theme song

The Skirball Cultural Center, an institution dedicated to exploring the shared ideals of American democracy and Jewish heritage, will kick off its 28th annual free Sunset Concerts series on July 17 with Latin music.

The courtyard stage will host the music of singer-songwriter Rodrigo Amarante from Brazil and the electronic sounds of Ecuadorian American musician Helado Negro.

“These [musicians] that we have invited to participate … present a return to tradition and elements of hope and discovery and creating new opportunities that reflect the American democratic ideals grounded in pluralism,” said Marlene Braga, vice president of public programming.

“Many diverse artists coming together from different parts of the world to celebrate the great [American] experiment and looking to create a more perfect union through lifting their voices and their identities through music,” she added.

The Skirball Cultural Center will kick off its free 28th annual Sunset Concerts series on July 17 with musical performances in its courtyard from Rodrigo Amarante and Helado Negro.

(Skirball Cultural Center)

In previous years, the series staged other Latinx artists like the Marías and were a stop during the U.S. debut tour of the Cuban son conjunto Chappottín y sus Estrellas.

Amarante, who has been a member of bands Los Hermanos, Orquestra Imperial and Little Joy, and who wrote and performs the theme song to Netflix’s critically acclaimed series “Narcos,” will open the series with his rock tunes infused with bossa nova and folk. His latest project, “Drama,” was released in 2021. On the 11-track album, Amarante sings both in his native language Portuguese and in English.

“[Music] is one of the most powerful political acts,” Brazilian singer-songwriter Rodrigo Amarante told The Times.

(Courtesy of Rodrigo Amarante)

“[Music] is one of the most powerful political acts,” Amarante told The Times. “Because when you are dancing … you’re opening up and moving your body and pretty much loving everyone that’s around you.”

Playing on the same bill will be the musician Roberto Carlos Lange, the artist better known as Helado Negro. Known for songs like “Gemini and Leo” and “Lotta Love,” Helado Negro released the critically acclaimed LP “Phasor” in early 2024.

Helado Negro, known for songs like “Gemini and Leo” and “Lotta Love,” released the critically acclaimed LP “Phasor” in early 2024.

(Sadie Culberson Studio / Sadie Culberson)

The first show of the series will also include a special DJ performance from KCRW’s DJ Jason Bentley.

The series will continue every Thursday through Aug. 17, and its lineup includes Latin musicians like La Perla, Frente Cumbiero and Mula.

NEW YORK — Charles Strouse, the three-time Tony Award winner and Broadway master melody-maker who composed the music for “Annie,” “Bye Bye Birdie” and “Applause,” died Thursday. He was 96.

Strouse died at his home in New York City, his family said.

In a career that spanned more than 50 years, Strouse wrote more than a dozen Broadway musicals, as well as film scores and “Those Were the Days,” the theme song for the sitcom “All in the Family.”

Strouse turned out such popular — and catchy — show tunes as “Tomorrow,” the optimistic anthem from “Annie,” and the equally cheerful “Put on a Happy Face” from “Bye Bye Birdie,” his first Broadway success.

“I work every day. Activity — it’s a life force,” the New York-born composer told the Associated Press during an interview on the eve of his 80th birthday in 2008. “When you enjoy doing what you’re doing, which I do very much, I have something to get up for.”

Deep into his 90s, he visited tours of his shows and met casts. Jenn Thompson, who appeared in the first “Annie” as Pepper and directed a touring version of “Annie” in 2024, recalls Strouse coming to auditions and shedding a tear when a young girl sang “Tomorrow.” She said: “He’s so gorgeously generous and kind. He has always been that way.”

His Broadway career began in 1960 with “Bye Bye Birdie,” which Strouse wrote with lyricist Lee Adams and librettist Michael Stewart. “Birdie,” which starred Dick Van Dyke and Chita Rivera, told the tale of an Elvis Presley-like crooner named Conrad Birdie being drafted into the Army and its effect on one small Ohio town.

Strouse not only wrote the music, but he played piano at auditions while Edward Padula, the show’s neophyte producer, tried to attract financial backers for a production that would eventually cost $185,000.

“We never stopped giving auditions — and people never gave money at all. The idea of using rock ‘n’ roll — everybody was so turned off,” Strouse said.

Finally, Padula found Texas oilman L. Slade Brown. When he heard the score, he said, in a Texas twang, “I like those songs,” pushed Strouse aside and picked out the tune of “Put on a Happy Face” on the piano.

Brown then said, “How much do you fellas need?” and wrote out a check for $75,000 to cover the start of rehearsals. “Suddenly, the world turned Technicolor,” Strouse remembered.

The popularity of “Birdie” spawned a film (with Van Dyke, Janet Leigh and Ann-Margret) in 1963 and a television adaptation with Jason Alexander and Vanessa Williams in 1995.

Strouse and Adams gave several non-musical theater stars, including Sammy Davis Jr. and Lauren Bacall, stage successes for “Golden Boy” and “All About Eve,” respectively.

But it was “Annie” (1977) that proved to be Strouse’s most durable — and long-running — Broadway hit (over 2,300 performances). Chronicling the Depression-era adventures of the celebrated comic strip character Little Orphan Annie, the musical featured lyrics by Martin Charnin and a book by Thomas Meehan.

It starred Andrea McArdle as the red-haired moppet and Dorothy Loudon, who won a Tony for her riotous portrayal of mean Miss Hannigan, who ran the orphanage. The musical contained gems such as “You’re Never Fully Dressed Without a Smile” and “It’s the Hard Knock Life.”

The 1982 film version, which featured Carol Burnett in Loudon’s role, was not nearly as popular or well-received. A stage sequel called “Annie Warbucks” ran off-Broadway in 1993. The show was revived on Broadway in 2012 and made into a film starring Quvenzhané Wallis in 2014. NBC put a version on network TV in 2021 called “Annie Live!”

Strouse and Charnin, who both won Grammy Awards for the “Annie” cast album, found shards of their work included in Jay-Z’s 1998 Grammy-winning album “Vol. 2… Hard Knock Life.”

“Tomorrow” has been heard on soundtracks from “Shrek 2″ to “Dave” to “You’ve Got Mail.” In 2016, Lukas Graham used parts of the chorus from “Annie” for his “Mama Said” hit.

Strouse had his share of flops, too, including two shows — “A Broadway Musical” (1978) and “Dance a Little Closer,” a 1983 musical written with Alan Jay Lerner, that closed after one performance. Among his other less-than-successful musicals were “All-American” (1962), starring Ray Bolger, “It’s a Bird… It’s a Plane… It’s Superman” (1966), directed by Harold Prince, and “Bring Back Birdie” (1981), a sequel to “Bye Bye Birdie.”

Among Strouse’s film scores were the music for “Bonnie and Clyde” (1967) and “The Night They Raided Minsky’s” (1968).

Theater beckoned when he and Adams got a chance in the early 1950s to write songs for weekly revues at an Adirondacks summer camp called Green Mansions. Such camps were the training ground for dozens of performers and writers.

“I would write a song and I would orchestrate it and copy the parts,” he said in the AP interview. “And rehearsal was the next day at nine, so at four in the morning, I am crossing the lake with the parts still wet. I just loved it. I never was happier.”

His wife, Barbara, died in 2023. He is survived by four children, Ben, Nick, Victoria and William.

Kennedy writes for the Associated Press.