Kurt

A 2009 crash killed an Angels pitcher. How Kurt Suzuki helped lone survivor heal

“Wow!”

The performance needed no evaluation beyond the exclamation. Kurt Suzuki bounded out of the visiting clubhouse at Angel Stadium to catch up with his friend.

In 2009, in the first start of his first full major league season, the Angels’ pitcher threw six shutout innings against Suzuki and the Oakland Athletics. On Team USA, Suzuki had been his catcher.

Suzuki congratulated the pitcher, shared the exclamation and — because this is what friends do — gave him a hard time.

Before the sun rose, Nick Adenhart was dead. He was 22.

“I woke up the next morning to 10 text messages you don’t want to hear,” Suzuki said.

A drunk driver had blown through a red light and into a minivan full of friends. He killed three of them, including Adenhart. One survived: Jon Wilhite, who played baseball at Cal State Fullerton with Suzuki.

Sixteen years later, a forever bond endures between Wilhite and Suzuki. When the Angels introduced Suzuki as their new manager last month, Wilhite was in the audience.

Their friendship is compelling. Their story is poignant. We’ll get to it, but first Suzuki ribs Wilhite for wearing long pants on a sunny autumn day in Manhattan Beach. Suzuki is wearing shorts and flip-flops.

“We’re by the beach, dude,” Suzuki laughs.

Suzuki eggs on Wilhite: Tell the story about the white suit.

In 2004, Fullerton won the College World Series, with Suzuki as the All-America catcher and Wilhite as a redshirt catcher. In 2005, the Titans visited the White House.

“I didn’t own a suit,” Wilhite said. “I went to the Men’s Wearhouse in Hawthorne, just by myself, and this guy sold me on a white suit.”

New Angels manager Kurt Suzuki, left, and general manager Perry Minasian speak to reporters at Angel Stadium last month.

New Angels manager Kurt Suzuki, left, and general manager Perry Minasian speak to reporters at Angel Stadium last month. Jon Wilhite was in the audience.

(Greg Beacham / Associated Press)

On the day of the White House visit, his teammates thought the white suit was a joke. Dear reader, it was not.

Wilhite stood in line with his teammates, waiting to meet President George W. Bush. As the president shook Wilhite’s hand, he took a look at the suit and deadpanned: “Bold move, son.”

Fullerton has won four College World Series championships, more than any other school besides USC, Louisiana State, Texas and Arizona State — elite by any standard, but frankly amazing given the Titans’ status as a financially challenged athletic program at a commuter school. The players believed in themselves, because they could not count on anyone else to believe in them.

“It was like a brotherhood,” Suzuki said.

That drunk driver very nearly killed Wilhite, too. You can get chills just by saying out loud the medical term for what happened to him: internal decapitation.

UC Irvine surgeons put his skull back atop his spine. At the time, UCI reported, only four other people were known to have recovered from that injury.

Wilhite was in the hospital for weeks, in rehabilitation for months. Suzuki, then in his second full major league season, raised more than $50,000 for Wilhite’s recovery fund by tapping veterans for baseball memorabilia that could be sold or auctioned.

“Luckily, with the money raised, I was able to take a year and get myself physically as good as I could be,” Wilhite said, “before I went back to work.”

That money was not the most valuable contribution Suzuki made toward Wilhite’s healing.

When Wilhite finished his rehabilitation program, Suzuki was back in Southern California, in the midst of offseason workouts.

Hey, he told Wilhite, come work out with me.

“This is a guy that’s a professional athlete getting ready for his next year,” Wilhite said, “and I was struggling to walk.

“I showed up every single day, and I got stronger. That’s when I really made strides. I wasn’t just a patient. I felt like an athlete again.”

Even in those worst of times, Suzuki was not above ribbing Wilhite. For both of them, it felt, well, normal.

“He was still getting his balance back,” Suzuki said. “I’m like, come on dude, don’t go falling on me or everybody’s going to be looking at us!”

Suzuki could have made a modest donation to Wilhite’s recovery fund. That would have been a lovely gesture.

Kurt Suzuki and Jon Wilhite, the lone survivor of the crash in which Nick Adenhart and two others were killed.

Angels manager Kurt Suzuki, left, and Jon Wilhite were teammates at Cal State Fullerton. “Would you just write your family member a check? No, you’re going to be there for him,” Suzuki said of how he’s supported Wilhite since the accident.

(Christina House/Los Angeles Times)

For Suzuki, that would not have been enough. The Titans were family, and to this day he remembers that Wilhite’s father attended practice just about every day, sitting in the front row, wearing that trademark white bucket hat.

“Would you just write your family member a check?” Suzuki said. “No, you’re going to be there for him.”

The Angels honor their best pitcher each year with the Nick Adenhart Award. Suzuki can present it now, and share his memories of Adenhart. Perhaps Wilhite could join Suzuki.

If he were to do that, he would want to make sure to share his memories of the other victims, too: Courtney Stewart, 20, a Fullerton classmate he described as smart, fun, and not at all scared to tease her ballplayer friends about their play; and Henry Pearson, 25, a law student and aspiring sports agent who Wilhite said never took a moment for granted.

We met at Marine Park in Manhattan Beach, where Pearson and Wilhite played youth baseball, and where a memorial reads: “On April 9, 2009, Henry Pearson, Courtney Stewart and Nick Adenhart were killed by a drunk driver. Jon Wilhite miraculously survived and recovered. They remain an inspiration to us all.”

Some days more than others, Wilhite feels the miracle of survival, of prayer, of modern medicine. I asked him how he explains what happened to people who don’t already know.

“I usually don’t like to drop that bomb on people,” he said. “I usually try to be vague.”

He knows he is the lucky one. He tries to remember that every day, but his mind never drifts far from the others.

“Three of the best people I know lost their life for a senseless act,” he said, “people with such promise.”

Thanksgiving is upon us, so I asked Wilhite if anything came out of this horrific tragedy for which he can be thankful.

He paused. The grief might never fully pass. He was not about to force an answer.

But, after a minute or so, he talked of the relationships he had built with the families of Adenhart, Pearson and Stewart, and the baseball community that supported him, and the close friends who stepped up to help him in his time of need.

“Like Kurt,” he said.

Source link

Kurt Weill lived for drama and atmosphere — and so do I, says Rufus Wainwright

An image collage containing 1 images, Image 1 shows Rufus Wainwright, an American-Canadian singer-songwriter, poses for a portrait

RUFUS WAINWRIGHT has never been an artist to repeat himself.

With a diverse back catalogue, the Canadian singer’s latest project sees him dive into the world of Kurt Weill with the Pacific Jazz Orchestra, releasing an album following a string of concerts.

I’m A Stranger Here Myself: Wainwright Does Weill is a richly dramatic and stylish collection that breathes new life into the German composer’s timeless songs from the 1920s-40s.

Rufus tells Jacqui Swift about finding new meaning in the music and why now felt like the right moment to record it . . . 

WHEN did you first hear Kurt Weill songs, and which means the most?
I first heard his songs after buying an album I saw in a record store when I was about 13 that looked super cool.

It was a funky lady, smoking a cigarette with a big smile. That was Kurt Weill’s wife Lotte Lenya [the album was called Lotte Lenya Sings American Theatre Songs Of Kurt Weill].

TONY PARSONS

Gary ‘Mani’ Mounfield’s thundering bass was key to making Stone Roses unique


NEW BEAU

Ellie Goulding casts new man Beau Minniear in her raunchiest ever music video

So it was really Lotte’s picture that got me going first.

Surabaya Johnny is my favourite Kurt Weill song. It’s a song I wish I’d written.

How did his songs influence your own writing and performance?
He was a fan of drama and atmosphere – two elements which I definitely incorporate in my own work.

And I love how he’s willing to tackle the troubling subjects of the day, something I’ve never shied away from.

How do you approach a song like Mack The Knife and make it your own?
My strategy was to combine the German version and the Bobby Darin version to have a kind of mid-Atlantic version.

I don’t usually have trouble with that, because my voice is so bizarre that everything I sing always ends up sounding like a Rufus Wainwright song.

Did any song surprise you once you started working on its arrangement?
It Never Was You was a song I always overlooked and felt it just didn’t touch me.

But certainly, after my mother passed away I looked at it in a whole new light.

How are you balancing staying true to Weill while bringing your own personality and style?
The thing about this whole project is that it’s great, but it’s also incredibly tragic.

Kurt Weill died at 50. I started doing these songs and performing them professionally when I was 50.

In a lot of ways, I feel like I’m transferring a lot of his spirit into his latter days, an age that he wasn’t able to really experience.

So I feel responsible for giving him a little bit more time on the earth.

When did you realise your live performance of these songs should be an album?
Really, when we got there, after we heard the recordings.

None of this was ever intended to be a record.

We all just did it off the cuff and decided to record it last minute.

But once we listened to the tracks, we realised that there was something really special there, especially considering that the songs were written during a very troubling time politically.

This is a good moment to put that type of material out, since we are also in deep water at the moment.

How did the Pacific Jazz Orchestra come on board?
They made the initial offer. I had sung some Kurt Weill songs at the Carlyle Hotel in New York for a small residency.

Then they came to me and said, ‘You know, we’d love to do something with you. Anything’.

And I put two and two together.

Rufus Wainwright, an American-Canadian singer-songwriter, poses for a portrait.
I’m A Stranger Here Myself: Wainwright Does Weill is a richly dramatic and stylish collection that breathes new life into the German composer’s timeless songsCredit: Miranda Penn Turin

Your back catalogue is diverse and varied. Where does this work fit in?
I consider my catalogue, my career and my life, in many ways, to be a tree that has many, many branches.

I would say this is connected to it.

Let’s say this is a sprouting flower from a twig.

Was this one of your most challenging projects?
It was, but mainly because I was doing so much around it.

I was producing a musical in the West End called Opening Night and also putting the finishing touches on my Dream Requiem, which was to be premiered in Paris after this concert.

So yeah, I was spread super, super thin, and it was incredibly challenging, but that adds a manic energy to the performance, which works well with his material.

You can’t be too rested when you sing Kurt Weill.

What’s next?
I’m shutting down the shop. I’m 100 per cent working on a new pop record.

I need to go back to my bread and butter and see what the kids are up to and take one more swipe at it.

You played Want One and Want Two for BBC Proms, was that night as special for you as it was for the audience?
Yeah, it’s always special doing those records.

They represent such a pivotal moment in my life and they really made me who I am today.

Any more special performances of these albums in the future?
I’ll do one periodically, here and there, for sure.

kell no

Jack Osbourne’s furious sister rips into ‘bully’ Kelly Brook after I’m A Celeb row


MUM PAIN

I was arrested in front of daughter for WhatsApp message, £20k won’t erase trauma

I’m doing the Judy Garland record in June at the Royal Albert Hall so, yeah, I’m still pretty schizophrenic musically.

RUFUS WAINWRIGHT WITH THE PACIFIC JAZZ ORCHESTRA

I’m A Stranger Here Myself: Wainwright Does Weill

★★★★☆

Illustration of two head silhouettes on a dark blue background with text "I'M A STRANGER HERE MYSELF" and "WAINWRIGHT DOES WEILL" at the top and "Rufus Wainwright with the Pacific Jazz Orchestra" at the bottom.
I’m A Stranger Here Myself: Wainwright Does WeillCredit: Miranda Penn Turin

Source link