Robber

PARIS — Two suspects in the Louvre jewel heist on Wednesday were handed preliminary charges of criminal conspiracy and theft committed by an organized gang, according to the Paris prosecutor’s office. The prosecutor said they admitted their involvement.

Prosecutor Laure Beccuau said at a news conference that the two are believed to be the men who forced their way into the world’s most visited museum Oct. 19, and that at least two other accomplices are at large. The jewels remain missing.

The two were given preliminary charges and ordered held in custody pending further investigation, the prosecutor’s office said in a statement.

They have “partially” admitted their participation in the robbery, Beccuau said. She declined to provide details about the suspects’ statements to investigators because accomplices were still being sought.

It took thieves less than eight minutes to steal the jewels valued at $102 million on Oct. 19, shocking the world. The robbers forced open a window, cut into cases with power tools and fled with eight pieces of the French crown jewels.

Suspects’ DNA was found

The two men arrested on Saturday night “are suspected of being the ones who broke into the Apollo Gallery to steal the jewels,” Beccuau said.

One is a 34-year-old Algerian national who has been living in France since 2010, Beccuau said. He was arrested at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket. He was living in a suburb north of Paris, Aubervilliers, and was known to police mostly for road traffic offenses. His DNA was found on one of the scooters used by robbers to leave the scene, she said.

The other suspect, 39, was arrested at his home in Aubervilliers. “There is no evidence to suggest that he was about to leave the country,” Beccuau said. The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed and on items the thieves left behind, she added.

Video surveillance cameras showed there were at least four criminals involved, Beccuau said.

The four suspected robbers arrived onboard a truck equipped with a freight lift that two of them used to climb up to the museum’s window. The four left on two motor scooters along the Seine River toward eastern Paris, where they had some other vehicles parked, she said.

Beccuau said nothing suggests that the robbers had any accomplices within the museum’s staff.

The jewels are still missing

The jewels have not been recovered, Beccuau said.

“These jewels are now, of course, unsellable … Anyone who buys them would be guilty of concealment of stolen goods,” she warned. “There’s still time to give them back.”

Earlier Wednesday, French police acknowledged major gaps in the Louvre’s defenses — turning the dazzling daylight theft into a national reckoning over how France protects its treasures.

Paris Police Chief Patrice Faure told Senate lawmakers that aging systems and slow-moving fixes left weak seams in the museum.

“A technological step has not been taken,” he said, noting that parts of the video network are still analog, producing lower-quality images that are slow to share in real time.

A long-promised revamp — a $93-million project requiring roughly 37 miles of new cabling — “will not be finished before 2029-2030,” he said.

Faure also disclosed that the Louvre’s authorization to operate its security cameras quietly expired in July and wasn’t renewed — a paperwork lapse that some see as a symbol of broader negligence.

The police chief said officers “arrived extremely fast” after the theft, but added the lag in response occurred earlier in the chain — from first detection, to museum security, to the emergency line, to police command.

Faure and his team said the first alert to police came not from the Louvre’s alarms but from a cyclist outside who dialed the emergency line after seeing helmeted men with a basket lift.

Faure urged lawmakers to authorize tools currently off-limits: AI-based anomaly detection and object tracking (not facial recognition) to flag suspicious movements and follow scooters or gear across city cameras in real time.

Former bank robber David Desclos has told the AP the theft was textbook and vulnerabilities were glaringly obvious in the layout of the gallery.

Museum and culture officials under pressure

Culture Minister Rachida Dati, under pressure, has refused the Louvre director’s resignation and insisted that alarms worked, while acknowledging “security gaps did exist.”

The museum was already under strain. In June, the Louvre shut in a spontaneous staff strike — including security agents — over unmanageable crowds, chronic understaffing and “untenable” conditions. Unions say mass tourism and construction pinch points create blind spots, a vulnerability underscored by the thieves who rolled a basket lift to the Seine-facing façade.

Faure said police will now track surveillance-permit deadlines across institutions to prevent repeats of the July lapse. But he stressed the larger fix is disruptive and slow: ripping out and rebuilding core systems while the palace stays open, and updating the law so police can act on suspicious movement in real time.

Experts fear that the stolen pieces may already be broken down and stones recut to erase their past.

Adamson and Corbet write for the Associated Press.

On Nov. 26, 1983, six men robbed a warehouse serving London’s Heathrow Airport. Hoping to find £1 million worth of foreign currency, they found instead 6,800 gold bars, worth £26 million in 1983 money — a record-setting robbery at the time — under the temporary supervision of Brink’s-Mat. (A union of the American security firm and a British transport outfit.) This event has been transmuted into “The Gold,” an involving British drama premiering here Sunday on PBS.

The robbery itself takes up little screen time; the question on the criminal side becomes how to turn three tons of gold into cash, and for the police, one of recovering the loot and bringing the villains to justice. The cops and the criminals overlap here and there, a point screenwriter Neil Forsyth does not want you to miss, and is a particular bee in the bonnet of upright Detective Chief Superintendent Brian Boyce (Hugh Bonneville), self-contained but always ready to speak his mind. (He is also “infuriated” by what people get wrong about jazz, which he likens to police work.)

Recruited by Boyce to a special task force are detectives Tony Brightwell (Emun Elliott), historical, and Nicki Jennings (a charismatic Charlotte Spencer), invented, who are good company for the viewer and generally for each other, though as people who spend long hours sitting together in cars waiting for something to happen, they have their moments of friction, played for humor. As a created character, Jennings — who, as a woman, has to outline the many steps and hard work it took to achieve her position — offers an opportunity for emotional elaboration, notably in scenes (affectionate, prickly) with her father, Billy (Danny Webb), “by a country mile the worst villain in England,” his criminal career sidelined by ill health.

Though one of the actual robbers, Micky McAvoy (Adam Nagaitis), gets a good deal of attention, the bulk of the series involves three criminals subsequently processing the gold and laundering the money. Kenneth Noye (Jack Lowden) is “a fence with protection,” owing to his friendship with police officers through membership in the Masons. (When Boyce brings Jennings and Brightwell onto his team, he sets the rules as “no overtime, no drinking at lunchtime, no freemasonry.”) John Palmer (Tom Cullen), a dyslexic dealer in gold and jewelry, has a handy portable smelter in his yard. And the invented Edwyn Cooper (Dominic Cooper), an up-from-the-streets solicitor with posh airs and a rich wife whose snooty parents treat him with barely disguised disdain, finds himself working for “a group of businessmen who have a lot of money that needs to be made respectable,” in the words of liaison Gordon Parry (Sean Harris, sinister).

Stretched over six episodes, it’s not a speedy telling, and, in fact, a second series covering a long tail of aftermath has already aired in the U.K. Apart from some surveillance, tailing suspects, one fatal encounter and an occasional chase, there’s little in the way of capital-A Action, mostly just a lot of talk — inquisitive, instructive, threatening, discursive, domestic or speechifying. Though the production is naturalistic — in a way that ties it to an earlier, golden era of British productions — the dialogue can sound highly composed. Characters are given little monologues, often to explain how they became the person they are, that play as the sort of thing that might occur late in the last act of a stage drama: Jennings found the sirens outside her window comforting, which led her to police work, “so that kids like me will be safe”; Boyce had a life-changing moment involving a pair of red leather shoes while fighting in the so-called Cypriot Emergency. Some dialogue might have been lifted whole from a 1930s gangster film. Critiques of British class structure and bad actors within the police department are raised high enough to be impossible to miss.

There are a lot of moving parts in “The Gold,” represented in sometimes brief alternating scenes, and it may take a while, among the crooks, at least, to get a handle on things, to sort out where you are, who’s who, who’s married to whom, and what part each plays in the caper. Though Noye is arrogant enough to root against, Forsyth wants to show, as much as each character allows, the just-folks elements of his bad guys, psychologically relatable sorts who have, from early experience, a lack of opportunity, or a certain kind of genius, decided that the path to freedom is best paved with other people’s money. (“If it wasn’t for people trying trying to break out of the lives they’ve been given,” observes Boyce of his country’s social stratification, the police would be out of a job.) This may be soft-pedaling matters somewhat — to read the historical accounts might give you a different picture — but as drama it pays dividends.

As a period piece, it doesn’t oversell the era. There are old cars, of course, and more mustaches than we are currently accustomed to. But apart from the pop songs that run over the end credits, nothing screams These Are the ’80s. (Compare, for example, the “Life on Mars” sequel, “Ashes to Ashes.”) It’s more a question of what isn’t there. The detectives have a computer, but only Brightwell has an idea of what it’s for or how to use it. No cellphones, but there are walkie-talkies. A tracking device, apparently the only one in all of British law enforcement, has to be imported from Belfast (and sneakily at that). There is a refreshing absence of guns — none of those Kevlar-clad teams going in with pistols raised. (Just truncheons.) And the remodeling of East London into a gentrified glass forest, a minor plot point, has only just begun.

It’s like a vacation from now, and who can’t use one of those?

PARIS — A Paris court on Friday found the ringleader and seven other people guilty of the robbery of Kim Kardashian at her residence in the French capital in 2016. But none of them will face prison time.

The court acquitted two of the 10 defendants. The sentences read out by the court president ranged from prison terms to fines.

Aomar Aït Khedache, 69, the ringleader, got the stiffest sentence, eight years imprisonment but five of those are suspended. Three others who were accused of the most serious charges got seven years, five of them suspended.

With time already served in pretrial detention, none of those found guilty will go to prison. The trial was heard by a three-judge panel and six jurors.

The chief judge, David De Pas, said the ages of the defendants — the oldest is 79 and some others are in their 60s and 70s — weighed on the court’s decision not to impose harsher sentences that would have sent them to jail. He said the nine years between the robbery and the trial was also taken into account in the sentencing.

Still, he said that Kardashian had been traumatized by the robbery in her hotel.

“You caused harm,” he said. “You caused fear.”

Kardashian, who wasn’t present for the verdict, issued a statement after the ruling was announced.

“I am deeply grateful to the French authorities for pursuing justice in this case,” she said. “The crime was the most terrifying experience of my life, leaving a lasting impact on me and my family. While I’ll never forget what happened, I believe in the power of growth and accountability and pray for healing for all. I remain committed to advocating for justice, and promoting a fair legal system.”

Khedache arrived at court walking with a stick, his face hidden from cameras. His DNA, found on the bands used to bind Kardashian, was a key breakthrough that helped crack open the case.

Wiretaps captured him giving orders, recruiting accomplices and arranging to sell the diamonds in Belgium. A diamond-encrusted cross, dropped during the escape, was the only piece of jewelry ever recovered.

The crime took place on the night of Oct. 2, 2016, during Paris Fashion Week. The robbers, dressed as police, forced their way into the glamorous Hôtel de Pourtalès, bound Kardashian with zip ties and escaped with her jewelry — a theft that would force celebrities to rethink how they live and protect themselves.

The accused became known in France as “les papys braqueurs,” or the grandpa robbers. Some arrived in court in orthopedic shoes and one leaned on a cane. But prosecutors warned observers not to be fooled.

The defendants faced charges including armed robbery, kidnapping and gang association.

Forgiveness

Khedache had said he was only a foot soldier. He blamed a mysterious “X” or “Ben” — someone prosecutors say never existed.

His lawyer pleaded for clemency, pointing to one of the trial’s most visceral moments — Kardashian’s earlier courtroom encounter with the man accused of orchestrating her ordeal. Though she wasn’t present Friday, her words — and the memory of that moment — still echoed.

“She looked at him when she came, she listened to the letter he had written to her, and then she forgave him,” lawyer Frank Berton told the Associated Press.

Kardashian, typically shielded by security and spectacle, had locked eyes with Khedache as the letter was read aloud.

“I do appreciate the letter, I forgive you,” she said. “But it doesn’t change the feelings and the trauma and the fact that my life was forever changed.” A tabloid crime had become something raw and human.

Khedache on Friday asked for “a thousand pardons,” communicated via a written note in court. Other defendants also used their final words to express remorse.

Paris was once a sanctuary for Kardashian

Kardashian’s testimony earlier this month was the emotional high point. In a packed courtroom, she recounted how she was thrown onto a bed, zip-tied and had a gun pressed to her on the night of the robbery.

“I absolutely did think I was going to die,” she said. “I have babies. I have to make it home. They can take everything. I just have to make it home.”

She was dragged into a marble bathroom and told to stay silent. When the robbers fled, she freed herself by scraping the tape on her wrists off against the sink, then hid with her friend, shaking and barefoot.

She said that Paris had once been her sanctuary — a city she would wander at 3 a.m., window shopping, stopping for hot chocolate. That illusion was shattered.

Privacy became luxury

The robbery echoed far beyond the City of Light. It forced a recalibration of celebrity behavior in the age of Instagram. For years, Kardashian had curated her life like a showroom: geo-tagged, diamond-lit, public by design. But this was the moment the showroom turned into a crime scene. In her words, “People were watching … They knew where I was.”

Afterward, she stopped posting her location in real time. She stripped her social media feed of lavish gifts and vanished from Paris for years. Other stars followed suit. Privacy became luxury.

Even by the standards of France’s famously deliberate legal system, the case took years to reach trial.

Leicester and Adamson write for the Associated Press. Catherine Gaschka contributed to this report.