Lotus

CHEAP cocktails, mango sticky rice for £1.65 and trained monkeys picking coconuts – Koh Samui is nothing like the White Lotus fantasy I expected.

And that’s what makes it so brilliant.

Sure, there are luxury resorts and picture-perfect beaches, but the real Thailand is in the busy beach bars flogging happy-hour deals, tiny restaurants with garish tablecloths, and the constant thump of Thai boxing promotions from crackling loudspeakers.

I stayed at the Anantara Lawana — where The White Lotus cast filmed bar scenes in its Singing Bird Lounge.

The hotel has a grand entrance with a gong that you hit upon entering, a private beach scattered with sunbeds, an infinity pool and a peaceful spa.

Some rooms have swim-up pools and I admit I’ve become partial to an outdoor shower — as long as it isn’t raining. In a hotel this perfect, with everything at your fingertips, it could be tempting not to leave.

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But that would mean missing the real Koh Samui.

My guide, Nong, called it “coconut island” — the island produces 200 million a year, many plucked by trained monkeys.

Over the next few days, he made sure I saw as much of the island as possible, though the furry labourers remained elusive.

Nong told me there are around 25 temples on the island — some are big tourist draws, others are tucked away in smaller communities where locals worship.

Cheerful Buddha

We travelled all over Koh Samui hunting down these brightly coloured shrines.

At Wat Phra Yai sits the Big Buddha — a 40ft statue built in 1972 that dominates the skyline and can be seen from miles away.

Close by is the beautiful Wat Plai Laem complex, which has the 18-armed Guanyin and a cheerful Buddha statue.

Koh Samui is Thailand’s second-largest island, and you can drive around the ring road in about an hour — though you’d be rushing past some of the best bits.

We made lots of stops along the tour to take in the views.

The beaches lived up to expectations — Chaweng is one of the most popular — but there are many pockets of coast where you’ll find secret sandy spots and likely be the only people around.

We also visited the Elephant Kingdom Sanctuary, where 16 rescued elephants live out their days in comfort.

From a skywalk, I watched them splash in pools and demolish piles of bananas.

Koh Samui also works as a jumping-off point for the surrounding islands.

We took a speedboat to Koh Nangyuan, a tiny protected marine park about 45 minutes away, where white sand connects three little peaks.

While most claimed their patch of beach, I went straight into the water.

The shallows are packed with coral, rainbow parrotfish and bright yellow butterflyfish — it’s the kind of place that justifies getting up early for a boat ride.

I also paid a visit to the northern side of the island , for a cooking class in Bo Phut.

I’m a disaster in the kitchen, so I was wary to get stuck in.

But Chef Lat was enthusiastic and welcoming, and soon had me chopping lemongrass and frying prawns.

He demonstrated how to create a chicken and ginger curry, stir-fried prawns with yellow curry and a sweet, spicy papaya salad.

My new favourite, though is a massaman chicken curry. You eat everything you make, too.

Our days exploring the island were brilliant, but it was the street food that kept pulling me away from the White Lotus life back at the resort.

Tucked away along the streets are places serving up pad Thai and spicy tom yum soup, with cocktails for £2.

As for sweet treats, mango sticky rice is a revelation and, at £1.65 from street vendors, you’d be mad to miss it.

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When the humidity becomes unbearable, coconut ice cream is a girl’s best friend.

When everything tastes this good and costs this little, the infinity pool can wait.

White Lotus star Aimee Lou Wood will no longer front the Marks & Spencer Christmas advert despite being involved in the promotional clip in August

Aimee Lou Wood has been ‘dropped by M&S’, according to reports. The White Lotus star was set to be the face of the new Marks and Spencer Christmas advert, but appears to have been cut from the production.

The claim comes after the retail giants are said to have initially wooed the 31-year-old actress with a huge fee. Any appearance would have seen her follow the likes of Hannah Waddingham and Sophie Ellis-Bextor in featuring in the festive fun.

However, despite appearing in the promo clip in August, Aimee is thought to have been removed by the brand who have reportedly chosen to go in a different direction.

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A spokesperson for M&S told Mail Online: “We really enjoyed working with Aimee Lou Wood during the early stages of this year’s Christmas campaign – she brought great energy and creativity to the process.

“As the campaign evolved, we started to embed a new product-focused strategy under new leadership. So, rather than a single-hero advert, the campaign was reshaped around a series of festive films and influencer content-drops aligned to key seasonal shopping moments – from gifting and hosting to partywear – delivered through a social-first, multi-channel approach across social media, digital, out-of-home and print.”

It could be seen as a blow for the Stockport-born actress. However, after finding fame in Netflix’s comedy drama Sex Education, she has continued to go from strength to strength before the M&S dropping.

She also portrayed Chelsea in the third series of the Sky Atlantic drama last year. It’s thought she had signed a deal to lead the M&S ad in the summer. But with a change in direction, comes new faces.

It comes as the eagerly anticipated John Lewis advert received a mixed response. It was attempting to pull at the heartstrings with its latest offering that focuses on a father and son struggling to find the words to say how much they care about each other.

That all changes when Dad finds a present addressed to him while packing away the wrapping paper for another year on Christmas morning. This year the famous advert is soundtracked by 90s dance icon Alison Limerick’s hit Where Love Lives, with a newly reimagined version by globally acclaimed artist and producer Labrinth also featuring.

However, while some shed a tear, others blasted the production as “Depressing, boring and not very Christmassy!”

“Just seen the John Lewis Christmas advert,” one user wrote on Twitter/X. “Thought it was dull, depressing, boring and not very Christmassy,”

Another posted on the platform: “The John Lewis Christmas Advert is TERRIBLE!!! What a bunch of nonsense. Unimaginative, unfestive, rubbish. Bring back Moz the Monster or Edgar the Dragon!! #JohnLewisChristmasAdvert #JohnLewis #Rubbish.”

A third was left conflicted, writing: “John Lewis ad 2025 – I’m not sure, it’s underlying message of father son communication is great, but it’s portrayed in such a dark way, you don’t know what’s happening, it’s very vague, and not very festive at all, bordering on depressing even!”

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