It’s been seven years since Mahershala Ali was announced as Marvel’s Blade, but the acclaimed actor says that his involvement in the project is officially dead and buried.
According to the two-time Oscar winner, if the project does get off the ground, it won’t be with him. Ali told GQ during an interview published on Friday that he has “moved on” from the plan to play the iconic vampire hunter that Wesley Snipes made famous in the ‘90s and early aughts.
“If they wanted to do it, we would’ve done it,” Ali told GQ.
Last month, Marvel Studios President Kevin Feige told the “Happy Sad Confused” podcast that he wasn’t proud to have let the project slip through his fingers, saying, “I am feeling like a gigantic loser and failure that we didn’t get off the ground with Mahershala.”
In the same interview, Feige said he was very excited to have gotten Snipes back “for a time” as Blade in “Deadpool & Wolverine.”
In Snipes’ scene in the 2024 Marvel hit, he may have answered any lingering questions on the matter just before blowing up a building with a missile launcher: “There’s only been one Blade,” he said, “there’s only ever gonna be one Blade.”
The project had notably gone through a slew of writers and directors; writer-director Bassam Tariq stepped away in 2022, work was stalled due to the writers’ strike in 2023, and the project just couldn’t seem to get its bearings amid all the brouhaha. During Ali’s interview with GQ, the outlet asked if “Blade” was any closer to becoming a reality.
“Not with me. The best way I can answer this question is, when I look at what is for me, is it was either this or that — and I’ll take this,” he said, referring to “Your Mother Your Mother Your Mother,” his forthcoming action-adventure film penned and directed by Tariq that hits theaters Sept. 25.
“No offense to them. I’ve been doing this professionally for pushing 30 years now, and one thing I’ve learned is that what is for you is for you and what is not is not,” he continued. “For whatever reason, that project is not for me. If they wanted to do it, we would’ve done it. So I have to move on, and I have moved on. ‘Your Mother Your Mother Your Mother’ feels very much in alignment with the type of work I want to be known for. I don’t really want to be known for remakes. I’d love to do original work that resonates with people and impacts them in unique ways.”
Though Ali seemed to be at peace with what happened with “Blade,” he still threw some shade Marvel’s way.
“Again, you had me under contract, they have billions of dollars, if they wanted to do the movie, we would’ve done the movie,” he said. “So we’re not doing the movie.
“When I look at this and ‘Blade,’ I couldn’t have done both, and the reason this even exists is because that project fell apart and Bassam had the time, space, energy and focus to go and write this and then re-approach me,” he continued. “And I was able to use those skills that I had been working on for over a year training for ‘Blade.’ In that way, I feel creatively redeemed on some level, just in my own journey between me, myself and I. But I feel ready to move on from the ‘Blade’ questions. Those questions are for them. They didn’t want to do it, so they should answer that question.”
Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.
“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”
A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.
“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.
Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.
He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.
“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”
His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.
“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”
Another skill he learned from his dad? was working on his feet.
“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”
Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.
Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.
“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”
With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.
From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.
“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”
He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.
James Burrows behind the scenes.
(Chris Pizzello / Invision / Associated Press)
Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.
“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.
Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”
Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.
In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.
