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WASHINGTON — The Justice Department filed a new lawsuit Friday against Harvard University, saying its leadership failed to address antisemitism on campus, creating grounds for the government to freeze existing grants and seek repayment for grants already paid.

The lawsuit, filed in federal court in Massachusetts, is another salvo in a protracted battle between the administration of President Trump and the elite university.

“The United States cannot and will not tolerate these failures,” the Justice Department wrote in the lawsuit. It asked the court to compel Harvard to comply with federal civil rights law and to help it “recover billions of dollars of taxpayer subsidies awarded to a discriminatory institution.”

The lawsuit also asks a judge to require that Harvard call police to arrest protesters blocking parts of campus and to appoint an “independent outside monitor,” approved by the government, to ensure it complies with court orders.

Harvard did not immediately respond to a request for comment.

The lawsuit comes after negotiations appear to have bogged down in the months-long battle with the Trump administration that has tested the boundaries of the government’s authority over America’s universities. What began as an investigation into campus antisemitism escalated into an all-out feud as the Trump administration slashed more than $2.6 billion in research funding, ended federal contracts and attempted to block Harvard from hosting international students.

In a pair of lawsuits filed by the university, Harvard has said it’s being unfairly penalized for refusing to adopt the administration’s views. A federal judge agreed in December, reversing the funding cuts and calling the antisemitism argument a “smokescreen.”

Ted Mitchell, president of the American Council on Education, a major association of colleges and universities, accused the administration of launching a “full scale, multi-pronged” attack on Harvard. Friday’s lawsuit, he said, is just the latest attempt to pressure Harvard to agree to changes favored by the administration.

“When bullies pound on the table and don’t get they want, they pound again,” Mitchell said.

The Trump administration began investigating allegations of discrimination against Harvard’s Jewish and Israeli students less than two weeks after the president took office. The allegations focus on Harvard’s actions during and after pro-Palestinian demonstrations during the Israel-Hamas war.

Officials concluded Harvard did not adequately address concerns raised about antisemitism that drove some students to conceal their religious skullcaps and avoid classes. During protests of the war, Trump officials said, Harvard permitted students to demonstrate against Israel’s actions in the school library and allowed a pro-Palestinian encampment to remain on campus for 20 days, “in violation of university policy.”

In its lawsuit Friday, the Justice Department also accused Harvard of failing to discipline staff or students who protested or tacitly endorsed the demonstrations, such as by canceling or dismissing classes that conflicted with protests.

“Harvard University has failed to protect its Jewish students from harassment and has allowed discrimination to wreak havoc on its campus,” White House press secretary Liz Huston said Friday on X. “President Trump is committed to ensuring every student can pursue their academic goals in a safe environment.”

Despite their bitter dispute, Harvard and the Trump administration have held some negotiations, and the two sides have reportedly been close to reaching an agreement on multiple occasions. Last year, the administration and the university were reportedly approaching a deal that would have required Harvard to pay $500 million to regain access to federal funding and to end the investigations. Almost a year later, Trump upped that figure to $1 billion, saying that Harvard has been “behaving very badly.”

At the same time, the administration was taking steps in a civil rights investigation that had the potential to jeopardize all of Harvard’s federal funding.

In June, the Trump administration made a formal finding that Harvard tolerated antisemitism.

In a letter sent to Harvard, a federal task force said its investigation had found the university was a “willful participant” in antisemitic harassment of Jewish students and faculty. The task force threatened to refer the case to the Justice Department to file a civil rights lawsuit “as soon as possible,” unless Harvard came into compliance.

When colleges are found in violation of federal civil rights law, they almost always reach compliance through voluntary agreements. When the government determines a resolution can’t be negotiated, it can try to sever federal funding through an administrative process or, as the Trump administration has done, by referring the case to the Justice Department through litigation.

Such an impasse has been extraordinarily rare in recent decades.

Last summer, Harvard responded that it strongly disagreed with the government’s investigative finding and was committed to fighting bias.

“Antisemitism is a serious problem and no matter the context, it is unacceptable,” the university said in a statement. “Harvard has taken substantive, proactive steps to address the root causes of antisemitism in its community.”

In a letter last spring, Harvard President Alan M. Garber told government officials that the school had formed a task force to combat antisemitism, which released a detailed report of what unfolded on campus after Hamas militants stormed Israel on Oct. 7, 2023, killing around 1,200 people and abducting 251 others. Israel retaliated with an offensive that killed tens of thousands of Palestinians and displaced around 90% of Gaza’s population — prompting pro-Palestinian demonstrations at colleges around the country.

After the demonstrations at Harvard, Garber said the university had hired a new provost and new deans and that it had reformed its discipline policies to make them “more consistent, fair and effective.”

Since he took office, Trump has targeted elite universities he believes are overrun by left-wing ideology and antisemitism. His administration has frozen billions of dollars in research grants, which colleges have come to rely on for scientific and medical research.

Several universities have reached agreements with the White House to restore funding. Some deals have included direct payments to the government, including $200 million from Columbia University. Brown University agreed to pay $50 million toward state workforce development groups.

Balingit and Casey write for the Associated Press.

Founder of the Women’s Tennis Association and tennis great Billie Jean King (C) smiles with representatives after speaking during an annual Women’s History Month event in celebration of the 50th anniversary of Title IX in Statuary Hall at the U.S .Capitol in Washington on March 9, 2022. Women’s History Month is celebrated every March. Photo by Bonnie Cash/UPI | License Photo

March 19 (UPI) — Actor Kevin Spacey settled out of court in England with three men who sued him, accusing him of sexual assault.

The cases were set for trial in the High Court this year.

The men alleged that between 2000 and 2013 Spacey, 66, assaulted them, but Spacey denies any wrongdoing.

In 2023, he was found not guilty of nine criminal sexual assault charges. Two of the accusers in the criminal trial filed the civil cases.

One accuser, known as LNP, alleged that Spacey “deliberately assaulted” him 12 times between 2000 and 2005. Another, known as GHI, said he “suffered psychiatric damage and financial loss” from an assault in 2008.

Actor Ruari Cannon, who has waived his right to anonymity, said that when he was in the Tennessee Williams play Sweet Bird of Youth at the Old Vic Theater in 2013, Spacey groped him at a party. Spacey was the artistic director at the theater at the time.

Cannon also settled with the Old Vic in a civil suit two weeks ago.

Cannon was on a BBC Channel 4 documentary, Spacey Unmasked, in 2024. Spacey called the allegation “ridiculous and it never happened.”

Spacey has been trying to win back his career, Deadline reported. Last year he said he has no home and was living out of hotels and Airbnbs and working as a lounge singer in Cyprus. He claims his struggles are like the actors who were blacklisted during McCarthyism, Deadline said.

Spacey also won a civil case in the United States in which actor Anthony Rapp said Spacey sexually assaulted him when he was 14.

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Reports are emerging that the US and Israel are supporting separatist groups in Iran to launch attacks. The reports claim its part of an evolving US strategy to weaking Iran’s defences and possibly collapse the Islamic Republic. Soraya Lennie breaks it down.

“The Gray House,” a limited series now streaming on Prime Video, purports to tell the fact-based story of Elizabeth Van Lew, who spied for the Union in the Civil War while living in the midst of Southern society in Richmond, Va. And in very broad terms it does, though it fills up the space within those outlines with an army of imagined details and melodramatic plots and subplots.

It is not the first work for the screen that betrays history by attempting to make it more exciting than it already is, and if you go in ready not to wonder or care what did or did not actually happen, and which characters are real or invented, you may make out alright. (If you do care, there is Gerri Willis’ 2025 volume “Lincoln’s Lady Spymaster: The Untold Story of the Abolitionist Southern Belle Who Helped Win the Civil War.”)

So I will not ring a bell every time the miniseries, which admittedly bills itself as “inspired by a true story,” diverts from the record, even though in my head it may be clanging.

It’s July 4, 1860, nine months before the beginning of the Civil War. Elizabeth (Daisy Head) lives in a mansion in Richmond with her mother Eliza (Mary-Louise Parker), and the two are throwing a party. Guests, including the historical Swedish novelist and social reformer Fredrika Bremer (Oxana Moravec), congressman Sherrard Clemens (Ionut Grama), Virginia Gov. Henry Wise (Mark Perry) and his awful son Obie (Blake Patrick Anderson), unload expository dialogue and provide a primer for anyone not acquainted with the roots of the Civil War. Meanwhile, a runaway slave shows up out back, pursued by hounds, having heard that the Van Lew house is the place to run for help. The women, who are against secession and for abolition but are practiced in the art of deceiving their neighbors, are involved with the Underground Railroad in some way that’s not exactly clear.

Among their servants — the Van Lew slaves were (secretly) freed upon the death of Elizabeth’s father — are head porter Isham, played by Ben Vereen, who it is a pure pleasure to see back on screen, and Mary Jane (Amethyst Davis). A well-educated, determined young woman who is just back from Liberia, which did not suit her — she calls it a “tricky little way of ridding America of free Blacks” — the series gives her a lot of agency and makes her a virtual partner in the spy ring. White and Black, they live as much like a family as is possible when some people are labor and others are management and it’s the antebellum, then the wartime South.

Also involved in Elizabeth’s tradecraft are Scottish baker Thomas McNiven (Christopher McDonald) and Clara Parish (Hannah James), a beautiful prostitute who dreams “of Bronte’s moors” and gets, of all things, a big musical number in an out-of-place Western saloon, like Marlene Dietrich in “Destry Rides Again.” (The saloon is a standing set at Castel Film Studios in Romania, where the production was based; their backlot Western street, too, makes an implausible appearance.)

Out of the loop are Elizabeth’s brother, John (Ewan Miller), whose heart is in the right place, but who’s married to Laurette (Catherine Hannay), whose heart is not. An avaricious, envious flirt on the undisguised lookout for something better, she is angry that John wouldn’t use slave labor to build their house. She’s Scarlett O’Hara, minus the intelligence and charm.

Calling roll on the enemy, we find present Confederate President Jefferson Davis (Sam Trammell), in whose house — the eponymous Gray House — Mary Jane will be embedded, with a cocked ear and a photographic memory, to gather intel; Secretary of War (and then State) Judah P. Benjamin (Rob Morrow), who has a thing for Clara, to whom he opines on property rights while they share a bathtub; and a pip-squeak John Wilkes Booth (Charles Craddock), popping in and out no reason, unless it’s to foreshadow the death of Lincoln (who makes a rearview cameo), or just because everybody’s heard of him. Below them, but more in the action, are the nasty, thuggish Sheriff Stokely Reeves (Paul Anderson) and slave hunter Bully Lumpkin (Robert Knepper); and while thuggery and violence were endemic in a racist South, caricature and cliche do your history lesson no favors, however valuable it is.

Because Hollywood hates, let’s call it a love vacuum when it comes to screen heroines, Elizabeth will find herself the object of not one, not two, but (at least) three admirers, who prize her brains and spirit and talent for conversation. (She is no frilly, fizzy, fuzzy Southern belle, like the mean girls around her sister-in-law.) There is Hamton Arsenault (Colin Morgan), a sort of Rhett Butler lite, visiting from New Orleans with a huge live alligator, because I guess that’s something you could manage in 1860 just to make a splash at a party a thousand miles away. Capt. William Lounsbury (Colin O’Donoghue) is a dashing Union officer, escaping a Confederate prison, who passes through the Van Lew house on the way to freedom; they click together like Legos. Finally, there’s shy puppy dog Erasmus Ross (Joshua McGuire), who works at the Van Lew’s hardware store and will later have a post at a prison for captured Union soldiers, which the Van Lews will turn to their advantage.

“The Gray House” isn’t all bad, and its intentions are good, but it’s dramatically predictable and at eight episodes, some over an hour, goes on much, much longer than it needs to, letting scenes play out past profitability and wasting time on extraneous subplots involving minor characters — and minor minor characters — that do nothing to enrich the fabric of the show. A duel between two characters with no significant connection to the rest of the story exists here seemingly just because their historical counterparts did fight one, and gives the filmmakers the chance to add a duel — on horseback, like jousting with guns — to the show.

Parker is always fine, though the part requires a bit too much Southern breathiness. Davis and Head make strong impressions, masking the pedestrian, sometimes cornball dialogue. (The miniseries was written by Leslie Greif and Darrell Fetty, who collaborated on “Hatfields & McCoys”, with an undiscernable assist from John Sayles.) Keith David, who plays real-life activist minister Henry H. Garnet, gives a seven-minute speech on education as if he’s performing a Shakespearean monologue, after which he faces down a murderous sheriff like he’s Shaft. It’s a high point of the series, and the one scene I was happy to see go long.

Directed by Roland Joffé, who four decades ago was Oscar-nominated for “The Killing Fields” and “The Mission,” the production is a mixed bag; much care has been lavished on the costumes; the crowd scenes are well populated; printed material is done really well. (It matters.) Battle scenes — including Bull Run, where picnicking tourists are accurately shown in attendance — are convincingly rendered. But Romania, whether on or off the studio lot, only occasionally musters a decent impression of 19th century Virginia, reminding you, as “The Gray House” often does, that this is only a movie.