‘The End’ review: Bunkered family keeps on singing in denial
“The End,” by director Joshua Oppenheimer (“The Act of Killing,” “The Look of Silence”), is a gloomy musical about perhaps the only six people left…
‘The Beast’ review: Lovers can’t connect and AI is to blame
Whether it’s Charlie Chaplin literally trapped in the gears of industrialization in “Modern Times” or James Cameron crafting a gripping vision of robots enslaving us…
‘Femme’ review: Vengeance in the guise of erotic flirtation
The most revelatory aspect of the art of drag is how it lays bare the centrality of performance in our everyday lives. That’s most obvious…