melissa barrera

Most things in this world have their good points and their not-so-good points, and this is certainly true of “The Copenhagen Test,” a science-fiction spy story about a man whose brain has been hacked. Without his knowing it, everything he sees and hears is uploaded to an unknown party, in an unknown place, as if he were a living pair of smart glasses. Created by Thomas Brandon and premiering Saturday on Peacock, its conceit is dramatically clever, if, of course, impossible. What do you watch when you learn that what you’re watching is being watched?

In a preamble, we meet our hero, Andrew Hale (Simu Liu, “Shang-Chi and the Legend of the Ten Rings”), a first-generation Chinese American Green Beret, rescuing hostages in Belarus. A voice in his headset instructs him that there is enough room for one on a departing helicopter and that he must prioritize an American citizen. Instead he picks a foreign child. This, we will learn, is the less-preferred choice.

Three years later, Hale is working for the Orphanage, a shadowy American intelligence agency that spies on all the less-shadowy American intelligence agencies — watching the watchers. (So much watching!) Its proud boast is that, since its inception in the Bush I administration, it has never been compromised. (Until someone started looking through Hale’s eyes, that is.) There is a secret entrance to their giant complex, accessed by locking eyes with a statue in a library — it’s thematically appropriate, but also very “Get Smart!” That is a compliment, obviously.

The lower floor is where the analysts toil; entry to the upper floor, where the action is, is by the sort of fancy key that might have been used to open an executive washroom in 1895. (The decor is better there, too, with something of the air of an 1895 executive washroom.) Hale, who has been been listening to and translating Korean and Chinese chatter, dreams of moving upstairs, which will come with the discovery that his head is not entirely his own.

Meanwhile, he has been suffering migraines, seizures and panic attacks. Ex-fiancée Rachel (Hannah Cruz), a doctor, has been giving him pills under the table. Other characters of continuing interest include Michelle (Melissa Barrera), a bartender who will spy on Hale from the vantage point of a girlfriend, sort of; Parker (Sinclair Daniel), a newly promoted “predictive analyst” with a gift for reading people and situations; Victor (Saul Rubinek), an ex-spook who runs a high-end restaurant and has known Hale forever; Cobb (Mark O’Brien), a rivalrous colleague whose Ivy League persona has been drawn in contrast to Hale’s; and Cobb’s uncle, Schiff (Adam Godley), who also has spy knowledge. Peter Moira (Brian d’Arcy James) runs the shop, and St. George (Kathleen Chalfant) floats above Moira.

As parties unknown look through Hale’s eyes, the Orphanage is watching Hale with the usual access to the world’s security cameras. (That bit of movie spycraft always strikes me as far-fetched; however, a conversation in the privacy of my kitchen will somehow translate into ads on my social feeds, so, who knows?) “The Copenhagen Test” isn’t selling a surveillance state metaphor, in any case; this is just one of those “Who Can You Trust?” stories, one that keeps flipping characters to keep the show going, somewhat past the point of profitability.

Like most eight-hour dramas, it’s too long — “Slow Horses,” the best of this breed, sticks to six — and over the course of the show, things grow muddied with MacGuffins and subplots. While it’s easy enough to enjoy what’s happening in the moment, it can be easy to lose the plot and harder to tell just who’s on what side, or even how many sides there are. (It doesn’t help that nearly everyone is ready to kill Hale.) I can’t go into details without crossing the dreaded spoiler line, but even accepting the impossible tech, much of “The Copenhagen Test” makes little practical sense, including the eponymous test. (Why “Copenhagen?” Det ved jeg ikke. Danish for “I don’t know.”) I spent so much time untwisting knots and keeping threads straight that, though I continued to root in a detached way for Hale, I ceased to care entirely about the fate of the Orphanage and the supposedly free world.

The show is well cast. While the characters on paper are pretty much types, each actor projects the essence of the part, adding enough extra personality to suggest a real person. (And they’re all nice to look at.) When not keeling over from pain, or engaged in a shootout or hand-to-hand combat, Liu is an even-keeled, quiet sort of protagonist — rather in the Keanu Reeves vein — and as a Chinese Canadian actor, still a novelty among American television action heroes. He does have a kind of chemistry with Barrera, who has screen chemistry all on her own, though it’s somewhat limited by the demands of the plot.

The ending, including a diminished-chord twist, is pretty pat, if happier than one might imagine given the ruckus that’s gone before. Neat bows are tied — though at least one has been left loose in hopes, according to my own predictive analysis, of a second season. And though releasing a series in the last week of the year doesn’t exactly betoken confidence, I can predict with some confidence that there might be one.

Melissa Barrera is no stranger to a certain type of espionage. Dangerous missions. Sometimes starting in the dark of night. One particular covert operation she regularly took part in is one many daughters have had to take with their resolute mothers — Black Friday shopping.

She recalls crossing the border from her hometown in Monterrey, Nuevo León, in the wee hours of the morning to McAllen or Brownsville in Texas to score primo deals at the big-box stores.

“It felt like a treasure hunt for me,” she recalled. “In my mind, it was like a mission, getting the things that we had to get. I like challenges and being given instructions. That was very satisfying for my personality type.”

That experience prepared the Mexican actor for her role as a spy juggling secret identities in Peacock’s “The Copenhagen Test,” premiering Dec. 27. The espionage thriller stars Simu Liu as an intelligence analyst whose brain has been hacked, putting his thoughts and memories in the hands of unknown perpetrators. Barrera co-stars as Michelle, a spy tangled in the web of deceit.

“It was a challenge. I’d never done anything like this before, in the sense that you really don’t know who Michelle is,” said the actor, who chatted over Zoom from Barcelona where she’s filming another thriller, “Black Tides.”

“It was also confusing for me as an actor, because we didn’t have all the scripts at the beginning, so I had made up who I thought Michelle was — and then I would get more scripts and I was like, ‘Well, that goes out the window.’ It was a constant construction.”

Those Black Friday missions weren’t the only ways in which Barrera was innately prepared for the role. Growing up, she devoured the Jennifer Garner spy series “Alias.” She spent hours as a teen watching and rewatching episodes on DVD. It was Garner’s ass-kicking turn as Sydney Bristow, and her many stealthy alter egos, that planted a seed in Barrera.

“I was obsessed with that show,” she says. “As a young teenager, I was like, ‘I want to be a spy.’ I would research online: ‘How do you get recruited as a spy?’ That’s how obsessed I was.”

She longed for intrigue, for covert operations, for wigs. Not just the kind of spy business that equates to elbowing señoras at Best Buy for a deeply discounted TV. And then came “The Copenhagen Test.”

“I just thought that it was so fun, the role playing within the role playing that happens,” she said. “I read the scripts, and they were really good. And I got to be a spy. I was like, this is a no-brainer for me. I’ve been asking for this since I was 12, so it was a dream come true for young me.”

From “Episode 101” of “The Copenhagen Test”: Melissa Barrera as Michelle and Simu Liu as Alexander.

A spy series is just the latest in a long wishlist of roles for Barrera, who got to flex her dramatic side in “Vida,” her vocal and dance prowess in the musical “In the Heights,” and dive into scream queen territory in “Scream V” and “Scream VI.”

“I think it’s valuable for Latinos onscreen to bring in some of their background when it fits, and when it doesn’t, there’s no need to push it — I’m representing Latinos just by being there,” said Barrera, with a nod to ongoing discussions surrounding Latino inclusion in Hollywood. “[Yet] I’ve always wanted to explore all parts of myself. I’ve always wanted to try different things. I think it’s been happening, because I do believe that whatever you put out into the universe comes to you.”

It’s not just dream acting roles that Barrera puts out into the universe, hoping it produces something good. The 35-year-old is an outspoken advocate for Palestinian rights, wearing her beliefs quite literally on her chest — during our call she sports a hoodie with the phrase “words not actions” in the shape of a watermelon, a symbol of perseverance and resistance for Palestinian people. She’s never shied away from using her voice, in particular for this specific human rights issue, and it’s come with its consequences.

Two years ago, Barrera was fired from the forthcoming installment of the Scream franchise, “Scream VII,” as well as dropped from her agency for posts she shared and wrote on social media calling Israel’s attacks on Gaza acts of genocide and ethnic cleansing.

“Gaza is currently being treated like a concentration camp,” read one of her Instagram stories in following the events of Oct. 7. “Cornering everyone together, with no where to go, no electricity no water … People have learnt [sic] nothing from our histories. And just like our histories, people are still silently watching it all happen. THIS IS GENOCIDE & ETHNIC CLEANSING.”

Her firing drew widespread attention and critical discussion over what was viewed by many as the latest form of Hollywood blacklisting. Last year, Barrera spoke to De Los about the backlash, saying, “It wasn’t easy to be labeled as something so horrible when I knew that wasn’t the case. But I was always at peace because I knew I had done nothing wrong. I was aligned with human rights organizations globally, and so many experts and scholars and historians and, most importantly, Indigenous peoples around the world.”

Over a year later, her stance hasn’t changed. In fact, that period changed everything for Barrera.

“I’ve always had that inner inquietude, that kind of yearning for equality and for justice and for eliminating any kind of prejudices and racism and colorism, which is very prevalent in Mexico,” she explained. “But I honestly think it was Palestine that did it for me, that crumbled everything for me. After that, it’s been a before and after in my way of thinking and my way of viewing the world; in my way of viewing the industry and the way that I want to move forward.”

As Barrera moves forward, using her platform to speak up for injustice is inextricable from her sense of self and her place in Hollywood. What she brings to the screen is her full self, regardless of the role; to play a spy, or a scream queen, or any other character takes knowing who you are and what you stand for. Now, more than ever, Barrera is firmly grounded and ready for action.