” (2024) and will next appear in her wife’s directorial debut, “The Wrong Girls,” which is written by the couple.

Pattinson played the titular character in 2022’s “The Batman.” He last appeared in Bong Joon Ho’s sci-fi comedy “Mickey 17” (2025) and will appear later this year in Lynne Ramsay’s psychological dramedy “Die, My Love.”

Lautner took a few acting jobs after the end of the saga, in films such as “Grown Ups 2” (2013) and “The Ridiculous 6” (2015), but his most recent credit was in Netflix’s “Home Team” (2022).

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