The Canadian singer-songwriter announced her pregnancy Monday in an Instagram post, sharing a few black-and-white photos of the couple and Jepsen’s baby bump that hint there may be some kicking going on.
“Oh hi baby,” Jepsen, 39, wrote in the caption along with a heart emoji. Her 40-year-old husband, whose full name is Cole Marsden Greif-Neill, is feeling so much love and excitement that he has been rendered speechless, if the multiple heart-eyes emojis are any indication.
According to the couple’s wedding spread in Vogue, Jepsen and the Grammy Award-winning producer tied the knot in October, and the couple had been trying to get pregnant while planning their New York wedding. The musicians first met as colleagues in 2021 and started dating in 2022 before getting getting engaged in September of last year.
In 2023, Jepsen told People that their first collaboration, the song “So Right” from her album “The Loveliest Time,” was in essence the couple’s “meet-cute.”
“This is our first little baby out in the world,” Jepsen told the outlet at the time. “I think you’ll see a lot more of our collaboration together for future projects.”
Known for her earworm 2012 hit “Call Me Maybe,” Jepsen most recently celebrated the 10th anniversary of the release of “Emotion” with a sold-out show at the Troubadour, where she performed the entirety of the 2015 album.
“‘Emotion’ was like an introduction to my authentic version of what pop music was,” Jepsen said of the LP in 2020. “I was itching to share something different, because I knew that ‘Call Me Maybe’ wasn’t the only color of what I had to offer.”
SAN DIEGO — The home team was one strike from victory Friday night, when the Petco Park video board suddenly erupted in hues of pink and mint, flashing the preferred accompaniment to any game against the Dodgers: BEAT LA.
Then came the 102-mph fastball, then a swing and a miss, and the San Diego Padres had indeed beaten the Dodgers.
For Dodgers fans who thought the National League West had been won last weekend at Dodger Stadium, this just in from San Diego: The NL West is tied.
These were words in this publication just five days ago: “The Dodgers now lead the National League West by two games, but it feels like 20.”
The Dodgers had just swept the Padres, their only competition for the division title. The Dodgers were 8-2 against the Padres this season. There was a blue wave of emotion. The thing that happened last is the thing you remember best.
“It’s natural,” Dodgers manager Dave Roberts said. “That’s the great thing about fandom. People get excited. That’s a great thing about sports.”
The feeling in the clubhouse last weekend?
“In here? We played a great series, but there’s still a lot of baseball left to play,” Roberts said. “It wasn’t going to be won or lost then, and it’s not going to be won or lost this weekend.”
The trouble is not with the emotion. The trouble is with the schedule.
The number of games left after this weekend: 31. The number of Dodgers-Padres games left after this weekend: 0.
This is baseball’s best rivalry, with a division title and potential first-round playoff bye on the line. The Dodgers and Padres should be facing each other to wrap up the season, with all that emotion bursting forth.
Instead, the Dodgers finish the regular season against another traditional rival, the (checks notes) Seattle Mariners.
There has been plenty of emotion among the Dodgers and Padres fan bases already this year, mostly in the form of angst.
The Dodgers won the winter, and Padres fans wondered why their team was not keeping up with the competition.
The Padres won the trade deadline, and Dodgers fans wondered why their team was not keeping up with the competition.
For the Dodgers, the cliche is about to be put to a real-life test: Getting a player off the injured list is just like getting a player in a trade.
Reliever Tanner Scott was activated Friday. Reliever Kirby Yates could be activated as soon as Saturday.
On Friday, infielder Alex Freeland hit his first major league home run, but infielder Buddy Kennedy (.287 OPS) went hitless, and the Dodgers burned their backup catcher to bat for him. They trusted outfielder Justin Dean to pinch-run and play center field, but not to bat.
Alex Freeland celebrates after hitting a solo home run in the third inning of a 2-1 loss to the Padres on Friday.
(Sean M. Haffey / Getty Images)
“This is our club right now,” Roberts said. “We have guys coming back.”
On a hot August night, Petco Park was its usual lively self, with its usual sellout crowd, with Dodgers fans drowning out chants of “Let’s Go Padres” and Padres fans returning the favor at the sound of “Let’s Go Dodgers.”
Amid intensity fit for October, the Dodgers and Padres each let a strong starting pitcher — Blake Snell for L.A., Yu Darvish for San Diego — continue rather than reflexively remove him for the third time through the lineup.
How do you win in October, with pitchers like Snell and Darvish lined up?
Is it with the home run?
Only one major league team has more home runs than the Dodgers. The Dodgers scored their only run Friday on a home run.
Is it with small ball?
Only one major league team has fewer home runs than the Padres. The Padres scored both their runs in one inning Friday, with a rally that included three singles, a walk, a sacrifice bunt and a sacrifice fly.
The Padres dropped three sacrifice bunts Friday. They have 40 this season, the most in the majors. The Dodgers have eight, the fewest of any NL team.
Before the game, I spoke with Mason Miller, the former Athletics All-Star closer turned Padres eighth-inning setup man. To this point in his career, Miller said, the biggest game of his career has been closing the A’s final game in Oakland last September.
“I think I said it after that game: until I play in the playoffs, that will probably be my all-time baseball memory,” Miller said. “Now it doesn’t seem like I’ll have to wait that much longer to get that playoff taste.”
Not much longer at all. As of Friday morning, Baseball Prospectus put the Dodgers’ chance of making the playoffs at 99.8% and the Padres’ chance at 99.6%.
Maybe this weekend won’t mark the last Dodgers-Padres game this season. What we really want is the first NL Championship Series between the Dodgers and the Padres, with the winner advancing to the World Series: SoCal vs. the World.
Almost 10 years to the day after a show at the Troubadour that marked the release of her album “Emotion,” Carly Rae Jepsen brought the 2015 LP back to the same West Hollywood club on Tuesday night for a sold-out one-off gig in which she played “Emotion” from beginning to end. The follow-up to Jepsen’s un-follow-uppable 2012 smash “Call Me Maybe,” “Emotion” wasn’t exactly the hit the singer and her team were hoping for. Yet over time, the album — which Jepsen made with a host of hip producers and songwriters including Rostam, Ariel Rechtshaid and Blood Orange’s Dev Hynes — became a cult favorite beloved for its squirmy ’80s R&B grooves and its tone of unabashed yearning. “We are blown away,” Jepsen, 39, said as the crowd loudly welcomed her and her band to the stage. Here are nine highlights from the show:
1. You knew the audience was in Jepsen’s pocket when, even before she came out, fans cheered the sight of a stagehand gripping a saxophone — the instrument whose silky wail opens “Emotion” like a siren call for unrequited lovers.
2. One of Jepsen’s most effective tricks as a pop sort-of-star is the modesty of her presentation, which lends a crucial believability to her many songs about feeling overwhelmed. Here, for instance, she used an electric fan — but a very small one — to blow her hair around just a little during “I Really Like You.”
3. After “Making the Most of the Night” — which, according to the internet, she hadn’t played live since 2018 — Jepsen talked about moving to Los Angeles from her native Canada when she was 26. “I had brought a little suitcase, and I kept calling my parents and saying, ‘Send more clothes!’” she said. “Five years later, I was like, I think I live here now. I’m very happy to say L.A. has become my home.”
Carly Rae Jepsen sang her 2015 album “Emotion” from beginning to end.
(Jasmine Safaeian)
4. In 2015, Jepsen’s celebrity guests at the Troubadour included Lorde and Tom Hanks, the latter of whom starred for some reason in the video for “I Really Like You.” This time, her mom and dad sat proudly in the balcony, shooting videos on their phones.
5. Can we give the bass player some love? Bobby Wooten III might have been Jepsen’s secret weapon on Tuesday, not least in the stretch from “Gimmie Love” to “All That” to “Boy Problems,” where his chewy pop-funk licks gave the music real bite.
6. “When I Needed You” climaxed with a moving a cappella singalong that had virtually the entire crowd belting Jepsen’s lines about discovering how far is too far to go to accommodate a selfish partner. (Say this for Jepsen’s faithful: They’ve got impeccable pitch.) The moment had big Robyn-fans-in-the-subway energy.
7. Jepsen famously said at the time of “Emotion’s” release that she’d written something like 200 songs for the album. “I wasn’t sure what I wanted to do, so for me the only solution was to keep writing, and hopefully that would lead to something,” she told me that year. “It was a purpose, a hunger.” In 2016, she dropped eight of her outtakes on an EP called “Emotion: Side B,” and here she revealed that she’ll release half a dozen more — “C-sides,” she called them — on a 10th anniversary reissue of “Emotion” due in October. It’s hard to think of another artist who’s made such a deep vault of a single LP.
8. The strangest song Jepsen has ever written, according to Jepsen: “Store,” the improbably exuberant bop about grocery shopping that she sang at the Troubadour while two-stepping down an imaginary frozen foods aisle.
9. Tuesday’s show ended with Jepsen’s traditional closer, “Cut to the Feeling,” yet another “Emotion” outtake that’s taken on a second life as the subject of a durable internet joke about swords. (Say this for Jepsen’s faithful: They have memes.) Before that, though, she inevitably reached back for “Call Me Maybe,” delivering the song while pulling daffy faces that made her look like the star of some forgotten ’30s screwball comedy. “Before you came into my life, I missed you so bad,” she sang — still an all-timer of a pop lyric.
